3.1.5

Answering Question 3

Test yourself

Section A: Creative Reading - Question 3

In Section A of Paper 1, you will be given a 40-50 line extract from a modern piece of fiction. Unless you are very lucky and have already read the text, this extract will be unseen.

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Question 3

  • Question 3 is worth eight marks. You should spend around two minutes reading and around 8 minutes writing.
  • In this question, you will be asked to read the whole source and answer: How has the text been structured by the writer to grab the reader's interest?
  • You MUST talk about the STRUCTURE in this question – answers about language will not get any marks.
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Use varied information from the text

  • You must carefully select quotations because they are important to the point you have made. They should prove your ideas really well.
  • It should be clear that your point and evidence work perfectly together. You should not just choose any quotation at random and try to make a point around it – you should choose an excellent quotation to match your point perfectly.
  • You should explain how your quotation links to your point.
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Analyse language focusing on structure

  • You should explain how the writer has STRUCTURED their writing and the effect that is created.
  • You should select a quotation which links perfectly to the question, and you should explain why the writer has chosen to use this particular quotation/idea.
  • You should explain the effect of the structural technique you have highlighted – so NOT just label the techniques, but explain their effect.
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Analyse language (cont.)

  • To get the top marks, your ideas must be original, showing that you are thinking outside the box and picking up on small details in the text.

Section A, Question 3 - Tips for Dealing with Structure

Looking at structure is about looking at how the text is put together and considering why the writer chose to say/do something at that particular point in the text. Some aspects of the structure you could explore are:

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Changing depth

  • Zooming in on small details.
    • E.g. Moving from describing New York City, to the items in the protagonist's New York apartment.
  • Zooming out to look at the whole picture.
    • E.g. Moving from looking at different characters' perspectives on an event to the omniscient narrator's overview of the scene.
  • Changing from a small focus to a big focus.
    • E.g. Changing from how one character feels to the actions of a whole group of characters or the description of a place.
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Narrative shifts

  • Shifts of perspective.
    • E.g. Shifting from the point of view of one character to another.
  • Shifts in time.
    • E.g. A flashback or flashforward.
  • Shifts in place.
    • E.g. Switching between characters in different locations.
  • Shifts in topic.
    • E.g. The narrator moves from discussing a couple's relationship to describing the action.
  • Shifts from internal to external.
    • E.g. Moving from a character’s internal thoughts to external actions.
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Repetition and cycles

  • Repetition.
    • E.g. Jane Eyre repeatedly fleeing from men (Rochester and St John).
  • Cyclical structures (events happening in cycles).
    • E.g. The opening setting of Of Mice and Men also featuring as the closing setting.
  • Foreshadowing.
    • E.g. A writer using lots of gun imagery to warn about an upcoming murder.
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Developments

  • How characters/events develop throughout the text.
    • E.g. How Harry Potter develops from being the boy under the stairs to a hero at Hogwarts.

Jump to other topics

1Key Terms

2Language Techniques

3Paper 1: Reading

4Paper 1: Writing

5Paper 2: Reading

6Paper 2: Writing

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