2.1.5
Key Events 7&8
Act One: Key Event Seven
Act One: Key Event Seven
The play returns to the present and Willy's current feelings of inferiority and shame.


Key event seven
Key event seven
- One memory now merges into another as Willy reacts to Linda’s attempts to comfort him.


Significance
Significance
- We begin to see how Willy is unable to control his memories and how they torment him.
- The guilty secret that Willy has kept from his wife for years surfaces and leads to an angry outburst.


Quotation
Quotation
- “WILLY [angrily, taking them from her]: I won’t have you mending stockings in this house! Now throw them out!”


Explanation
Explanation
- Willy’s anger springs from two sources.
- First, there is a sense of wounded pride as he is not able to provide for his wife to afford new stockings.
- That Linda must mend them reminds him of his failure.
- The sight of silk stockings also provokes a sense of guilt as they remind Willy of his affair with the Woman in Boston.
Act One: Key Event Eight
Act One: Key Event Eight
We are introduced to Willy's neighbour Charley and their simultaneously close and strained relationship.


Key event eight
Key event eight
- Charley, Willy’s friend and neighbour calls by, despite the late hour, worried about the noise he has heard.
- He and Willy settle down to a game of cards


Significance
Significance
- We see the difficult relationship between Willy and Charley.
- Willy feels able to open up to Charley, asking him for advice on how to deal with Biff, but he reacts angrily when Charley offers him a job.
- The squabble then moves on to Charley not being able to put up a ceiling.


Quotation
Quotation
- “A man who can’t handle tools is not a man. You’re disgusting.”


Explanation
Explanation
- Willy dismisses Charley as a “man”, perhaps because Charley does not share the Loman men’s ability to work with their hands but perhaps also because Willy is resentful of Charley.
- His pride is wounded by Charley being able to offer him a job and, on Willy’s side, there is a competitive streak looking for a way to put Charley down.
1Introduction
1.1Introductions
2Act One
3Act Two
4Extended Passage Analysis
5Character Profiles
5.1Willy & Linda Loman
5.2Biff & Happy Loman
5.3Other Characters
6Key Themes
7Writing Techniques
7.1Structure
7.3Expressionism
8Historical Context
8.1Historical Context
9Literary Context
9.1Tragedy
10Critical Debates
10.1Introduction
10.2The Marxist Reading
10.3The Feminist Reading
10.4The Eco-Critical Reading
10.5Other Debates
11Recap: Main Quotes
11.1Characters Quotes
11.2Quotes by Act
11.2.1Act One: Key Events 1-3 Quotes
11.2.2Act One: Key Events 4-6 Quotes
11.2.3Act One: Key Events 7-9 Quotes
11.2.4Act One: Key Events 10-12 Quotes
11.2.5Act One: Stage Direction Quotes
11.2.6Act One: The Woman Quotes
11.2.7Act Two: Key Events 1-2 Quotes
11.2.8Act Two: Key Events 3-4 Quotes
11.2.9Act Two: Key Events 5-6 Quotes
11.2.10Act Two: Key Events 7-8 Quotes
11.2.11Act Two: Key Events 9-10 Quotes
11.2.12Act Two: Howard's Office Quotes
11.2.13Act Two: The Requiem Quotes
Jump to other topics
1Introduction
1.1Introductions
2Act One
3Act Two
4Extended Passage Analysis
5Character Profiles
5.1Willy & Linda Loman
5.2Biff & Happy Loman
5.3Other Characters
6Key Themes
7Writing Techniques
7.1Structure
7.3Expressionism
8Historical Context
8.1Historical Context
9Literary Context
9.1Tragedy
10Critical Debates
10.1Introduction
10.2The Marxist Reading
10.3The Feminist Reading
10.4The Eco-Critical Reading
10.5Other Debates
11Recap: Main Quotes
11.1Characters Quotes
11.2Quotes by Act
11.2.1Act One: Key Events 1-3 Quotes
11.2.2Act One: Key Events 4-6 Quotes
11.2.3Act One: Key Events 7-9 Quotes
11.2.4Act One: Key Events 10-12 Quotes
11.2.5Act One: Stage Direction Quotes
11.2.6Act One: The Woman Quotes
11.2.7Act Two: Key Events 1-2 Quotes
11.2.8Act Two: Key Events 3-4 Quotes
11.2.9Act Two: Key Events 5-6 Quotes
11.2.10Act Two: Key Events 7-8 Quotes
11.2.11Act Two: Key Events 9-10 Quotes
11.2.12Act Two: Howard's Office Quotes
11.2.13Act Two: The Requiem Quotes
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