11.1.2
Themes & Symbolism
Fragility of Paper/Human Life
Fragility of Paper/Human Life
As paper, or tissue, acts a symbol for human life, the references to the fragility of paper could also be references to the fragility of human life. Here are the ways in which Dharker emphasises fragility:
![Illustrative background for Light imagery](https://image-v2.cdn.app.senecalearning.com/2018-03/6dd04306-c8eb-4682-8880-4bdae38b278a/shutterstock_528231733,h_400,q_80,w_640.jpg)
![Illustrative background for Light imagery ?? "content](https://image-v2.cdn.app.senecalearning.com/2018-03/6dd04306-c8eb-4682-8880-4bdae38b278a/shutterstock_528231733,h_400,q_80,w_640.jpg)
Light imagery
Light imagery
- “Paper that lets the light shine through”.
- This line has religious connotations.
- The line also alludes to how thin and fragile paper (/human power) is.
![Illustrative background for Language relating to thinness or transparency](https://image-v2.cdn.app.senecalearning.com/2018-03/c2859e60-2f9e-420a-b41c-e01d6c7f15ad/shutterstock_524513815,h_400,q_80,w_640.jpg)
![Illustrative background for Language relating to thinness or transparency ?? "content](https://image-v2.cdn.app.senecalearning.com/2018-03/c2859e60-2f9e-420a-b41c-e01d6c7f15ad/shutterstock_524513815,h_400,q_80,w_640.jpg)
Language relating to thinness or transparency
Language relating to thinness or transparency
- “Paper that is thinned by age or touching”.
![Illustrative background for Images of touching](https://image-v2.cdn.app.senecalearning.com/2018-03/f0f51e79-a4e1-4c51-9f13-d6f452d8b231/shutterstock_234115840,h_400,q_80,w_640.jpg)
![Illustrative background for Images of touching ?? "content](https://image-v2.cdn.app.senecalearning.com/2018-03/f0f51e79-a4e1-4c51-9f13-d6f452d8b231/shutterstock_234115840,h_400,q_80,w_640.jpg)
Images of touching
Images of touching
- “Pages smoothed and stroked and turned / transparent with attention”.
![Illustrative background for Repetition](https://image-v2.cdn.app.senecalearning.com/2018-03/705d4fed-33df-4dd6-adc6-5292dad1ec96/shutterstock_108412115,h_400,q_80,w_640.jpg)
![Illustrative background for Repetition ?? "content](https://image-v2.cdn.app.senecalearning.com/2018-03/705d4fed-33df-4dd6-adc6-5292dad1ec96/shutterstock_108412115,h_400,q_80,w_640.jpg)
Repetition
Repetition
- Repetition of the line “paper smoothed and stroked and thinned to be transparent” cements the idea that paper is fragile.
Importance of Paper
Importance of Paper
Here's a few ways in which Dharker emphasises the importance of paper and her respect for paper:
![Illustrative background for Recording history](https://image-v2.cdn.app.senecalearning.com/2018-03/c6d60591-b549-4cf8-a1d6-52cd97cf6a22/shutterstock_171645866,h_400,q_80,w_640.jpg)
![Illustrative background for Recording history ?? "content](https://image-v2.cdn.app.senecalearning.com/2018-03/c6d60591-b549-4cf8-a1d6-52cd97cf6a22/shutterstock_171645866,h_400,q_80,w_640.jpg)
Recording history
Recording history
- “the back of the Koran, where a hand / has written in the names and histories, / who was born to whom, / the height and weight, who / died where and how on which sepia date.”
- This line emphasises the power of paper in recording history.
![Illustrative background for Images of touching](https://image-v2.cdn.app.senecalearning.com/2018-03/1b01c5e2-3f52-4956-a351-c4f2a7952519/shutterstock_774884035,h_400,q_80,w_640.jpg)
![Illustrative background for Images of touching ?? "content](https://image-v2.cdn.app.senecalearning.com/2018-03/1b01c5e2-3f52-4956-a351-c4f2a7952519/shutterstock_774884035,h_400,q_80,w_640.jpg)
Images of touching
Images of touching
- Gentle, tactile (relating to touch) language reflects the respect shown towards books, particularly religious ones.
- "pages smoothed and stroked".
- "paper smoothed and stroked".
Nature vs Man
Nature vs Man
Dharker contrasts images of nature and man to show the power of nature. Dharker also contrasts manmade structures with paper to show the ephemeral (short-lasting) nature of human life.
![Illustrative background for Maps vs the sun](https://image-v2.cdn.app.senecalearning.com/2018-03/8d9e408a-c814-4612-b69e-80eaa6e49ca9/shutterstock_478852408,h_400,q_80,w_640.jpg)
![Illustrative background for Maps vs the sun ?? "content](https://image-v2.cdn.app.senecalearning.com/2018-03/8d9e408a-c814-4612-b69e-80eaa6e49ca9/shutterstock_478852408,h_400,q_80,w_640.jpg)
Maps vs the sun
Maps vs the sun
- "Maps too. The sun shines through / their borderlines".
- There is a contrast between “maps” - man’s attempt to make sense of nature - and the far more permanent, natural power of the “sun”.
- This could also be a reference to conflict because conflict often arises over land/territory disputes.
![Illustrative background for Daylight vs capitals and monoliths](https://image-v2.cdn.app.senecalearning.com/2018-03/1fe71d9c-9e6a-46ba-b9f5-3d757f76a7ff/shutterstock_1006699495,h_400,q_80,w_640.jpg)
![Illustrative background for Daylight vs capitals and monoliths ?? "content](https://image-v2.cdn.app.senecalearning.com/2018-03/1fe71d9c-9e6a-46ba-b9f5-3d757f76a7ff/shutterstock_1006699495,h_400,q_80,w_640.jpg)
Daylight vs capitals and monoliths
Daylight vs capitals and monoliths
- “let the daylight break through capitals and monoliths”.
- This natural imagery is contrasted with a description of a manmade structure to highlight how nature will always be more potent than human creations.
- “capitals and monoliths” are symbolic of government and human power.
![Illustrative background for Symbolism](https://image-v2.cdn.app.senecalearning.com/2018-03/c0e25ee8-4f4d-496e-b51b-f4917c85ab6e/shutterstock_18777754,h_400,q_80,w_640.jpg)
![Illustrative background for Symbolism ?? "content](https://image-v2.cdn.app.senecalearning.com/2018-03/c0e25ee8-4f4d-496e-b51b-f4917c85ab6e/shutterstock_18777754,h_400,q_80,w_640.jpg)
Symbolism
Symbolism
- “If buildings were paper, I might / feel their drift, see how easily / they fall away on a sigh, a shift / in the direction of the wind.”
- The poet invites us to see how temporary and ephemeral (short-lasting) human structures are through asking us to imagine they were made of paper.
1Ozymandias - Percy Bysshe Shelley (1792-1822)
2London - William Blake (1757-1827)
3Storm on the Island - Seamus Heaney (1939-2013)
3.1Storm on the Island Analysis
4Exposure - Wilfred Owen (1893-1918)
5War Photographer - Carol Ann Duffy (born 1955)
5.1War Photographer Analysis
6My Last Duchess - Robert Browning (1812-1889)
7The Prelude - William Wordsworth (1770-1850)
7.1Extract from The Prelude Analysis
8Charge of the Light Brigade - Alfred Tennyson
9Bayonet Charge - Ted Hughes (1930-1998)
10Poppies - Jane Weir (Born 1963)
11Tissue - Imtiaz Dharker (Born 1954)
12The Emigree - Carol Rumens (Born 1944)
13Kamikaze - Beatrice Garland (Born 1938)
14Checking Out Me History - John Agard (Born 1949)
14.1Checking Out Me History Analysis
15Remains - Simon Armitage (Born 1963)
16Grade 9 - Themes & Comparisons
16.1Grade 9 - Themes & Comparisons
Jump to other topics
1Ozymandias - Percy Bysshe Shelley (1792-1822)
2London - William Blake (1757-1827)
3Storm on the Island - Seamus Heaney (1939-2013)
3.1Storm on the Island Analysis
4Exposure - Wilfred Owen (1893-1918)
5War Photographer - Carol Ann Duffy (born 1955)
5.1War Photographer Analysis
6My Last Duchess - Robert Browning (1812-1889)
7The Prelude - William Wordsworth (1770-1850)
7.1Extract from The Prelude Analysis
8Charge of the Light Brigade - Alfred Tennyson
9Bayonet Charge - Ted Hughes (1930-1998)
10Poppies - Jane Weir (Born 1963)
11Tissue - Imtiaz Dharker (Born 1954)
12The Emigree - Carol Rumens (Born 1944)
13Kamikaze - Beatrice Garland (Born 1938)
14Checking Out Me History - John Agard (Born 1949)
14.1Checking Out Me History Analysis
15Remains - Simon Armitage (Born 1963)
16Grade 9 - Themes & Comparisons
16.1Grade 9 - Themes & Comparisons
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