9.1.16

Don Pedro

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Don Pedro

DON PEDRO: If we can do this, Cupid is no longer an archer; his glory shall be ours, for we are the only love-gods.

Key line

Key line

  • DON PEDRO: If we can do this, Cupid is no longer an archer; his glory shall be ours, for we are the only love-gods.
Don Pedro’s plan

Don Pedro’s plan

  • Don Pedro’s use of the conditional tense (“if”) suggests that he knows that it will be no easy task to make Benedick and Beatrice fall in love.
  • He talks of Cupid’s “glory”, implying he takes a great deal of pride and honour in successfully matching couples.
Hamartia

Hamartia

  • His self-comparison to Cupid could be viewed as arrogant, especially by a more modern audience.
  • Again, structurally this hint at Don Pedro’s over-confidence relates to the concept of fatal flaws (hamartia) in a classical tragedy.
Act 5, Scene 1

Act 5, Scene 1

  • It also prepares the audience for his disrespectful attitude towards Leonato and Antonio in Act 5, Scene 1.

Don Pedro

Don Pedro feels that his involvement in this arrangement has harmed his reputation.

Key line

Key line

  • DON PEDRO: I stand dishonour’d that have gone to link my dear friend to a common stale
Male reputation

Male reputation

  • The importance of male reputation is illustrated here through the anger Don Pedro feels towards Hero.
  • He feels that in making such an ill suited match, that his own honour has been compromised.
Leonato reaction

Leonato reaction

  • Don Pedro’s attitude, as well as his superior social standing to Leonato, may account for the treatment Hero receives from her father once Claudio, Don Pedro and Don John exit the scene.
Misogyny

Misogyny

  • The juxtaposition of the noun phrases “dear friend” and “common stale” illustrate both the inherent misogyny in Messinian society within the play and the different standings of men and women with a patriarchal society.
Hypocrisy

Hypocrisy

  • In Act 1, Scene 1, Benedick can proudly boast he is “loved of all ladies”, and he and Leonato can make light of the question of Hero’s parentage whereas a promiscuous female is labelled a “common stale” or prostitute.
  • Perhaps Shakespeare’s intention was to illustrate the hypocrisy in such attitudes.
Jump to other topics
1

Key Terminology

1.1

Key Terminology

1.1.1Key Terminology1.1.2End of Topic Test - Key Terminology
2

Structure & Form

2.1

Structure

2.1.1Structure2.1.2Acts 1 - 32.1.3Acts 4 - 5
2.2

Form

2.2.1Tragicomedy2.2.2End of Topic Test - Structure & Form
3

Act 1: Plot Summary

3.1

Act 1, Scene 1

3.1.1Summary3.1.2Key Lines3.1.3Key Lines 23.1.4End of Topic Test - Act 1, Scene 1
3.2

Act 1, Scene 2

3.2.1Summary3.2.2Key Lines
3.3

Act 1, Scene 3

3.3.1Summary3.3.2Key Lines3.3.3End of Topic Test - Act 1, Scenes 2-3
4

Act 2: Plot Summary

4.1

Act 2, Scene 1

4.1.1Summary4.1.2Key Lines4.1.3Key Lines 24.1.4Key Lines 34.1.5End of Topic Test - Act 2, Scene 1
4.2

Act 2, Scene 2

4.2.1Summary
4.3

Act 2, Scene 3

4.3.1Summary4.3.2Key Lines4.3.3Key Lines 24.3.4End of Topic Test - Act 2, Scenes 2-3
5

Act 3: Plot Summary

5.1

Act 3, Scene 1

5.1.1Summary5.1.2Key Lines
5.2

Act 3, Scene 2

5.2.1Summary5.2.2Key Lines
5.3

Act 3, Scene 3

5.3.1Summary
5.4

Act 3, Scene 4

5.4.1Summary
5.5

Act 3, Scene 5

5.5.1Summary5.5.2End of Topic Test - Act 3
6

Act 4: Plot Summary

6.1

Act 4, Scene 1 (Part 1)

6.1.1Summary6.1.2Key Lines6.1.3Key Lines 2
6.2

Act 4, Scene 1 (Part 2)

6.2.1Summary6.2.2Key Lines6.2.3Key Lines 2
6.3

Act 4, Scene 2

6.3.1Summary6.3.2End of Topic Test - Act 4
7

Act 5: Plot Summary

7.1

Act 5, Scene 1

7.1.1Summary
7.2

Act 5, Scene 2

7.2.1Summary7.2.2Key Lines
7.3

Act 5, Scene 3

7.3.1Summary
7.4

Act 5, Scene 4

7.4.1Summary7.4.2End of Topic Test - Act 5
8

Key Themes

8.1

Key Themes

8.1.1Love & Marriage8.1.2Deception, Appearances & Noting8.1.3Gender8.1.4Reputation8.1.5End of Topic Test - Key Themes
9

Recap: Main Quotes

9.1

Characters Quotes

9.1.1Beatrice9.1.2Beatrice 29.1.3Benedick 19.1.4Benedick 29.1.5Benedick 39.1.6Benedick 49.1.7Benedick 59.1.8Beatrice & Benedick9.1.9Beatrice & Benedick 29.1.10Beatrice & Benedick 39.1.11Claudio9.1.12Claudio 29.1.13Claudio & Benedick9.1.14Don John9.1.15Don John 29.1.16Don Pedro9.1.17Hero9.1.18Leonato9.1.19Leonato & Messanger
9.2

Text Structure - Quotes

9.2.1Deception, Appearances & Noting9.2.2Gender9.2.3Reputation

Practice questions on Don Pedro

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  1. 1
    What does Don Pedro call Hero in Act 4, Scene 1?Multiple choice
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Don John 2

Hero