2.4.5
Chapter 12
Chapter 12 - Summary and Key Quotations
Chapter 12 - Summary and Key Quotations
Offred prepares herself for the Ceremony by having a bath and thinks about the ritualistic cleansing symbolism of water.
Offred's body and her daughter
Offred's body and her daughter
- Offred thinks her own naked body looks peculiar now.
- She feels the loss of her daughter even more keenly.
- She thinks back to an incident in the supermarket where a lady tried to steal her daughter and she sadly realises that her daughter must now be eight years old.
Waiting for the ceremony
Waiting for the ceremony
- She is brought back to the present by noticing the tattoo on her own ankle: "four digits and an eye, a passport in reverse".
- She tells the reader this is so she can never fade and will always be traceable.
- She ends the chapter by waiting to be summoned for the Ceremony. She states that she has to become objectified and dehumanised for this process: "What I must present is a made thing, not something born".
Key quotation
Key quotation
- “Blessed are the meek. She didn't go on to say anything about inheriting the earth.”
- The quotation from the Bible is “Blessed are the meek, for they shall inherit the earth.” But the handmaids cannot be taught this because they have no hope of getting out of the “poverty of spirit.” This shows how manipulative and controlling Gilead is.
Key quotation
Key quotation
- “I wait. I compose myself. My self is a thing I must now compose.”
- The narrator cannot act naturally or be herself being "Offred". It's as if she has a dual personality. Offred is a side of her that is a "thing" she must "compose".
1Author Background
1.1Margaret Atwood
2Chapter Summaries
2.1Chapter 1: Night I
2.2Chapters 2-6: Shopping II
2.3Chapter 7: Night II
2.4Chapters 8-12: Waiting Room IV
2.5Chapter 13: Nap V
2.6Chapters 14-17: Household VI
2.7Chapter 18: Night VII
2.8Chapters 19-23: Birth Day VIII
2.9Chapter 24: Night IX
2.10Chapters 25-29: Soul Scrolls X
2.11Chapter 30: Night XI
2.12Chapters 31-39: Jezebel's XII
2.13Chapter 40: Night XIII
2.14Chapters 41-45: Salvaging XIV
2.15Chapter 46: Night XV
2.16Historical Notes
3Dedications & Epigraph
3.1Dedications & Epigraph
4Context
4.1Setting
4.2Literary Context & Genre
4.3Political Context
4.4Historical Context
4.5Parallels: Read World & Gilead
4.6Religious Context
5Narrative Structure & Literary Techniques
5.1Narrative Structure
5.2Literary Techniques
6Themes & Imagery
6.2Imagery
7Characters
7.1Female Characters
7.2Male Characters
8Readings
8.1Readings of The Handmaid's Tale
Jump to other topics
1Author Background
1.1Margaret Atwood
2Chapter Summaries
2.1Chapter 1: Night I
2.2Chapters 2-6: Shopping II
2.3Chapter 7: Night II
2.4Chapters 8-12: Waiting Room IV
2.5Chapter 13: Nap V
2.6Chapters 14-17: Household VI
2.7Chapter 18: Night VII
2.8Chapters 19-23: Birth Day VIII
2.9Chapter 24: Night IX
2.10Chapters 25-29: Soul Scrolls X
2.11Chapter 30: Night XI
2.12Chapters 31-39: Jezebel's XII
2.13Chapter 40: Night XIII
2.14Chapters 41-45: Salvaging XIV
2.15Chapter 46: Night XV
2.16Historical Notes
3Dedications & Epigraph
3.1Dedications & Epigraph
4Context
4.1Setting
4.2Literary Context & Genre
4.3Political Context
4.4Historical Context
4.5Parallels: Read World & Gilead
4.6Religious Context
5Narrative Structure & Literary Techniques
5.1Narrative Structure
5.2Literary Techniques
6Themes & Imagery
6.2Imagery
7Characters
7.1Female Characters
7.2Male Characters
8Readings
8.1Readings of The Handmaid's Tale
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