6.2.2
Key Lines
Beatrice
Beatrice
Beatrice’s response to Benedick’s attempt to pacify her following Claudio’s public humiliation of Hero could be interpreted several ways.
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Key line
Key line
- BEATRICE: It is a man’s office but not yours.
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Goading
Goading
- Beatrice’s response to Benedick’s attempt to pacify her following Claudio’s public humiliation of Hero could be interpreted in several ways.
- She may be trying to goad Benedick into challenging Claudio by asserting it is a “man’s office”.
- Only a truly noble gentleman would see fit to defend Hero’s honour.
- If Benedick refuses, Beatrice may be suggesting he is a coward.
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Testing
Testing
- Additionally, despite her feelings towards him, perhaps Shakespeare is suggesting that Beatrice does not believe Benedick would willingly fight Claudio on her and Hero’s behalf.
- In light of this interpretation, Benedick’s rejection of his camaraderie with Claudio in favour of proving his love for Beatrice becomes even more significant.
- She does not expect him to choose her over his good friend (“it is a man’s office but not yours”) and yet this is exactly what he does.
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Preventing
Preventing
- A third reason for Beatrice’s reluctance to accept Benedick's offer could be that she is afraid he could be killed by Claudio.
- She is concerned for Benedick’s well-being and safety, just as she was in her opening line of the lay when she enquired whether “Signor Montanto is returned from the wars or no?”
Benedick
Benedick
BENEDICK: I do love nothing in the world so well as you. Is not that strange?
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Declarations
Declarations
- Perhaps fittingly as he once “won [Beatrice’s] heart with false dice” (Act 2, Scene 1), it is Benedick who is first to confess his love.
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Self-awareness
Self-awareness
- Shakespeare presents Benedick as being self-aware regarding his feelings for Beatrice.
- He describes them as “strange”.
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Don Pedro
Don Pedro
- It is likely that without the help of Don Pedro’s plot Benedick and Beatrice would never have rekindled their relationship.
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The truth
The truth
- To ensure that there are no loose ends at the play’s denouement, Shakespeare has Benedick and Beatrice discover the truth of how they fell in love with each other.
- This helps remove any final concerns over the validity of their love - something that the audience may feel is reflected in Benedick’s use of “strange”.
1Key Terminology
1.1Key Terminology
2Structure & Form
3Act 1: Plot Summary
3.2Act 1, Scene 2
3.3Act 1, Scene 3
4Act 2: Plot Summary
4.1Act 2, Scene 1
4.2Act 2, Scene 2
5Act 3: Plot Summary
5.1Act 3, Scene 1
5.2Act 3, Scene 2
5.3Act 3, Scene 3
5.4Act 3, Scene 4
5.5Act 3, Scene 5
6Act 4: Plot Summary
6.1Act 4, Scene 1 (Part 1)
6.2Act 4, Scene 1 (Part 2)
6.3Act 4, Scene 2
7Act 5: Plot Summary
7.1Act 5, Scene 1
7.2Act 5, Scene 2
7.3Act 5, Scene 3
7.4Act 5, Scene 4
Jump to other topics
1Key Terminology
1.1Key Terminology
2Structure & Form
3Act 1: Plot Summary
3.2Act 1, Scene 2
3.3Act 1, Scene 3
4Act 2: Plot Summary
4.1Act 2, Scene 1
4.2Act 2, Scene 2
5Act 3: Plot Summary
5.1Act 3, Scene 1
5.2Act 3, Scene 2
5.3Act 3, Scene 3
5.4Act 3, Scene 4
5.5Act 3, Scene 5
6Act 4: Plot Summary
6.1Act 4, Scene 1 (Part 1)
6.2Act 4, Scene 1 (Part 2)
6.3Act 4, Scene 2
7Act 5: Plot Summary
7.1Act 5, Scene 1
7.2Act 5, Scene 2
7.3Act 5, Scene 3
7.4Act 5, Scene 4
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