4.1.3
Literary Legend
Literary Legend
Literary Legend
The tale of how Mary’s idea for Frankenstein originated has gone down in literary history and boasts an impressive cast of poets, authors and even a doctor. The tale takes place in, none other than, Geneva.
Rainy day
Rainy day
- In 1816, on a rainy afternoon in a house on the shores of Lake Geneva, Mary and Percy Shelley, Lord Byron and his doctor, John Polidori, were finding an activity to keep them amused while they sheltered from the terrible weather outside.
- They decided to have a ghost story competition, seeing who could write the scariest story.
A dream
A dream
- It is rumoured that Mary had a dream about ‘a pale student of the unhallowed arts kneeling beside the thing he had put together’ and was inspired to write Frankenstein.
Two Versions of the Novel
Two Versions of the Novel
After Percy’s death, Shelley published a revised version of the novel with some intrinsic changes.
Revisions
Revisions
- In 1818, Shelley published the novel with a preface from her husband Percy, which is why many believed he had written the novel.
- In 1831, after Percy’s death, Shelley published a revised version, including a written explanation by Shelley as to why she wrote it.
- There are some intrinsic changes made.
Elizabeth Lavenza
Elizabeth Lavenza
- The character of Elizabeth Lavenza changes from a cousin of Victor’s in the 1818 version to an orphan in the 1831 version.
- Even though it is not unlawful for cousins to marry one another, Shelley probably made the change because of critical comments about the novel. She probably wanted to make the character of Caroline Frankenstein even more virtuous in her compassion towards the young girl.
Galvanism
Galvanism
- In the 1831 version, Shelley adds reference to Galvanism in Chapter 2 after the "blasted stump" observation.
- This makes a link between electricity and the suggested ways that the Monster is created, though it is never explained fully how he is brought to life.
Moral content
Moral content
- The 1818 version presented Victor as a victim of fate, whereas the 1831 version made subtle changes to be more critical of Victor’s decisions. He does not fully accept blame for his responsibilities and actions.
- Again, this could be due to critical comments aimed at the moral content of the novel.
1Narrative Structure
2Character Summaries
2.1Walton & Frankenstein
2.3Elizabeth, Justine & Henry
3Intertextuality & Allusions
3.1Intertextual References
3.2Philosophical & Scientific Theories
4Biographic Context
5Chapter Summaries
5.2Chapters
5.2.1Chapters 1-2
5.2.2Chapters 3-4
5.2.3Chapters 5-6
5.2.4Chapters 7-9
5.2.5Chapters 10-11
5.2.6Chapters 12-15
5.2.7Chapters 16-19
5.2.8Chapters 20-23
5.2.9Chapter 24 & Walton’s Last Letters
5.2.10End of Topic Test - Chapters 1-6
5.2.11End of Topic Test - Chapters 7-15
5.2.12End of Topic Test - Chapters 16-23
5.2.13End of Topic Test - Chapter 24 & Walton's Letters
Jump to other topics
1Narrative Structure
2Character Summaries
2.1Walton & Frankenstein
2.3Elizabeth, Justine & Henry
3Intertextuality & Allusions
3.1Intertextual References
3.2Philosophical & Scientific Theories
4Biographic Context
5Chapter Summaries
5.2Chapters
5.2.1Chapters 1-2
5.2.2Chapters 3-4
5.2.3Chapters 5-6
5.2.4Chapters 7-9
5.2.5Chapters 10-11
5.2.6Chapters 12-15
5.2.7Chapters 16-19
5.2.8Chapters 20-23
5.2.9Chapter 24 & Walton’s Last Letters
5.2.10End of Topic Test - Chapters 1-6
5.2.11End of Topic Test - Chapters 7-15
5.2.12End of Topic Test - Chapters 16-23
5.2.13End of Topic Test - Chapter 24 & Walton's Letters
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