2.5.1

Chapter 5: Key Events

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Key Event in Chapter 5: Lola & Marshall's Dynamic

Briony abandons the play rehearsal, leaving the twins and Lola bored and restless. We learn that the Quincey parents are divorcing. Paul Marshal enters and, at the end of the chapter, gives Lola a chocolate Amo bar.

Illustrative background for Marshall meets the QuinceysIllustrative background for Marshall meets the Quinceys ?? "content

Marshall meets the Quinceys

  • Paul Marshall introduces himself to the Quinceys.
  • Marshall is typically insensitive, upsetting the Quincey twins with his careless admission that he has read about their parents in the press.
Illustrative background for Lola's scolding & confusionIllustrative background for Lola's scolding & confusion ?? "content

Lola's scolding & confusion

  • Lola to Marshall: “Then I’ll thank you not to talk about them in front of the children” (p59).
    • Lola takes on the role of parent or adult in scolding Marshall, mimicking what she expects her parents would say.
  • But we learn that this is just a front which masks her feelings of uncertainty and confusion: “her heart was beating painfully hard… she did not understand…”.
Illustrative background for Lola's innocenceIllustrative background for Lola's innocence ?? "content

Lola's innocence

  • Lola, still an adolescent, is easily manipulated by Marshall’s compliment, “You’ve jolly good taste in clothes”.
  • Even as she tries to impress Marshall with her maturity in recounting how she went to the London Palladium to see Hamlet, she betrays her innocence when describing how she spilled a “strawberry drink” on her “frock”.
  • Lola is vulnerable, caught between childhood and adulthood.

Key Event in Chapter 5: The Amo Bar

Paul Marshall gives Lola one of his chocolate Amo bars. The chocolate bar initiates an unsettling moment of intimacy between Marshall and Lola.

Illustrative background for Quotation: Amo chocolate barIllustrative background for Quotation: Amo chocolate bar ?? "content

Quotation: Amo chocolate bar

  • “Paul Marshall sat back in the armchair, watching her closely… He crossed and uncrossed his legs. Then he took a deep breath. “Bite it”, he said softly. “You’ve got to bite it”” (p62).
Illustrative background for Marshall's pleasure Illustrative background for Marshall's pleasure  ?? "content

Marshall's pleasure

  • Marshall’s evident pleasure in watching Lola try the chocolate bar is uncomfortable, particularly with Marshall’s focus on the sensual.
  • The atmosphere is not quite right (even the twins recognise “that no adult had business with sweets”) and it is difficult to avoid the suspicion that Marshall is using the chocolate to lure or ‘groom’ Lola.
Illustrative background for Marshall's comment & tensionIllustrative background for Marshall's comment & tension ?? "content

Marshall's comment & tension

  • Readers will still have Marshall’s curious comment of Lola reminding him of his favourite sister fresh in their memory and also of the narrator’s account of Marshall waking “uncomfortably aroused” after a dream involving “his young sisters”.
  • The tension increases at the end of the chapter as Lola, laughing, calls on the twins to leave. She will be alone with Marshall.

Jump to other topics

1Introduction to Atonement

2Chapter Summaries & Analysis: Part One

3Chapter Summaries & Analysis: Part Two

4Chapter Summaries & Analysis: Part Three

5Chapter Summaries & Analysis: Part Four

5.1Epilogue: London, 1999 - Pages 353-371

6Key Character Profiles

7Key Themes

8Writing Techniques

9Context

10Critical Debates

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