5.1.1
Narrative Structure
Narrative Structure of The Handmaid's Tale
Narrative Structure of The Handmaid's Tale
In the Historical Notes at the end of the novel, we learn that Offred's tale was actually a curated selection of tapes found and reorganised by academics.
Offred's narration
Offred's narration
- Offred's narrative is like a mosaic of the past and the present. It contains fragmented sections of memories, recollections and reimagined "versions" of events which show just how distressed and traumatised Offred is by her experiences.
- Offred openly says she's an "unreliable" narrator. The reader just has to trust Offred's account as her mind flits in a stream of consciousness from one moment to the next.
Night sections
Night sections
- The Night sections, which are repeated throughout the novel, are the chapters in which Offred's analepsis (when a past event is narrated later on) really develops and expands. The Night sections are also significant because:
- The moon is conventionally a female symbol.
- The night time is the only time Offred is free to let her mind explore freely without interruption.
Cixous - The Laugh of Medusa
Cixous - The Laugh of Medusa
- Offred's tale, or "Her-story", has parallels with the literary theory called L'Ecriture feminine by French theorist Helene Cixous in her essay The Laugh of the Medusa.
- Cixous theorised that women needed their own style of writing to express their experiences. She claimed that male writing is too linear and straight to the point, whereas female writing is more circular with digressions, repetitions and transgressions.
L'Ecriture Feminine
L'Ecriture Feminine
- Offred's tale, with its anamnesis and differing versions of events, fits Cixous' L'Ecriture Feminine model.
- But we must remember that the order of events is reshaped into "His-tory" by the Academics in the Historical Notes.
1Author Background
1.1Margaret Atwood
2Chapter Summaries
2.1Chapter 1: Night I
2.2Chapters 2-6: Shopping II
2.3Chapter 7: Night II
2.4Chapters 8-12: Waiting Room IV
2.5Chapter 13: Nap V
2.6Chapters 14-17: Household VI
2.7Chapter 18: Night VII
2.8Chapters 19-23: Birth Day VIII
2.9Chapter 24: Night IX
2.10Chapters 25-29: Soul Scrolls X
2.11Chapter 30: Night XI
2.12Chapters 31-39: Jezebel's XII
2.13Chapter 40: Night XIII
2.14Chapters 41-45: Salvaging XIV
2.15Chapter 46: Night XV
2.16Historical Notes
3Dedications & Epigraph
3.1Dedications & Epigraph
4Context
4.1Setting
4.2Literary Context & Genre
4.3Political Context
4.4Historical Context
4.5Parallels: Read World & Gilead
4.6Religious Context
5Narrative Structure & Literary Techniques
5.1Narrative Structure
5.2Literary Techniques
6Themes & Imagery
6.2Imagery
7Characters
7.1Female Characters
7.2Male Characters
8Readings
8.1Readings of The Handmaid's Tale
Jump to other topics
1Author Background
1.1Margaret Atwood
2Chapter Summaries
2.1Chapter 1: Night I
2.2Chapters 2-6: Shopping II
2.3Chapter 7: Night II
2.4Chapters 8-12: Waiting Room IV
2.5Chapter 13: Nap V
2.6Chapters 14-17: Household VI
2.7Chapter 18: Night VII
2.8Chapters 19-23: Birth Day VIII
2.9Chapter 24: Night IX
2.10Chapters 25-29: Soul Scrolls X
2.11Chapter 30: Night XI
2.12Chapters 31-39: Jezebel's XII
2.13Chapter 40: Night XIII
2.14Chapters 41-45: Salvaging XIV
2.15Chapter 46: Night XV
2.16Historical Notes
3Dedications & Epigraph
3.1Dedications & Epigraph
4Context
4.1Setting
4.2Literary Context & Genre
4.3Political Context
4.4Historical Context
4.5Parallels: Read World & Gilead
4.6Religious Context
5Narrative Structure & Literary Techniques
5.1Narrative Structure
5.2Literary Techniques
6Themes & Imagery
6.2Imagery
7Characters
7.1Female Characters
7.2Male Characters
8Readings
8.1Readings of The Handmaid's Tale
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