9.2.4

Arte y arquitectura - Comprehension

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Arte y arquitectura

Goya

Goya

  • De Roncesvalles, en los Pirineos navarros, seguimos nuestro viaje en la comunidad autónoma de Aragón, que es donde nació el gran pintor Goya, que vivió a caballo entre los siglos XVIII y XIX.
    • From Roncesvalles, in the Navarrese Pyrenees, we continue our trip in the autonomous community of Aragon, which is the birthplace of Goya, who lived in between the 18th and 19th centuries.
La corte real española

La corte real española

  • Aunque Goya era de Aragón, pronto se trasladó a Madrid donde fue un pintor muy de moda y trabajó allí pintando retratos para la corte real española.
    • Although Goya was from Aragon, he soon moved to Madrid where he was a very fashionable painter and worked there painting portraits for the Spanish royal court.
“Saturno devorando a sus hijos”

“Saturno devorando a sus hijos”

  • Uno de los cuadros más emblemáticos de Goya, el “Saturno devorando a sus hijos” inspiró Guillermo del Toro para su película “El laberinto del fauno”.
    • One of the most emblematic paintings of Goya, the so-called “Saturn devouring his children” inspired Guillermo del Toro for his film "The Labyrinth of the Faun”.
El muralismo

El muralismo

  • Si cruzamos el charco y nos vamos a la América Latina, encontramos el muralismo. El muralismo es una forma de expresión artística que se manifesta en pintar grandes murales normalmente en paredes de edificios.
    • If we cross the Atlantic and go to Latin America, we find muralism. Muralism is a form of artistic expression that manifests itself in painting large murals normally on building walls.
Gleo

Gleo

  • Hay varios muralistas pero me inclino por la gran muralista Gleo, nacida en Colombia y cuya pasión es decorar los edificios modernos y feos para transformarlos en obras de arte al aire libre.
    • There are several muralists but I prefer the great muralist Gleo, born in Colombia and whose passion is to decorate the modern and ugly buildings to transform them into works of art in the open air.
El arte sudamericano contemporáneo

El arte sudamericano contemporáneo

  • Gleo es una de las exponentes no solo del muralismo, sino del arte sudamericano contemporáneo. Ella sabe combinar los colores tradicionales de las culturas sudamericanas.
    • Gleo is one of the examples not only of muralism, but of contemporary South American art in general. She is knows how to combine the traditional colours of South American cultures.
Los detractores del muralismo

Los detractores del muralismo

  • Sin embargo, el muralismo también tiene sus detractores y hay quienes opinan que sus obras no son nada más que “grafiti” que ensucia las paredes.
    • However, muralism also has its detractors and there are those who think that their works are nothing more than "graffiti" that makes the walls dirty.
Jump to other topics
1

Los valores tradicionales y modernos

2

El ciberespacio

3

La igualdad de los sexos

4

La inmigración

5

El racismo

6

La convivencia

7

La influencia de los ídolos

8

La identidad regional en España

9

El patrimonio cultural

10

El Laberinto del Fauno

11

Nouns

12

Articles

13

Adjectives

13.1

Agreement

13.2

Position

13.3

Apocopation

13.4

Comparative & Superlative

13.5

Use of Adjectives as Nouns

13.6

Demonstrative

13.7

Indefinite

13.8

Possessive

13.9

Interrogative & Exclamative

13.10

Relative

14

Numerals & Quantifiers

14.1

Cardinal

14.2

Ordinal

14.3

Agreement

14.4

Expressions of Time and Date

14.5

Quantifiers

15

Pronouns

16

Verbs

16.1

Regular Conjunctions

16.2

Regular & Irregular Verbs

16.3

Agreement of Verb & Subject

16.4

Use of Hay Que in All Tenses

16.5

Present Tense

16.6

Preterite Tense

16.7

Imperfect Tense

16.8

Future Tense

16.9

Conditional Tense

16.10

Perfect Tense

16.11

Future Perfect Tense

16.12

Conditional Perfect Tense

16.13

Pluperfect Tense

16.14

Infinitive, Gerund & Past Participle

16.15

Verbal Paraphrases

16.16

Use of the Subjunctive

16.17

Commands

16.18

Conditional Sentences

16.19

After Conjunctions of Time

16.20

After Para Que, Sin Que

16.21

In Relative Clauses

16.22

After Other Subordinating Conjunctions

16.23

With Verbs of Wishing & Commanding

16.24

Sequence of Tense in Indirect Speech

16.25

Voice

16.26

Use of the Reflexives as a Passive

16.27

Use of the Reflexive to Express an Impersonal

16.28

Use of Ser + Past Participle

16.29

Use of Estar + Past Participle

16.30

'Nuance' Reflexive Verbs

16.31

Modes of Address

16.32

Constructions with Verbs

16.33

Verbs Followed by an Infinitive

17

Prepositions & Conjunctions

17.1

All Prepositions

17.2

'Personal' a

17.3

Discrimination of Por and Para

17.4

Coordinating Conjunctions

17.5

Subordinating Conjunctions

17.6

Use of Que to Introduce a Clause

18

Negation, Questions & Commands

18.1

Negation

19

Word Order, Other Constructions & Discourse Marker

19.1

Subject Following Verb

19.2

Focalisation

19.3

Time Expressions with Hace/Hacía

19.4

Cleft Sentences

19.5

Comparative Constructions

19.6

Indirect Speech

19.7

Discourse Markers

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