3.1.2
Pages 191-201: Key Themes
Key Themes in Pages 191-201: To The Farmhouse
Key Themes in Pages 191-201: To The Farmhouse
Events are focalized through Robbie. Almost immediately, we see signs of his exhaustion as he searches for a map which is actually in his hand.
Robbie's corporals & wound
Robbie's corporals & wound
- The two corporals who accompany him treat him as their superior even though he is not an officer. Robbie is gently teased by the corporals, Mace and Nettle, but is clearly respected and trusted by both men. He is able to read a map and can speak French, valuable skills as they struggle to survive their retreat north.
- We learn about the wound which troubles him although he keeps it hidden from the others.
Robbie as a heroic leader
Robbie as a heroic leader
- Robbie cannot get the image of the severed leg out of his mind and he is haunted by the thought that the scrap of clothing he saw “may have been a child’s pyjamas”.
- Overall, Robbie is characterised as a quietly heroic figure, able to lead and protect others while trying to manage his wound, his exhaustion and the evident signs of trauma as best he can. Robbie also carries a strong sense of moral purpose, feeling “shame” at the British army’s ignoble retreat.
Time shift: five years future
Time shift: five years future
- The storyline shifts forward almost five years into the future. The opening paragraphs are disorientating for the reader as we do not know where, or with who, we are until the relevant details are gradually revealed to us.
Key Themes in Pages 191-201: To The Farmhouse
Key Themes in Pages 191-201: To The Farmhouse
Robbie, Nettle and Mace are following the order for British troops to retreat to Dunkirk on the northern French coast where they will be shipped back to England.
Robbie's retreat route
Robbie's retreat route
- The journey is fraught with danger: Robbie decides to avoid the main roads which are a favourite target of the enemy’s bombing raids. The three men use a map which Robbie has retrieved from a dead officer to take country paths wherever possible.
Setting shows war "horrors"
Setting shows war "horrors"
- McEwan exploits this particular setting to drive home the “horrors” of war, the word appearing in the opening sentence of Part Two.
- The image of the leg in a tree haunts Robbie but his companions refuse to dwell on it as “in the past few days they had seen enough”.
Bonnet account of destruction
Bonnet account of destruction
- Even when they find shelter in the farmhouse, they (and we as readers) are provided with further gruesome stories.
- The Bonnet brothers recount the destruction they have seen around the town of Arras and are clearly traumatised by the memories: “When they shut their eyes, they saw those mutilated bodies” (p199).
1Introduction to Atonement
1.1Introduction & Background to Atonement
1.2Focus of Your Exam: Crime Texts
2Chapter Summaries & Analysis: Part One
2.6Chapter 6
2.10Chapter 10
2.11Chapter 11
2.12Chapter 12
2.13Chapter 13
2.14Chapter 14
3Chapter Summaries & Analysis: Part Two
3.1Pages 191-201: To the Farmhouse
3.2Pages 202-213: The Night in the Barn
3.3Pages 214-226: The Attack
3.4Pages 226-234: Robbie's Reflections
3.5Pages 234-246: To the Bridge over the Canal
3.6Pages 246-254: Arrival at Dunkirk
3.7Pages 254-265: To the Cellar
4Chapter Summaries & Analysis: Part Three
4.1Pages 269-277: London, 1940
4.2Pages 277-286: Briony as Writer
4.3Pages 287-315: Victims of War
4.4Pages 315-327: Lola & Paul Marshall’s Wedding
4.5Pages 328-349: The Visit
5Chapter Summaries & Analysis: Part Four
5.1Epilogue: London, 1999 - Pages 353-371
6Key Character Profiles
6.1Briony Tallis
6.2Robbie Turner
6.3Cecilia Tallis
6.5Paul Marshall
6.6Emily Tallis
7Key Themes
7.1Introduction to Crime Texts
7.2Crimes in Atonement
7.3Criminals in Atonement
7.4Victims in Atonement
7.5Detection in Atonement
7.6Settings in Atonement
7.7Guilt & Punishment in Atonement
8Writing Techniques
9Context
9.1Historical Context
9.2Social Context
9.3Literary Context
10Critical Debates
10.1Marxist Literary Criticism
Jump to other topics
1Introduction to Atonement
1.1Introduction & Background to Atonement
1.2Focus of Your Exam: Crime Texts
2Chapter Summaries & Analysis: Part One
2.6Chapter 6
2.10Chapter 10
2.11Chapter 11
2.12Chapter 12
2.13Chapter 13
2.14Chapter 14
3Chapter Summaries & Analysis: Part Two
3.1Pages 191-201: To the Farmhouse
3.2Pages 202-213: The Night in the Barn
3.3Pages 214-226: The Attack
3.4Pages 226-234: Robbie's Reflections
3.5Pages 234-246: To the Bridge over the Canal
3.6Pages 246-254: Arrival at Dunkirk
3.7Pages 254-265: To the Cellar
4Chapter Summaries & Analysis: Part Three
4.1Pages 269-277: London, 1940
4.2Pages 277-286: Briony as Writer
4.3Pages 287-315: Victims of War
4.4Pages 315-327: Lola & Paul Marshall’s Wedding
4.5Pages 328-349: The Visit
5Chapter Summaries & Analysis: Part Four
5.1Epilogue: London, 1999 - Pages 353-371
6Key Character Profiles
6.1Briony Tallis
6.2Robbie Turner
6.3Cecilia Tallis
6.5Paul Marshall
6.6Emily Tallis
7Key Themes
7.1Introduction to Crime Texts
7.2Crimes in Atonement
7.3Criminals in Atonement
7.4Victims in Atonement
7.5Detection in Atonement
7.6Settings in Atonement
7.7Guilt & Punishment in Atonement
8Writing Techniques
9Context
9.1Historical Context
9.2Social Context
9.3Literary Context
10Critical Debates
10.1Marxist Literary Criticism
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