3.2.2

Fornite (2017) - Audience

Test yourself

Fortnite (2017) - Audience

Fortnite has been widely debated for concerns about violence and addiction, but its teamwork-focused gameplay and creative features attract a diverse range of players.

Illustrative background for Historical & political contextsIllustrative background for Historical & political contexts ?? "content

Historical & political contexts

  • Video games have often caused moral panic.
  • Concerns include:
    • Violent games encouraging copycat behaviour
    • Addiction and ‘screen time’ limits
  • Fortnite was compared to Grand Theft Auto or Call of Duty:
    • Very little explicit or realistic violence
    • Cartoon-like graphics suitable for younger players
Illustrative background for Historical & political contexts 2Illustrative background for Historical & political contexts 2 ?? "content

Historical & political contexts 2

  • There were some levels of racism or misogyny due to the random assignment of player ‘skins’.
  • However, collaborative gameplay is praised for encouraging teamwork.
  • Another concern was addiction:
    • Reports of distraction from schoolwork
    • Comparisons to heroin (psychologists)
    • Even Premier League players sought treatment
    • Prince Harry called it “dangerous”
Illustrative background for Targeting audiencesIllustrative background for Targeting audiences ?? "content

Targeting audiences

  • Demographics:
    • 78% male, 22% female
    • 53% aged 10–25
    • 42% in full-time employment
  • Cartoon-style graphics + focus on construction = appeal to younger players.
  • eSports and streaming stars also create aspirational role models:
    • Ninja (gamer): 10 million subscribers, $500k+ per month, 2nd highest social media interactions globally
  • Non-traditional gamer celebrities:
    • Rappers, NBA athletes, and female streamers (e.g. KatyPlaysGames) broaden appeal
Illustrative background for Active & passive audiencesIllustrative background for Active & passive audiences ?? "content

Active & passive audiences

  • Fortnite: Battle Royale is an interactive and collaborative gameplay.
    • It encourages teamwork and strategic thinking.
    • Players can deconstruct and rebuild environments.
  • Fortnite: Creative gives more freedom to design skins, emotes, and landscapes.
  • Epic Games’ Unreal Engine is also available for aspiring game developers (paid).
Illustrative background for Theoretical perspectivesIllustrative background for Theoretical perspectives ?? "content

Theoretical perspectives

  • Uses & Gratifications (Blumler & Katz):
    • People use this media for escapism, catharsis, and social interaction.
  • Dyer’s Star Theory:
    • Celebrity gamers and non-gamers serve as role models.
    • Video games contribute to identity formation and aspirations.

Jump to other topics

1Overview

1.1Media Language

1.1.1Media Language

1.1.2Media Language 2

1.2Audience

1.2.1Audiences

1.2.2Audiences 2

1.2.3End of Topic Test - Media Language & Audience

1.3Representation

1.3.1Stereotypes

1.3.2Gender

1.3.3Audiences

1.4The Media Industry

1.4.1Media Industries

1.4.2Ownership

1.4.3Funding & Regulation

1.4.4End of Topic Test - Representation/Media Industry

2Component 1: Section A

2.1Magazines - Vogue

2.1.1Magazines

2.1.2Vogue - Context

2.1.3Vogue - Narrative

2.1.4Vogue - Representation

2.2Magazines - GQ

2.2.1GQ - Context

2.2.2GQ - Narrative

2.2.3GQ - Representation

2.3Advertising & Marketing

2.3.1Advertising & Marketing

2.3.2Analysing Adverts

2.3.3Analysing Adverts 2

2.3.4Theories & Principles

2.3.5End of Topic Test - Magazines & Advertising

2.4Print Advertisements - Quality Street

2.4.1Quality Street - Context

2.4.2Quality Street - Narrative

2.4.3Quality Street - Representation

2.5Print Advertisements - (2026 Exams) This Girl Can

2.5.1This Girl Can - Context

2.5.2This Girl Can - Narrative

2.5.3This Girl Can - Representation

2.6Print Advertisements - (2027 Exams) NHS 111

2.6.1NHS 111 - Context

2.6.2NHS 111 - Narrative

2.6.3NHS 111 - Representation

2.7Film Posters (Marketing)

2.7.1The Man with The Golden Gun

2.7.2The Man with The Golden Gun 2

2.8Film - No Time To Die

2.8.1Context

2.8.2Narrative

2.8.3Representation

2.9Newspapers

2.9.1Ownership & Regulation

2.9.2News Selection

2.9.3Media Language

2.9.4Genres

2.9.5Newspaper Conventions

2.9.6Representation

2.9.7Audience

2.9.8Theories

2.9.9End of Topic Test - Newspapers

2.10The Sun

2.10.1Context

2.10.2Narrative

2.10.3Language & Images

2.11The Guardian

2.11.1The Guardian

2.11.2Narrative

2.11.3Language & Images

2.12(2028 Exams) The Sun

2.12.1The Sun - Context

2.12.2The Sun - Narrative

2.12.3The Sun - Representation

2.13(2028 Exams) The Guardian

2.13.1The Guardian - Context

2.13.2The Guardian - Narrative

2.13.3The Guardian - Representation

3Component 1: Section B

3.1Video Games

3.1.1Video Games

3.2Video Games - Fortnite

3.2.1Fortnite (2017) - Media Industries

3.2.2Fornite (2017) - Audience

3.3Film

3.3.1The Big Six

3.3.2Technology

3.3.3End of Topic Test - Video Games & Films

3.4Radio

3.4.1The Radio Industry

3.4.2Categories of Radio Station

3.4.3Technology & Radio Audiences

3.4.4Theories

3.4.5End of Topic Test - Radio

3.5Radio - The Archers

3.5.1Production

3.5.2Media Industries

3.5.3Media Contexts

3.5.4Audiences 1

3.5.5Audiences 2

3.6(2027 Exams) Radio - Desert Island Discs

3.6.1Media Industries

3.6.2Audiences

3.6.3Media Contexts

4Component 2: Section A

4.1Television

4.1.1The Television Industry

4.1.2Types of Broadcasting

4.1.3Media Language & TV

4.1.4Representation & Audiences

4.1.5Theories

4.2Sitcom

4.2.1Sitcoms

4.2.2Friends

4.2.3Friends 2

4.2.4End of Topic Test - Sitcoms & Friends

4.3Sitcom - Modern Family

4.3.1Media Language

4.3.2Representation

4.3.3Media Industries

4.3.4Audiences

4.3.5Media Contexts

4.4Sitcom - Man Like Mobeen

4.4.1Media Language

4.4.2Representations

4.4.3Media Industries

4.5(2026 Exams) Luther

4.5.1Context

4.5.2Media Language

4.5.3Representation

4.5.4Audience

4.5.5Industry

4.6The Sweeney

4.6.1Context

4.6.2Media Language

4.6.3Representation

4.6.4Audience

4.6.5Industry

5Component 2: Section B

5.1Music Video

5.1.1Music Videos

5.1.2The Music Industry

5.2Lizzo - 'Good as Hell'

5.2.1Context

5.2.2'Good as Hell'

5.2.3Media Language

5.2.4Representation

5.2.5Audience

5.2.6Industry

5.3Taylor Swift - 'The Man'

5.3.1Taylor Swift

5.3.2Media Language

5.3.3Representation

5.3.4Audiences

5.3.5Media Industries

5.3.6Media Contexts

5.4Stormzy - 'Superheroes'

5.4.1Stormzy

5.4.2Media Language

5.4.3Representation

5.4.4Audiences

5.4.5Media Industries

5.4.6Media Contexts

5.5Justin Bieber - 'Intentions'

5.5.1Justin Bieber

5.5.2Media Language

5.5.3Representation

5.5.4Audiences

5.5.5Media Industries

5.5.6Media Contexts

5.6TLC - 'Waterfalls'

5.6.1TLC

5.6.2Media Language

5.6.3Representation

5.6.4Media Contexts

5.7Duran Duran - 'Rio'

5.7.1Duran Duran

5.7.2Media Language

5.7.3Representation

5.7.4Media Contexts

5.8Online Media - Lizzo

5.8.1Media Language

5.8.2Representation

5.8.3Audiences

5.8.4Media Contexts & Industries

5.9Online Media - Taylor Swift

5.9.1Media Language

5.9.2Representation

5.9.3Audiences

5.9.4Media Contexts & Industries

5.10Online Media - Stormzy

5.10.1Media Language

5.10.2Representation

5.10.3Audience

5.10.4Media Context & Industries

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Fortnite (2017) - Media Industries

The Big Six