4.1.3

Media Language & TV

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Genre

In relation to any TV text, it is important to identify how media language is used to create meaning, and issues of genre and narrative that may also be relevant.

Genre

Genre

  • When provided with a TV text to analyse, you must identify the conventions of that TV genre and discuss whether or not the text is conventional for the genre.
  • Discuss issues such as genre hybridity and sub-genres.

Narrative

In relation to any TV text, it is important to identify how media language is used to create meaning. Identify any narrative theory that can be applied.

Propp's character roles

Propp's character roles

  • Propp's character roles:
    • Prince, princess, helper donor etc
Structure

Structure

  • Identify whether the TV text has a linear or non-linear structure.
Todorov's theory of narrative stages

Todorov's theory of narrative stages

  • Try and identify the stages of:
    • Equilibrium.
    • Disruption.
    • Then new equilibrium.
Levi-Strauss Binary Oppositions

Levi-Strauss Binary Oppositions

  • Good vs evil.
  • Aliens vs humans.
  • Old vs new.
Barthes’ enigma and action codes

Barthes’ enigma and action codes

  • Codes of mystery and intrigue used to engage the audience.
  • Codes which suggest some form of action will occur.
    • For example a character pulling out a gun.
Narrative techniques

Narrative techniques

  • It is also important to consider the narrative techniques used in a TV text, such as the use of captions or a narrator to help tell the story.
  • Consider any written or spoken language that is used and the meanings created.

Technical codes

It is important to identify and analyse technical codes in TV. The most important are covered below.

Use of Sound

Use of Sound

  • Diegetic, non-diegetic, parallel sound, sound bridge, voiceover, use of music.
Camera shots and angles

Camera shots and angles

  • ECU, CU, Long Shot, Medium Shot, birds eye view, worms eye view, tilt, canted angle, two shot, over the shoulder shot.
Camera Movement

Camera Movement

  • Pan, tracking shot, crane shot,dolly shot, steadicam, handheld.
Editing

Editing

  • Continuity and non-continuity, wipe, fade, dissolve, straight cut, montage.
Lighting

Lighting

  • High key, low key, natural lighting, 3 point lighting, spotlight, backlight, fill light.
Mise-en-scene

Mise-en-scene

  • Within the mise en scene there will be important symbolic codes that need to be identified and discussed such as:
    • Settings, props, costume, hair and makeup, facial expression and body language, use of colour.
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Component 2: Section B

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