5.3.3
Bernard
Bernard
Bernard
Bernard has been brought up very differently to the Loman boys and this is reflected in his values, deportment and his treatment of others.


Depiction
Depiction
- Bernard, Charley’s son, is seen as a boy in Act One, but as a man in Act Two.
- We perhaps share Willy’s “shock” at the sight of Bernard as a “self-assured, young man”, remembering him from Willy’s memories in Act One as the “anaemic” and earnest boy who Willy admonishes as a “pest” when he warns Biff that he may flunk Maths.


Reflection of values
Reflection of values
- As a boy, Bernard is dismissed by the Loman father and sons in the same way that Willy dismisses Bernard: “He’s liked, but he’s not well-liked”.
- However, Bernard is yet another sign that the Lomans have built their dreams of success on the wrong foundations.


Upbringing
Upbringing
- Bernard has clearly been brought differently to the Loman boys and is a much more secure and confident figure than either Happy or Biff.
- However, Bernard does not boast of his success, seeing no need to tell Willy that he will be arguing as attorney in front of the Supreme Court.


Respect
Respect
- In contrast to Willy’s sons who abandon Willy in the restaurant that evening, Bernard treats Willy with care and respect: “Oh, the hell with the advice, Willy. I couldn’t advise you”.


Paternal relationships
Paternal relationships
- The relationship between Bernard and his father is less intense and, as a result, much healthier than the relationship between Willy and his sons.
- Charley tells Willy that he “never took any interest” in Bernard but he has clearly instilled “worthwhile” values into his son.


Bernard's modesty
Bernard's modesty
- In Act Two we learn that Bernard is now married and a father of two young boys.
- However, we learn nothing of his sons.
- Bernard has no need to make boasts for them, just as Charley had no need to follow Willy’s example and pin his dreams of success on his sons.
1Introduction
1.1Introductions
2Act One
3Act Two
4Extended Passage Analysis
5Character Profiles
5.1Willy & Linda Loman
5.2Biff & Happy Loman
5.3Other Characters
6Key Themes
7Writing Techniques
7.1Structure
7.3Expressionism
8Historical Context
8.1Historical Context
9Literary Context
9.1Tragedy
10Critical Debates
10.1Introduction
10.2The Marxist Reading
10.3The Feminist Reading
10.4The Eco-Critical Reading
10.5Other Debates
11Recap: Main Quotes
11.1Characters Quotes
11.2Quotes by Act
11.2.1Act One: Key Events 1-3 Quotes
11.2.2Act One: Key Events 4-6 Quotes
11.2.3Act One: Key Events 7-9 Quotes
11.2.4Act One: Key Events 10-12 Quotes
11.2.5Act One: Stage Direction Quotes
11.2.6Act One: The Woman Quotes
11.2.7Act Two: Key Events 1-2 Quotes
11.2.8Act Two: Key Events 3-4 Quotes
11.2.9Act Two: Key Events 5-6 Quotes
11.2.10Act Two: Key Events 7-8 Quotes
11.2.11Act Two: Key Events 9-10 Quotes
11.2.12Act Two: Howard's Office Quotes
11.2.13Act Two: The Requiem Quotes
Jump to other topics
1Introduction
1.1Introductions
2Act One
3Act Two
4Extended Passage Analysis
5Character Profiles
5.1Willy & Linda Loman
5.2Biff & Happy Loman
5.3Other Characters
6Key Themes
7Writing Techniques
7.1Structure
7.3Expressionism
8Historical Context
8.1Historical Context
9Literary Context
9.1Tragedy
10Critical Debates
10.1Introduction
10.2The Marxist Reading
10.3The Feminist Reading
10.4The Eco-Critical Reading
10.5Other Debates
11Recap: Main Quotes
11.1Characters Quotes
11.2Quotes by Act
11.2.1Act One: Key Events 1-3 Quotes
11.2.2Act One: Key Events 4-6 Quotes
11.2.3Act One: Key Events 7-9 Quotes
11.2.4Act One: Key Events 10-12 Quotes
11.2.5Act One: Stage Direction Quotes
11.2.6Act One: The Woman Quotes
11.2.7Act Two: Key Events 1-2 Quotes
11.2.8Act Two: Key Events 3-4 Quotes
11.2.9Act Two: Key Events 5-6 Quotes
11.2.10Act Two: Key Events 7-8 Quotes
11.2.11Act Two: Key Events 9-10 Quotes
11.2.12Act Two: Howard's Office Quotes
11.2.13Act Two: The Requiem Quotes
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