4.3.3
Key Lines 2
“The world must be peopled”
“The world must be peopled”
BENEDICK: “The world must be peopled. When I said I would die a bachelor, I did not think I would live till I were married.”
![Illustrative background for Religious argument](https://image-v2.cdn.app.senecalearning.com/2018-03/f8379fdd-4d33-4891-ae5d-cee57ce1817a/shutterstock_149250677,h_400,q_80,w_640.jpg)
![Illustrative background for Religious argument ?? "content](https://image-v2.cdn.app.senecalearning.com/2018-03/f8379fdd-4d33-4891-ae5d-cee57ce1817a/shutterstock_149250677,h_400,q_80,w_640.jpg)
Religious argument
Religious argument
- More religious argument is used by Shakespeare as Benedick comically tries to save face.
- The idea of procreation first through marriage then the sexual consummation of this act is alluded to when he states “The world must be peopled.”
![Illustrative background for Earlier dismay](https://image-v2.cdn.app.senecalearning.com/2018-08/7edd5a89-34a9-42a7-ac76-584a282958fb/coffin-funeral,h_400,q_80,w_640.jpg)
![Illustrative background for Earlier dismay ?? "content](https://image-v2.cdn.app.senecalearning.com/2018-08/7edd5a89-34a9-42a7-ac76-584a282958fb/coffin-funeral,h_400,q_80,w_640.jpg)
Earlier dismay
Earlier dismay
- When Benedick suggests (weakly or humorously) that he did not think he would live until he were married, the audience may be reminded of his appall in Act 1 upon learning of Claudio’s intent to “turn husband” and his dismay at never seeing a bachelor of “three-score (60) again”.
"Fair lady!"
"Fair lady!"
“BENEDICK: By this day she’s a fair lady! I do spy some marks of love in her.”
![Illustrative background for __“fair”__](https://image-v2.cdn.app.senecalearning.com/2018-08/ceef0317-0275-4ff2-9074-a6e03a3199b2/unequal-balance-,h_400,q_80,w_640.jpg)
![Illustrative background for __“fair”__ ?? "content](https://image-v2.cdn.app.senecalearning.com/2018-08/ceef0317-0275-4ff2-9074-a6e03a3199b2/unequal-balance-,h_400,q_80,w_640.jpg)
“fair”
“fair”
- Shakespeare has Benedick repeat the adjective “fair”, first when Beatrice approaches and again when he greets her (“Fair Beatrice, I thank you for your pains.”).
![Illustrative background for Contrast](https://image-v2.cdn.app.senecalearning.com/2019-02/0b8927a0-3923-40e2-b6cd-849a2d5dc604/harpy-,h_400,q_80,w_640.jpg)
![Illustrative background for Contrast ?? "content](https://image-v2.cdn.app.senecalearning.com/2019-02/0b8927a0-3923-40e2-b6cd-849a2d5dc604/harpy-,h_400,q_80,w_640.jpg)
Contrast
Contrast
- The complimentary adjective provides a stark contrast to his previous derogatory and insulting language towards her (“Lady Disdain”, “I wish some scholar would conjure her”, “Harpy” etc).
![Illustrative background for Appearance](https://image-v2.cdn.app.senecalearning.com/2018-09/6442ee0c-869b-4d37-9356-4584c212e574/binoculars-looking-watching-,h_400,q_80,w_640.jpg)
![Illustrative background for Appearance ?? "content](https://image-v2.cdn.app.senecalearning.com/2018-09/6442ee0c-869b-4d37-9356-4584c212e574/binoculars-looking-watching-,h_400,q_80,w_640.jpg)
Appearance
Appearance
- There is a particular irony in Benedick “spying” loving signals from Beatrice.
- Again the idea of appearance not always being what they seem is demonstrated to the audience.
1Key Terminology
1.1Key Terminology
2Structure & Form
3Act 1: Plot Summary
3.2Act 1, Scene 2
3.3Act 1, Scene 3
4Act 2: Plot Summary
4.1Act 2, Scene 1
4.2Act 2, Scene 2
5Act 3: Plot Summary
5.1Act 3, Scene 1
5.2Act 3, Scene 2
5.3Act 3, Scene 3
5.4Act 3, Scene 4
5.5Act 3, Scene 5
6Act 4: Plot Summary
6.1Act 4, Scene 1 (Part 1)
6.2Act 4, Scene 1 (Part 2)
6.3Act 4, Scene 2
7Act 5: Plot Summary
7.1Act 5, Scene 1
7.2Act 5, Scene 2
7.3Act 5, Scene 3
7.4Act 5, Scene 4
Jump to other topics
1Key Terminology
1.1Key Terminology
2Structure & Form
3Act 1: Plot Summary
3.2Act 1, Scene 2
3.3Act 1, Scene 3
4Act 2: Plot Summary
4.1Act 2, Scene 1
4.2Act 2, Scene 2
5Act 3: Plot Summary
5.1Act 3, Scene 1
5.2Act 3, Scene 2
5.3Act 3, Scene 3
5.4Act 3, Scene 4
5.5Act 3, Scene 5
6Act 4: Plot Summary
6.1Act 4, Scene 1 (Part 1)
6.2Act 4, Scene 1 (Part 2)
6.3Act 4, Scene 2
7Act 5: Plot Summary
7.1Act 5, Scene 1
7.2Act 5, Scene 2
7.3Act 5, Scene 3
7.4Act 5, Scene 4
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