Summary

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Act 3, Scene 4

The morning of the wedding, Hero is getting ready with Margaret and Ursula.

Tragic foreboding

Initially, the scene resembles Act 3, Scene 1 and it may appear as though all is well and there will be a continuation of the trick to fool Beatrice, as at the start of Act 3, Scene 2.
However, the audience being privy to all the events know what has already transpired and know what Claudio is intending to do.
An air or tragic foreboding hangs over this scene.

Hero

Shakespeare again demonstrates to the audience a confident, assertive side to Hero’s character when she states: “My cousin’s a fool, and thou art another: I’ll wear none but this.”
To state that Hero acts as a foil and contrasts to Beatrice’s outspoken, radical character is an oversimplification.
Hero can also be headstrong, although more privately than her cousin.

Tragedy

The sense of tragedy is emphasised when Hero states “my heart is exceedingly heavy”.
Characters having premonitions of ill fortune are a common dramatic device in tragedies.
In ‘Romeo and Juliet’, Juliet has a vision of Romeo dead at the bottom of a tomb before he departs to begin his banishment from Verona.

Innocence

Margaret attempts to lighten the mood, telling Hero her heart will soon be heavier “due to the weight of a man.”
Hero’s embarrassment at Margaret’s crude, sexual humour is again illustrative of her purely innocent character and contrasts to the accusation made in Act 4 that she “knows the heat of a luxurious bed”.

1Key Terminology

1.1Key Terminology

1.1.1Key Terminology

1.1.2End of Topic Test - Key Terminology

2Structure & Form

2.1Structure

2.1.1Structure

2.1.2Acts 1 - 3

2.1.3Acts 4 - 5

2.2Form

2.2.1Tragicomedy

2.2.2End of Topic Test - Structure & Form

3Act 1: Plot Summary

3.1Act 1, Scene 1

3.1.1Summary

3.1.2Key Lines

3.1.3Key Lines 2

3.1.4End of Topic Test - Act 1, Scene 1

3.2Act 1, Scene 2

3.2.1Summary

3.2.2Key Lines

3.3Act 1, Scene 3

3.3.1Summary

3.3.2Key Lines

3.3.3End of Topic Test - Act 1, Scenes 2-3

4Act 2: Plot Summary

4.1Act 2, Scene 1

4.1.1Summary

4.1.2Key Lines

4.1.3Key Lines 2

4.1.4Key Lines 3

4.1.5End of Topic Test - Act 2, Scene 1

4.2Act 2, Scene 2

4.2.1Summary

4.3Act 2, Scene 3

4.3.1Summary

4.3.2Key Lines

4.3.3Key Lines 2

4.3.4End of Topic Test - Act 2, Scenes 2-3

5Act 3: Plot Summary

5.1Act 3, Scene 1

5.1.1Summary

5.1.2Key Lines

5.2Act 3, Scene 2

5.2.1Summary

5.2.2Key Lines

5.3Act 3, Scene 3

5.3.1Summary

5.4Act 3, Scene 4

5.4.1Summary

5.5Act 3, Scene 5

5.5.1Summary

5.5.2End of Topic Test - Act 3

6Act 4: Plot Summary

6.1Act 4, Scene 1 (Part 1)

6.1.1Summary

6.1.2Key Lines

6.1.3Key Lines 2

6.2Act 4, Scene 1 (Part 2)

6.2.1Summary

6.2.2Key Lines

6.2.3Key Lines 2

6.3Act 4, Scene 2

6.3.1Summary

6.3.2End of Topic Test - Act 4

7Act 5: Plot Summary

7.1Act 5, Scene 1

7.1.1Summary

7.2Act 5, Scene 2

7.2.1Summary

7.2.2Key Lines

7.3Act 5, Scene 3

7.3.1Summary

7.4Act 5, Scene 4

7.4.1Summary

7.4.2End of Topic Test - Act 5

8Key Themes

8.1Key Themes

8.1.1Love & Marriage

8.1.2Deception, Appearances & Noting

8.1.3Gender

8.1.4Reputation

8.1.5End of Topic Test - Key Themes

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