7.4.1

Introduction to Marxist Criticisms

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Introduction to Marxist Literary Criticism

Marxist criticism is based on the economic, political and philosophical writings of Karl Marx, a German thinker who criticised the political and economic systems of 19th-century capitalist societies.

Marxist politics vs analysis

Marxist politics vs analysis

While Marxist political ideas have largely been discredited since the collapse of Russian and Eastern European communism in the late 1980s/1990s, Marxist analysis is still a highly relevant tool for examining the power relations within societies (and the representations of societies in literature).

Core Marxist belief

Core Marxist belief

Key to Marxist thinking is the belief that the way we think and behave is conditioned by society.
Although we like to think of ourselves as free and independent, Marxist analysis looks at how far we are controlled by factors such as government, money and social class.

1

Introduction

1.1

Introduction & Background to Hamlet

1.1.1Introduction to Hamlet 1.1.2The Literary Tradition of the Hamlet Story 1.1.3Introduction to the Settings in Hamlet 1.1.4Introduction to Social Issues Raised

2

Plot Summary

2.1

Act 1: Key Events & Ideas

2.1.1Act 1, Scene 1 2.1.2Act 1, Scene 2 2.1.3Act 1, Scene 3 2.1.4Act 1, Scenes 4-5

2.2

Act 2: Key Events & Ideas

2.2.1Act 2, Scene 1 2.2.2Act 2, Scene 2

2.3

Act 3: Key Events & Ideas

2.3.1Act 3, Scene 1: Key Events 2.3.2Act 3, Scene 1: Key Ideas 2.3.3Act 3, Scene 2 2.3.4Act 3, Scene 3 2.3.5Act 3, Scene 4

2.4

Act 4: Key Events & Ideas

2.4.1Act 4, Scene 1 2.4.2Act 4, Scenes 2-3 2.4.3Act 4, Scene 4 2.4.4Act 4, Scene 5: Key Events 2.4.5Act 4, Scene 5: Key Ideas 2.4.6Act 4, Scene 6 2.4.7Act 4, Scene 7

2.5

Act 5: Key Events & Ideas

2.5.1Act 5, Scene 1: Key Events 2.5.2Act 5, Scene 2: Key Events 2.5.3Act 5, Scene 2: Key Ideas

3

Character Profiles

3.1

Hamlet

3.1.1Hamlet's Speech & Mind 3.1.2Hamlet's Heroic Status 3.1.3Hamlet's State of Mind 3.1.4Hamlet's Indecision/Action Taking

3.2

Claudius

3.2.1Claudius' Crime 3.2.2Changing Impressions of Claudius

3.3

Gertrude

3.3.1Mystery & Hamlet's View of Gertrude 3.3.2Gertrude's Character 3.3.3Gertrude's Relationship with Hamlet

3.4

Ophelia

3.5

Polonius

3.5.1Portrayal of Polonius & Treatment of Ophelia 3.5.2Polonius' Spying & Death

3.6

Laertes

3.6.1Laertes' Popularity & Relationship with Ophelia 3.6.2Laertes' Character Traits

4

Key Themes

4.1

Regicide in Hamlet

4.1.1Regicide in Hamlet

4.2

Madness in Hamlet

4.2.1Madness in Hamlet

4.3

Guilt & Punishment in Hamlet

4.3.1Guilt in Hamlet 4.3.2Punishment in Hamlet

4.4

Settings in Hamlet

4.4.1Physical Settings & Historical Setting of Hamlet

5

Writing Techniques

5.1

Structure

5.1.1Structure of Hamlet 5.1.2'Play Within a Play' Structure 5.1.3Play-Acting Motif

5.2

Form

5.2.1Soliloquy 5.2.2Comedy

5.3

Imagery

5.3.1Imagery of Corruption & Decay 5.3.2Imagery: Healing, Performance & Costume

5.4

Language

5.4.1Word Usage & Hendiadys 5.4.2Questions & Classical Allusions

6

Context

6.1

Social & Historical Context

6.1.1Elizabeth I & Succession 6.1.2Cosmic & Social Hierarchy 6.1.3Renaissance & Emergence of Humanism 6.1.4Regicide 6.1.5The Reformation

6.2

Literary Context

6.2.1Seneca Tragedy 6.2.2The Revenge Tragedy

6.3

Performance & Textual History

6.3.1Performance History of Hamlet 6.3.2Textual History of Hamlet

7

Critical Debates

7.1

18-19th Century Responses to Hamlet

7.1.1Introduction to Critical Debates 7.1.218th Century Commentary on Hamlet 7.1.3Romantic Commentary on Hamlet

7.2

20th Century Responses to Hamlet

7.2.1Freudian Response to Hamlet 7.2.2Other Early 20th Century Responses to Hamlet

7.3

Feminist Readings of Hamlet

7.3.1Introduction to Feminist Criticism 7.3.2Feminist Readings of Hamlet 7.3.3Presentation of Ophelia

7.4

Marxist/Political Readings of Hamlet

7.4.1Introduction to Marxist Criticisms 7.4.2Marxist Readings of Hamlet

Jump to other topics

1

Introduction

1.1

Introduction & Background to Hamlet

1.1.1Introduction to Hamlet 1.1.2The Literary Tradition of the Hamlet Story 1.1.3Introduction to the Settings in Hamlet 1.1.4Introduction to Social Issues Raised

2

Plot Summary

2.1

Act 1: Key Events & Ideas

2.1.1Act 1, Scene 1 2.1.2Act 1, Scene 2 2.1.3Act 1, Scene 3 2.1.4Act 1, Scenes 4-5

2.2

Act 2: Key Events & Ideas

2.2.1Act 2, Scene 1 2.2.2Act 2, Scene 2

2.3

Act 3: Key Events & Ideas

2.3.1Act 3, Scene 1: Key Events 2.3.2Act 3, Scene 1: Key Ideas 2.3.3Act 3, Scene 2 2.3.4Act 3, Scene 3 2.3.5Act 3, Scene 4

2.4

Act 4: Key Events & Ideas

2.4.1Act 4, Scene 1 2.4.2Act 4, Scenes 2-3 2.4.3Act 4, Scene 4 2.4.4Act 4, Scene 5: Key Events 2.4.5Act 4, Scene 5: Key Ideas 2.4.6Act 4, Scene 6 2.4.7Act 4, Scene 7

2.5

Act 5: Key Events & Ideas

2.5.1Act 5, Scene 1: Key Events 2.5.2Act 5, Scene 2: Key Events 2.5.3Act 5, Scene 2: Key Ideas

3

Character Profiles

3.1

Hamlet

3.1.1Hamlet's Speech & Mind 3.1.2Hamlet's Heroic Status 3.1.3Hamlet's State of Mind 3.1.4Hamlet's Indecision/Action Taking

3.2

Claudius

3.2.1Claudius' Crime 3.2.2Changing Impressions of Claudius

3.3

Gertrude

3.3.1Mystery & Hamlet's View of Gertrude 3.3.2Gertrude's Character 3.3.3Gertrude's Relationship with Hamlet

3.4

Ophelia

3.5

Polonius

3.5.1Portrayal of Polonius & Treatment of Ophelia 3.5.2Polonius' Spying & Death

3.6

Laertes

3.6.1Laertes' Popularity & Relationship with Ophelia 3.6.2Laertes' Character Traits

4

Key Themes

4.1

Regicide in Hamlet

4.1.1Regicide in Hamlet

4.2

Madness in Hamlet

4.2.1Madness in Hamlet

4.3

Guilt & Punishment in Hamlet

4.3.1Guilt in Hamlet 4.3.2Punishment in Hamlet

4.4

Settings in Hamlet

4.4.1Physical Settings & Historical Setting of Hamlet

5

Writing Techniques

5.1

Structure

5.1.1Structure of Hamlet 5.1.2'Play Within a Play' Structure 5.1.3Play-Acting Motif

5.2

Form

5.2.1Soliloquy 5.2.2Comedy

5.3

Imagery

5.3.1Imagery of Corruption & Decay 5.3.2Imagery: Healing, Performance & Costume

5.4

Language

5.4.1Word Usage & Hendiadys 5.4.2Questions & Classical Allusions

6

Context

6.1

Social & Historical Context

6.1.1Elizabeth I & Succession 6.1.2Cosmic & Social Hierarchy 6.1.3Renaissance & Emergence of Humanism 6.1.4Regicide 6.1.5The Reformation

6.2

Literary Context

6.2.1Seneca Tragedy 6.2.2The Revenge Tragedy

6.3

Performance & Textual History

6.3.1Performance History of Hamlet 6.3.2Textual History of Hamlet

7

Critical Debates

7.1

18-19th Century Responses to Hamlet

7.1.1Introduction to Critical Debates 7.1.218th Century Commentary on Hamlet 7.1.3Romantic Commentary on Hamlet

7.2

20th Century Responses to Hamlet

7.2.1Freudian Response to Hamlet 7.2.2Other Early 20th Century Responses to Hamlet

7.3

Feminist Readings of Hamlet

7.3.1Introduction to Feminist Criticism 7.3.2Feminist Readings of Hamlet 7.3.3Presentation of Ophelia

7.4

Marxist/Political Readings of Hamlet

7.4.1Introduction to Marxist Criticisms 7.4.2Marxist Readings of Hamlet

Practice questions on Introduction to Marxist Criticisms

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1
What does Marxist criticism NOT specifically analyse as a controlling factor? Multiple choice
2
What does Marxist analysis examine? Multiple choice

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Presentation of Ophelia

Marxist Readings of Hamlet