9.1.11
Chapters 21 & 22
Chapter 21 - Key Quotation
Chapter 21 - Key Quotation
Here is a key quotation from Chapter 21:


Key quotation
Key quotation
- “Mother, I think. Wherever you may be. Can you hear me? You wanted a women's culture. Well, now there is one. It isn't what you meant, but it exists. Be thankful for small mercies.”
- Offred's mother campaigned because she wanted women to be recognised in society. But in Gilead, women are only recognised for their wombs.
Chapter 22 - Key Quotations
Chapter 22 - Key Quotations
Here are four key quotations from Chapter 22:


Key quotations
Key quotations
- "A different story, a better one"
- Atwood repeatedly stresses the idea that Offred's story is a ‘reconstruction'.
- "The Aunts are allowed to read and write"
- The other women are not allowed literacy because Gilead considers it dangerous. Reading is heavily restricted. The Commander is only allowed a Bible.


Key quotations about Moira
Key quotations about Moira
- "A loose woman"
- Moira is loose because she has empowered herself and escaped. Moira may also be 'loose' (in terms of being sexually unrestrained) because she rejects the sexual repression Gilead imposes. We later find out that Moira is a lesbian.
- “The audacity is what we liked”
- Moira's audacity gives the others hope.
1Author Background
1.1Margaret Atwood
2Chapter Summaries
2.1Chapter 1: Night I
2.2Chapters 2-6: Shopping II
2.3Chapter 7: Night II
2.4Chapters 8-12: Waiting Room IV
2.5Chapter 13: Nap V
2.6Chapters 14-17: Household VI
2.7Chapter 18: Night VII
2.8Chapters 19-23: Birth Day VIII
2.9Chapter 24: Night IX
2.10Chapters 25-29: Soul Scrolls X
2.11Chapter 30: Night XI
2.12Chapters 31-39: Jezebel's XII
2.13Chapter 40: Night XIII
2.14Chapters 41-45: Salvaging XIV
2.15Chapter 46: Night XV
2.16Historical Notes
3Dedications & Epigraph
3.1Dedications & Epigraph
4Context
4.1Setting
4.2Literary Context & Genre
4.3Political Context
4.4Historical Context
4.5Parallels: Read World & Gilead
4.6Religious Context
5Narrative Structure & Literary Techniques
5.1Narrative Structure
5.2Literary Techniques
6Themes & Imagery
6.2Imagery
7Characters
7.1Female Characters
7.2Male Characters
8Readings
8.1Readings of The Handmaid's Tale
9Recap: Main Quotes
9.1Quotes by Chapter
9.1.1Chapters 1 & 2
9.1.2Chapters 3 & 4
9.1.3Chapters 5 & 6
9.1.4Chapters 7 & 8
9.1.5Chapters 9 & 10
9.1.6Chapters 11 & 12
9.1.7Chapters 13 & 14
9.1.8Chapter 15 & 16
9.1.9Chapters 17 & 18
9.1.10Chapters 19 & 20
9.1.11Chapters 21 & 22
9.1.12Chapters 23 & 24
9.1.13Chapters 25 & 26
9.1.14Chapters 27 & 28
9.1.15Chapters 29 & 30
9.1.16Chapters 31 & 32
9.1.17Chapters 33 & 34
9.1.18Chapters 35 & 36
9.1.19Chapters 37 & 38
9.1.20Chapters 39 & 40
9.1.21Chapters 41 & 42
9.1.22Chapters 43 & 44
9.1.23Chapters 45 & 46
9.1.24Historical Notes & Epigraphs
Jump to other topics
1Author Background
1.1Margaret Atwood
2Chapter Summaries
2.1Chapter 1: Night I
2.2Chapters 2-6: Shopping II
2.3Chapter 7: Night II
2.4Chapters 8-12: Waiting Room IV
2.5Chapter 13: Nap V
2.6Chapters 14-17: Household VI
2.7Chapter 18: Night VII
2.8Chapters 19-23: Birth Day VIII
2.9Chapter 24: Night IX
2.10Chapters 25-29: Soul Scrolls X
2.11Chapter 30: Night XI
2.12Chapters 31-39: Jezebel's XII
2.13Chapter 40: Night XIII
2.14Chapters 41-45: Salvaging XIV
2.15Chapter 46: Night XV
2.16Historical Notes
3Dedications & Epigraph
3.1Dedications & Epigraph
4Context
4.1Setting
4.2Literary Context & Genre
4.3Political Context
4.4Historical Context
4.5Parallels: Read World & Gilead
4.6Religious Context
5Narrative Structure & Literary Techniques
5.1Narrative Structure
5.2Literary Techniques
6Themes & Imagery
6.2Imagery
7Characters
7.1Female Characters
7.2Male Characters
8Readings
8.1Readings of The Handmaid's Tale
9Recap: Main Quotes
9.1Quotes by Chapter
9.1.1Chapters 1 & 2
9.1.2Chapters 3 & 4
9.1.3Chapters 5 & 6
9.1.4Chapters 7 & 8
9.1.5Chapters 9 & 10
9.1.6Chapters 11 & 12
9.1.7Chapters 13 & 14
9.1.8Chapter 15 & 16
9.1.9Chapters 17 & 18
9.1.10Chapters 19 & 20
9.1.11Chapters 21 & 22
9.1.12Chapters 23 & 24
9.1.13Chapters 25 & 26
9.1.14Chapters 27 & 28
9.1.15Chapters 29 & 30
9.1.16Chapters 31 & 32
9.1.17Chapters 33 & 34
9.1.18Chapters 35 & 36
9.1.19Chapters 37 & 38
9.1.20Chapters 39 & 40
9.1.21Chapters 41 & 42
9.1.22Chapters 43 & 44
9.1.23Chapters 45 & 46
9.1.24Historical Notes & Epigraphs
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