Chapter 33

Chapter 33 - Summary and Key Quotations

The reader is introduced to the concept of a Prayvaganza, where young women have their marriages arranged. As they walk to the ceremony, Offred remembers picking flowers with her daughter.

Ofwarren's baby - "shredder"

Once Offred and Ofglen arrive at the ceremony, along with other women in Gilead, they are separated off into their different roles: Handmaids, Wives, Econo-Wives and Marthas.
Whilst lining up for the Prayvaganza, Ofglen tells Offred that Ofwarren's baby has been discovered to have serious disabilities and is classed as a "shredder", which we also find out is not her first child to be classed as unsuitable for Gilead.

Ofwarren's breakdown

Offred remembers that Ofwarren had a temporary mental breakdown at the Red Centre when she started to stare into space and talk to herself.
Moira slapped Ofwarren to get her to be quiet so she didn't draw attention to herself. She would be classed an "unwoman" if she seemed mentally unfit to fulfil her role as a Handmaid.
Offred remembers that Moira told her to keep an eye on Ofwarren. She thinks that this might have been when Moira was planning to escape the centre.

Key quotations

"The Prayvaganza"
- Prayer + ‘extravaganza' → this implies that prayer is an important part of this ceremony. In the next chapter, we learn that this ceremony is actually a mass wedding, similar to those organised in the 20th century by ‘Moonie' leader Sun Myung Moon. Thousands of people would be married in these ceremonies.
"God is a National Resource"
- Implies God is on Gilead's side and Gilead practically controls him.

Key quotations (cont.)

"Kneeling … on the cement floor"
- Reflects their Handmaid's subservient position in Gilead.

1Author Background

1.1Margaret Atwood

1.1.1Margaret Atwood

2Chapter Summaries

2.1Chapter 1: Night I

2.1.1Chapter 1

2.2Chapters 2-6: Shopping II

2.2.1Chapter 2

2.2.2Chapter 3

2.2.3Chapter 4

2.2.4Chapter 5

2.2.5Chapter 6

2.3Chapter 7: Night II

2.3.1Chapter 7

2.4Chapters 8-12: Waiting Room IV

2.4.1Chapter 8

2.4.2Chapter 9

2.4.3Chapter 10

2.4.4Chapter 11

2.4.5Chapter 12

2.5Chapter 13: Nap V

2.5.1Chapter 13

2.6Chapters 14-17: Household VI

2.6.1Chapter 14

2.6.2Chapter 15

2.6.3Chapter 16

2.6.4Chapter 17

2.7Chapter 18: Night VII

2.7.1Chapter 18

2.8Chapters 19-23: Birth Day VIII

2.8.1Chapter 19

2.8.2Chapter 20

2.8.3Chapter 21

2.8.4Chapter 22

2.8.5Chapter 23

2.9Chapter 24: Night IX

2.9.1Chapter 24

2.10Chapters 25-29: Soul Scrolls X

2.10.1Chapter 25

2.10.2Chapter 26

2.10.3Chapter 27

2.10.4Chapter 28

2.10.5Chapter 29

2.11Chapter 30: Night XI

2.11.1Chapter 30

2.12Chapters 31-39: Jezebel's XII

2.12.1Chapter 31

2.12.2Chapter 32

2.12.3Chapter 33

2.12.4Chapter 34

2.12.5Chapter 35

2.12.6Chapter 36

2.12.7Chapter 37

2.12.8Chapter 38

2.12.9Chapter 39

2.13Chapter 40: Night XIII

2.13.1Chapter 40

2.14Chapters 41-45: Salvaging XIV

2.14.1Chapter 41

2.14.2Chapter 42

2.14.3Chapter 43

2.14.4Chapter 44

2.14.5Chapter 45

2.15Chapter 46: Night XV

2.15.1Chapter 46

2.16Historical Notes

2.16.1Historical Notes

3Dedications & Epigraph

3.1Dedications & Epigraph

3.1.1Dedications

3.1.2Epigraph

4Context

4.1Setting

4.1.1Setting

4.2Literary Context & Genre

4.2.1The Canterbury Tales & The Scarlet Letter

4.2.2Links to Dystopian Fiction

4.3Political Context

4.3.1Berlin & Iran

4.3.2The New Right in America

4.4Historical Context

4.4.1Puritan New England

4.5Parallels: Read World & Gilead

4.5.1The Underground Femaleroad

4.5.2Children of Ham & Soul Scrolls

4.5.3Offred's Tattoo, Salvaging & Illegal Abortions

4.5.4Unwomen, Colonies & Giving Away Offred's Daughter

4.6Religious Context

4.6.1Religious Context

5Narrative Structure & Literary Techniques

5.1Narrative Structure

5.1.1Narrative Structure

5.2Literary Techniques

5.2.1Literary Techniques

5.2.2Colour Symbolism

6Themes & Imagery

6.1Themes

6.1.1Survival & Language

6.1.2The Female Body

6.2Imagery

6.2.1The Garden & Doubles

7Characters

7.1Female Characters

7.1.1Offred & Moira

7.1.2Offred's Mother, Ofglen & Ofwarren

7.1.3Serena Joy & Aunt Lydia

7.2Male Characters

7.2.1The Commander

7.2.2Nick & Luke

8Readings

8.1Readings of The Handmaid's Tale

8.1.1Eco-Criticism

8.1.2Complacency

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