Media Language

Test yourself

Media Language

The 2019 music video for 'Good as Hell' is a narrative-concept video.

Multi-strand narrative

The 'Good as Hell' music video has a multi-strand narrative.
- The multi-strand narrative focuses on three main, female characters.
- The female characters are struggling with various issues.

Lighting

In the 'Good as Hell' music video, lighting is consciously used.
- The lighting in the opening sequences is more naturalistic and low-key than the later sequences.

Framing

When Lizzo is first introduced, she is positioned at the front of the band.
- This connotes Lizzo's importance as the star persona.
- Lizzo's lyrics are central to encouraging the three characters.
In the scene showing the interior of her bus, Lizzo is shown as 'being on the level' of 'normal' people.

Brand deals

In the music video, there is a clear use of a brand deal.
There is a brand deal with the bag of Cheetos in focus in the foreground of the frame.
- This brand deal could make Lizzo seem more 'normal'.
- This brand deal could also make Lizzo appear less 'genuine'.
Accepting brand money could reduce Lizzo's star persona.

Colour

The colours change throughout the course of the video.
At the start of the video, colours and costumes are more muted.
As the video progresses, colours and costumes become more saturated.
- The saturated colours connote bright outcomes.

1Overview

1.1Media Language

1.1.1Media Language

1.1.2Media Language 2

1.2Audience

1.2.1Audiences

1.2.2Audiences 2

1.2.3End of Topic Test - Media Language & Audience

1.3Representation

1.3.1Stereotypes

1.3.2Gender

1.3.3Audiences

1.4The Media Industry

1.4.1Media Industries

1.4.2Ownership

1.4.3Funding & Regulation

1.4.4End of Topic Test - Representation/Media Industry

2Component 1: Section A

2.1Magazines - Vogue

2.1.1Magazines

2.1.2Vogue - Context

2.1.3Vogue - Narrative

2.1.4Vogue - Representation

2.2Magazines - GQ

2.2.1GQ - Context

2.2.2GQ - Narrative

2.2.3GQ - Representation

2.3Advertising & Marketing

2.3.1Advertising & Marketing

2.3.2Analysing Adverts

2.3.3Analysing Adverts 2

2.3.4Theories & Principles

2.3.5End of Topic Test - Magazines & Advertising

2.4Print Advertisements - Quality Street

2.4.1Quality Street - Context

2.4.2Quality Street - Narrative

2.4.3Quality Street - Representation

2.5Print Advertisements - (2026 Exams) This Girl Can

2.5.1This Girl Can - Context

2.5.2This Girl Can - Narrative

2.5.3This Girl Can - Representation

2.6Print Advertisements - (2027 Exams) NHS 111

2.6.1NHS 111 - Context

2.6.2NHS 111 - Narrative

2.6.3NHS 111 - Representation

2.7Film Posters (Marketing)

2.7.1The Man with The Golden Gun

2.7.2The Man with The Golden Gun 2

2.8Film - No Time To Die

2.8.1Context

2.8.2Narrative

2.8.3Representation

2.9Newspapers

2.9.1Ownership & Regulation

2.9.2News Selection

2.9.3Media Language

2.9.4Genres

2.9.5Newspaper Conventions

2.9.6Representation

2.9.7Audience

2.9.8Theories

2.9.9End of Topic Test - Newspapers

2.10The Sun

2.10.1Context

2.10.2Narrative

2.10.3Language & Images

2.11The Guardian

2.11.1The Guardian

2.11.2Narrative

2.11.3Language & Images

2.12(2028 Exams) The Sun

2.12.1The Sun - Context

2.12.2The Sun - Narrative

2.12.3The Sun - Representation

2.13(2028 Exams) The Guardian

2.13.1The Guardian - Context

2.13.2The Guardian - Narrative

2.13.3The Guardian - Representation

3Component 1: Section B

3.1Video Games

3.1.1Video Games

3.2Video Games - Fortnite

3.2.1Fortnite (2017) - Media Industries

3.2.2Fornite (2017) - Audience

3.3Film

3.3.1The Big Six

3.3.2Technology

3.3.3End of Topic Test - Video Games & Films

3.4Radio

3.4.1The Radio Industry

3.4.2Categories of Radio Station

3.4.3Technology & Radio Audiences

3.4.4Theories

3.4.5End of Topic Test - Radio

3.5Radio - The Archers

3.5.1Production

3.5.2Media Industries

3.5.3Media Contexts

3.5.4Audiences 1

3.5.5Audiences 2

3.6(2027 Exams) Radio - Desert Island Discs

3.6.1Media Industries

3.6.2Audiences

3.6.3Media Contexts

4Component 2: Section A

4.1Television

4.1.1The Television Industry

4.1.2Types of Broadcasting

4.1.3Media Language & TV

4.1.4Representation & Audiences

4.1.5Theories

4.2Sitcom

4.2.1Sitcoms

4.2.2Friends

4.2.3Friends 2

4.2.4End of Topic Test - Sitcoms & Friends

4.3Sitcom - Modern Family

4.3.1Media Language

4.3.2Representation

4.3.3Media Industries

4.3.4Audiences

4.3.5Media Contexts

4.4Sitcom - Man Like Mobeen

4.4.1Media Language

4.4.2Representations

4.4.3Media Industries

4.5(2026 Exams) Luther

4.5.1Context

4.5.2Media Language

4.5.3Representation

4.5.4Audience

4.5.5Industry

4.6The Sweeney

4.6.1Context

4.6.2Media Language

4.6.3Representation

4.6.4Audience

4.6.5Industry

5Component 2: Section B

5.1Music Video

5.1.1Music Videos

5.1.2The Music Industry

5.2Lizzo - 'Good as Hell'

5.2.1Context

5.2.2'Good as Hell'

5.2.3Media Language

5.2.4Representation

5.2.5Audience

5.2.6Industry

5.3Taylor Swift - 'The Man'

5.3.1Taylor Swift

5.3.2Media Language

5.3.3Representation

5.3.4Audiences

5.3.5Media Industries

5.3.6Media Contexts

5.4Stormzy - 'Superheroes'

5.4.1Stormzy

5.4.2Media Language

5.4.3Representation

5.4.4Audiences

5.4.5Media Industries

5.4.6Media Contexts

5.5Justin Bieber - 'Intentions'

5.5.1Justin Bieber

5.5.2Media Language

5.5.3Representation

5.5.4Audiences

5.5.5Media Industries

5.5.6Media Contexts

5.6TLC - 'Waterfalls'

5.6.1TLC

5.6.2Media Language

5.6.3Representation

5.6.4Media Contexts

5.7Duran Duran - 'Rio'

5.7.1Duran Duran

5.7.2Media Language

5.7.3Representation

5.7.4Media Contexts

5.8Online Media - Lizzo

5.8.1Media Language

5.8.2Representation

5.8.3Audiences

5.8.4Media Contexts & Industries

5.9Online Media - Taylor Swift

5.9.1Media Language

5.9.2Representation

5.9.3Audiences

5.9.4Media Contexts & Industries

5.10Online Media - Stormzy

5.10.1Media Language

5.10.2Representation

5.10.3Audience

5.10.4Media Context & Industries

Jump to other topics