3.1.3

Key Events 5&6

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Act Two: Key Event Five

Biff undergoes a moment of self-realisation and becomes determined to get his father to face the truth as well.

Key event five

Key event five

Biff arrives at Frank’s Chop House in an emotional state, “strangely unnerved” and talking “breathlessly”.
He recounts what happened at Bill Oliver’s office to Happy.

Significance

Significance

Biff has been unable to see Bill Oliver and, in his frustration (“I got so mad I could’ve torn the walls down!”), steals Bill Oliver’s fountain pen.
This instinct to steal (“I just - wanted to take something”), like Happy’s womanising, appears to be a way of ‘getting back at’ superiors.

Quotation

Quotation

“I even believed myself that I’d been a salesman for him! And then he gave me one look and - I realized what a ridiculous lie my whole life has been. We’ve been talking in a dream for fifteen years. I was a shipping clerk.”

Explanation

Explanation

Like Willy in the previous scene, Biff has undergone a moment of self-realisation, now able to see the “lie” and “dream” he has blindly accepted.
However, unlike Willy, this discovery will not be short-lived.
Biff is now determined to get his father to face the truth, leading up to the climax of the play.

Act Two: Key Event Six

Willy, despite physically being in the restaurant, is mentally reliving the moment when Biff discovers his affair.

Key event six

Key event six

After Willy arrives, Biff tries to delicately break the news to Willy about what happened with Bill Oliver.
However, Willy is impatient and Biff becomes frustrated.

Significance

Significance

As Biff and Willy begin to argue with each other, Willy is again overwhelmed with guilt and resentment.
The suppressed memory of Biff’s discovery of his affair in Boston wells up in his mind.

Significance cont.

Significance cont.

Willy cannot control the voices he hears in his head:
- Of the operator calling up to his room.
- Of the woman.
- Or of Biff at the hotel room door.

Quotation

Quotation

“I’m not in my room!... I’m not there, stop it!”

Explanation

Explanation

As Miller himself said, Willy is now “at that terrible moment where the voice of the past is… as loud as the voice of the present.”
His short exclamations reveal his panic, while the desperate plea to “stop” show how tormented and the pain he is in: he can no longer control his thoughts.

Explanation cont.

Explanation cont.

That this plays out in front of everyone in the restaurant adds to the power of the scene, with the stage directions telling us that Biff is “frightened” and “horrified” by his father’s behaviour.
This feeling of horror will be widely shared by the audience who witness Willy so lost in his memories that he has no consciousness of where he actually is.

1

Introduction

1.1

Introductions

1.1.1Author 1.1.2Historical Context 1.1.3Setting 1.1.4Social Issues

2

Act One

2.1

Key Events

2.1.1Staging 2.1.2Key Events 1&2 2.1.3Key Events 3&4 2.1.4Key Events 5&6 2.1.5Key Events 7&8 2.1.6Key Events 9&10 2.1.7Key Events 11&12

2.2

Key Themes & Literary Techniques

2.2.1Foreshadowing, Flashbacks, Settings 2.2.2Family, Reality, Fantasy

3

Act Two

3.1

Key Events

3.1.1Key Events 1&2 3.1.2Key Events 3&4 3.1.3Key Events 5&6 3.1.4Key Events 7&8 3.1.5Key Events 9&10

3.2

Key Themes & Links

3.2.1Pride 3.2.2Metaphor 3.2.3Self-Realisation

4

Extended Passage Analysis

4.1

Act One

4.1.1Staging 4.1.2The Woman

4.2

Act Two

4.2.1In Howard’s Office 4.2.2The Final Confrontation 4.2.3The Requiem

5

Character Profiles

5.1

Willy & Linda Loman

5.1.1Willy Loman 5.1.2Linda Loman

5.2

Biff & Happy Loman

5.2.1Biff Loman 5.2.2Biff's Relationship with Willy 5.2.3Happy Loman

5.3

Other Characters

5.3.1Uncle Ben 5.3.2Charley 5.3.3Bernard

6

Key Themes

6.1

Concepts

6.1.1The American Dream 6.1.2Fathers & Sons 6.1.3Nature & the City 6.1.4Success 6.1.5Men & Women

7

Writing Techniques

7.1

Structure

7.1.1Act One 7.1.2Act Two

7.2

Realism

7.2.1Introduction 7.2.2Staging 7.2.3Language

7.3

Expressionism

7.3.1Introduction 7.3.2Staging 7.3.3Music

7.4

Symbolism

7.4.1The Garden / Seeds 7.4.2Diamonds 7.4.3Alaska & Africa

7.5

Motifs

7.5.1Introduction 7.5.2Cars 7.5.3Silk Stockings 7.5.4Money 7.5.5Mythological Figures

8

Historical Context

8.1

Historical Context

8.1.1Miller’s Family & The Great Depression 8.1.2America’s Recovery

9

Literary Context

9.1

Tragedy

9.1.1Introduction

9.2

Applying Tragic Concepts

9.2.1The Tragic Hero 9.2.2The Tragic Flaw 9.2.3Recognition 9.2.4Emotional Release 9.2.5Chaos & Disorder 9.2.6Revenge 9.2.7Inevitability

10

Critical Debates

10.1

Introduction

10.1.1Introduction

10.2

The Marxist Reading

10.2.1Marxist Analysis 10.2.2The Marxist Reading

10.3

The Feminist Reading

10.3.1Feminist Analysis 10.3.2The Feminist Reading

10.4

The Eco-Critical Reading

10.4.1Eco-Critical Analysis 10.4.2The Eco-Critical Reading 10.4.3Post-pastoral

10.5

Other Debates

10.5.1The Play as Tragedy 10.5.2The Critics

11

Recap: Main Quotes

Jump to other topics

1

Introduction

1.1

Introductions

1.1.1Author 1.1.2Historical Context 1.1.3Setting 1.1.4Social Issues

2

Act One

2.1

Key Events

2.1.1Staging 2.1.2Key Events 1&2 2.1.3Key Events 3&4 2.1.4Key Events 5&6 2.1.5Key Events 7&8 2.1.6Key Events 9&10 2.1.7Key Events 11&12

2.2

Key Themes & Literary Techniques

2.2.1Foreshadowing, Flashbacks, Settings 2.2.2Family, Reality, Fantasy

3

Act Two

3.1

Key Events

3.1.1Key Events 1&2 3.1.2Key Events 3&4 3.1.3Key Events 5&6 3.1.4Key Events 7&8 3.1.5Key Events 9&10

3.2

Key Themes & Links

3.2.1Pride 3.2.2Metaphor 3.2.3Self-Realisation

4

Extended Passage Analysis

4.1

Act One

4.1.1Staging 4.1.2The Woman

4.2

Act Two

4.2.1In Howard’s Office 4.2.2The Final Confrontation 4.2.3The Requiem

5

Character Profiles

5.1

Willy & Linda Loman

5.1.1Willy Loman 5.1.2Linda Loman

5.2

Biff & Happy Loman

5.2.1Biff Loman 5.2.2Biff's Relationship with Willy 5.2.3Happy Loman

5.3

Other Characters

5.3.1Uncle Ben 5.3.2Charley 5.3.3Bernard

6

Key Themes

6.1

Concepts

6.1.1The American Dream 6.1.2Fathers & Sons 6.1.3Nature & the City 6.1.4Success 6.1.5Men & Women

7

Writing Techniques

7.1

Structure

7.1.1Act One 7.1.2Act Two

7.2

Realism

7.2.1Introduction 7.2.2Staging 7.2.3Language

7.3

Expressionism

7.3.1Introduction 7.3.2Staging 7.3.3Music

7.4

Symbolism

7.4.1The Garden / Seeds 7.4.2Diamonds 7.4.3Alaska & Africa

7.5

Motifs

7.5.1Introduction 7.5.2Cars 7.5.3Silk Stockings 7.5.4Money 7.5.5Mythological Figures

8

Historical Context

8.1

Historical Context

8.1.1Miller’s Family & The Great Depression 8.1.2America’s Recovery

9

Literary Context

9.1

Tragedy

9.1.1Introduction

9.2

Applying Tragic Concepts

9.2.1The Tragic Hero 9.2.2The Tragic Flaw 9.2.3Recognition 9.2.4Emotional Release 9.2.5Chaos & Disorder 9.2.6Revenge 9.2.7Inevitability

10

Critical Debates

10.1

Introduction

10.1.1Introduction

10.2

The Marxist Reading

10.2.1Marxist Analysis 10.2.2The Marxist Reading

10.3

The Feminist Reading

10.3.1Feminist Analysis 10.3.2The Feminist Reading

10.4

The Eco-Critical Reading

10.4.1Eco-Critical Analysis 10.4.2The Eco-Critical Reading 10.4.3Post-pastoral

10.5

Other Debates

10.5.1The Play as Tragedy 10.5.2The Critics

11

Recap: Main Quotes

Practice questions on Key Events 5&6

Can you answer these? Test yourself with free interactive practice on Seneca — used by over 10 million students.

1
Biff arrives at Frank’s Chop House in an emotional state:Fill in the list
2
Act Two: _Death of a Salesman_Put in order
3
Act Two - Biff's realisation:Fill in the list
4
What does Biff steal from Bill Oliver?Multiple choice
5
The voices Willy hears in his head:Fill in the list

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Key Events 3&4

Key Events 7&8