1.1.3
Themes
Ephemeral (Human) Power
Ephemeral (Human) Power
Ozymandias' power comes to an end. This reflects Shelley's overarching message that human power is ephemeral (temporary). Shelley uses these techniques to emphasise the ephemeral nature of Ozymandias' power:
Ruined statue metaphor
Ruined statue metaphor
- The ruined statue is a metaphor for political power.
- Just as the face of the statue is “shattered”, “decay[ed]” and a “wreck”, so too is Ozymandias’ power.
Juxtaposition
Juxtaposition
- The juxtaposition (placing two things together for comparison or contrast) of “colossal” and “wreck” emphasises the contrast between his former power and his current state.
Caesura
Caesura
- The caesura (break in the line) after “remains” in line 12 highlights how Ozymandias’ power has come to an end.
Negative Portrayal of Ozymandias
Negative Portrayal of Ozymandias
Shelley portrays Ozymandias negatively to show his dislike for corrupt rulers and the abuse of power. He uses these literary devices to do so:
Negative language
Negative language
- The language used to describe the ruler is deeply negative. For example, “frown”, “sneer”, “wrinkled”, “stamped”.
- This reflects the poet’s own feelings towards the king and those who rule in a cruel manner.
Alliteration
Alliteration
- The use of sound in the poem contributes to the speaker’s distaste towards Ozymandias.
- For example, the alliteration of the harsh ‘c’ and ‘b’ sound in “cold command” and “boundless and bare”.
Ozymandias
Ozymandias
Ozymandias, who represents corrupt rulers and the misuse of power, is characterised as arrogant, proud and boastful. Shelley uses the following techniques to characterise Ozymandias in this way:
Imperative language
Imperative language
- The imperative verb “look” indicates how controlling the king was.
Repetition
Repetition
- The repetition of "king" in “king of kings” shows how Ozymandias wished to portray himself as omnipotent (all- powerful).
- It suggests he is trying to deify himself (make himself a god) and wants to be worshipped as one.
1Ozymandias - Percy Bysshe Shelley (1792-1822)
2London - William Blake (1757-1827)
3Storm on the Island - Seamus Heaney (1939-2013)
3.1Storm on the Island Analysis
4Exposure - Wilfred Owen (1893-1918)
5War Photographer - Carol Ann Duffy (born 1955)
5.1War Photographer Analysis
6My Last Duchess - Robert Browning (1812-1889)
7The Prelude - William Wordsworth (1770-1850)
7.1Extract from The Prelude Analysis
8Charge of the Light Brigade - Alfred Tennyson
9Bayonet Charge - Ted Hughes (1930-1998)
10Poppies - Jane Weir (Born 1963)
11Tissue - Imtiaz Dharker (Born 1954)
12The Emigree - Carol Rumens (Born 1944)
13Kamikaze - Beatrice Garland (Born 1938)
14Checking Out Me History - John Agard (Born 1949)
14.1Checking Out Me History Analysis
15Remains - Simon Armitage (Born 1963)
16Grade 9 - Themes & Comparisons
16.1Grade 9 - Themes & Comparisons
Jump to other topics
1Ozymandias - Percy Bysshe Shelley (1792-1822)
2London - William Blake (1757-1827)
3Storm on the Island - Seamus Heaney (1939-2013)
3.1Storm on the Island Analysis
4Exposure - Wilfred Owen (1893-1918)
5War Photographer - Carol Ann Duffy (born 1955)
5.1War Photographer Analysis
6My Last Duchess - Robert Browning (1812-1889)
7The Prelude - William Wordsworth (1770-1850)
7.1Extract from The Prelude Analysis
8Charge of the Light Brigade - Alfred Tennyson
9Bayonet Charge - Ted Hughes (1930-1998)
10Poppies - Jane Weir (Born 1963)
11Tissue - Imtiaz Dharker (Born 1954)
12The Emigree - Carol Rumens (Born 1944)
13Kamikaze - Beatrice Garland (Born 1938)
14Checking Out Me History - John Agard (Born 1949)
14.1Checking Out Me History Analysis
15Remains - Simon Armitage (Born 1963)
16Grade 9 - Themes & Comparisons
16.1Grade 9 - Themes & Comparisons
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