2.4.1

Chapter 8

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Chapter 8 - Summary and Key Quotations

It's summer. Offred notices three new bodies on the wall: one is a Priest and the two others have purple placards hung around their neck. They say "Gender Treachery", which means homosexuality.

__"Mayday"__ and the funeral

"Mayday" and the funeral

  • On one of their walks, Offred notes that Ofglen uses the word "Mayday". This makes Offred think of the military distress signal used in the world wars.
  • Offred wonders if there is an underground resistance group in Gilead.
  • They pass a funeral for a miscarriage and Offred notes that it is the Econowives that are mourning. They spit on the street as the Handmaids walk past. This shows that they are hostile to the Handmaids.
Pam and the Commander

Pam and the Commander

  • Offred returns home and notices Serena Joy in the garden. She remembers that she is actually called Pam and used to preach about the proper role of women before the creation of Gilead.
  • As she goes upstairs to her room, she catches the Commander looking into her room, trying to catch a glimpse of her.
  • When he sees her, he leaves and she wonders why he was there.
Key quotations

Key quotations

  • "It's a beautiful Mayday"
  • "She's like my own reflection in a mirror from which I am moving away"
    • Duality is a common theme. But Offred still seems to be aware of her individuality by saying she's "moving away".
  • "All flesh is weak"
    • Aunt Lydia changes Biblical quotations for her own purpose. She's warning the Handmaids about sexual temptation.
  • "She has become speechless"
    • Offred's pun shows that Gilead controls language and freedom of speech.
Key quotations (cont.)

Key quotations (cont.)

  • "Was he in my room? I called it mine"
    • By calling the room "mine", Offred seems to be aware that she is succumbing to the regime (she refused to call the room 'my' room in Chapter 1) and claiming her individual space at the same time.
Jump to other topics
1

Author Background

1.1

Margaret Atwood

1.1.1Margaret Atwood
2

Chapter Summaries

2.1

Chapter 1: Night I

2.1.1Chapter 1
2.2

Chapters 2-6: Shopping II

2.2.1Chapter 22.2.2Chapter 32.2.3Chapter 42.2.4Chapter 52.2.5Chapter 6
2.3

Chapter 7: Night II

2.3.1Chapter 7
2.4

Chapters 8-12: Waiting Room IV

2.4.1Chapter 82.4.2Chapter 92.4.3Chapter 102.4.4Chapter 112.4.5Chapter 12
2.5

Chapter 13: Nap V

2.5.1Chapter 13
2.6

Chapters 14-17: Household VI

2.6.1Chapter 142.6.2Chapter 152.6.3Chapter 162.6.4Chapter 17
2.7

Chapter 18: Night VII

2.7.1Chapter 18
2.8

Chapters 19-23: Birth Day VIII

2.8.1Chapter 192.8.2Chapter 202.8.3Chapter 212.8.4Chapter 222.8.5Chapter 23
2.9

Chapter 24: Night IX

2.9.1Chapter 24
2.10

Chapters 25-29: Soul Scrolls X

2.10.1Chapter 252.10.2Chapter 262.10.3Chapter 272.10.4Chapter 282.10.5Chapter 29
2.11

Chapter 30: Night XI

2.11.1Chapter 30
2.12

Chapters 31-39: Jezebel's XII

2.12.1Chapter 312.12.2Chapter 322.12.3Chapter 332.12.4Chapter 342.12.5Chapter 352.12.6Chapter 362.12.7Chapter 372.12.8Chapter 382.12.9Chapter 39
2.13

Chapter 40: Night XIII

2.13.1Chapter 40
2.14

Chapters 41-45: Salvaging XIV

2.14.1Chapter 412.14.2Chapter 422.14.3Chapter 432.14.4Chapter 442.14.5Chapter 45
2.15

Chapter 46: Night XV

2.15.1Chapter 46
2.16

Historical Notes

2.16.1Historical Notes
3

Dedications & Epigraph

3.1

Dedications & Epigraph

3.1.1Dedications3.1.2Epigraph
4

Context

4.1

Setting

4.1.1Setting
4.2

Literary Context & Genre

4.2.1The Canterbury Tales & The Scarlet Letter4.2.2Links to Dystopian Fiction
4.3

Political Context

4.3.1Berlin & Iran4.3.2The New Right in America
4.4

Historical Context

4.4.1Puritan New England
4.5

Parallels: Read World & Gilead

4.5.1The Underground Femaleroad4.5.2Children of Ham & Soul Scrolls4.5.3Offred's Tattoo, Salvaging & Illegal Abortions4.5.4Unwomen, Colonies & Giving Away Offred's Daughter
4.6

Religious Context

4.6.1Religious Context
5

Narrative Structure & Literary Techniques

5.1

Narrative Structure

5.1.1Narrative Structure
5.2

Literary Techniques

5.2.1Literary Techniques5.2.2Colour Symbolism
6

Themes & Imagery

6.1

Themes

6.1.1Survival & Language6.1.2The Female Body
6.2

Imagery

6.2.1The Garden & Doubles
7

Characters

7.1

Female Characters

7.1.1Offred & Moira7.1.2Offred's Mother, Ofglen & Ofwarren7.1.3Serena Joy & Aunt Lydia
7.2

Male Characters

7.2.1The Commander7.2.2Nick & Luke
8

Readings

8.1

Readings of The Handmaid's Tale

8.1.1Eco-Criticism8.1.2Complacency
9

Recap: Main Quotes

9.1

Quotes by Chapter

9.1.1Chapters 1 & 29.1.2Chapters 3 & 49.1.3Chapters 5 & 69.1.4Chapters 7 & 89.1.5Chapters 9 & 109.1.6Chapters 11 & 129.1.7Chapters 13 & 149.1.8Chapter 15 & 169.1.9Chapters 17 & 189.1.10Chapters 19 & 209.1.11Chapters 21 & 229.1.12Chapters 23 & 249.1.13Chapters 25 & 269.1.14Chapters 27 & 289.1.15Chapters 29 & 309.1.16Chapters 31 & 329.1.17Chapters 33 & 349.1.18Chapters 35 & 369.1.19Chapters 37 & 389.1.20Chapters 39 & 409.1.21Chapters 41 & 429.1.22Chapters 43 & 449.1.23Chapters 45 & 469.1.24Historical Notes & Epigraphs
9.2

Text Structure - Quotes

9.2.1Literary Techniques - Quotes9.2.2Survival & Language -Quotes9.2.3The Female Body - Quotes9.2.4The Garden & Doubles - Quotes9.2.5Eco-Criticism & Complacency - Quotes

Practice questions on Chapter 8

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  1. 1
    What term does Gilead use for homosexuality? Multiple choice
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Chapter 7

Chapter 9