3.1.1
Pages 191-201: Key Events
Key Events in Pages 191-201: To The Farmhouse
Key Events in Pages 191-201: To The Farmhouse
Part Two of the novel is set in northern France in May, 1940.
Key events: 191-201
Key events: 191-201
- Robbie, now a soldier in the British army, leads two other soldiers through the war-ravaged French countryside towards the northern coast at Dunkirk where British forces await rescue back to England.
- The three men arrive at a farmhouse where they are given food and a bed for the night.
"Horror" of WW2
"Horror" of WW2
- Through Robbie’s eyes, we are given a glimpse of the “horrors” of World War 2.
- The opening sentence of Part Two refers to the destabilising impact of “the unexpected detail” during wartime.
- In the next paragraph, we learn about the particular “horror” which has affected Robbie so much.
Quotation: "leg in a tree"
Quotation: "leg in a tree"
- “It was a leg in a tree. A mature plane tree, only just in leaf. The leg was twenty feet up, wedged in the first forking of the trunk, bare, severed cleanly above the knee… It was a perfect leg, pale, smooth, small enough to be a child’s…” (p192).
Analysis of body imagery
Analysis of body imagery
- The surreal image of a disembodied leg in a tree is unsettling in itself but the detached, matter-of-fact tone in which it is described suggests that the soldiers are numbed, used to seeing such atrocities.
- The suggestion that this is a “child’s” leg seems to be the detail which means that Robbie cannot get this image out of his head.
1Introduction to Atonement
1.1Introduction & Background to Atonement
1.2Focus of Your Exam: Crime Texts
2Chapter Summaries & Analysis: Part One
2.6Chapter 6
2.10Chapter 10
2.11Chapter 11
2.12Chapter 12
2.13Chapter 13
2.14Chapter 14
3Chapter Summaries & Analysis: Part Two
3.1Pages 191-201: To the Farmhouse
3.2Pages 202-213: The Night in the Barn
3.3Pages 214-226: The Attack
3.4Pages 226-234: Robbie's Reflections
3.5Pages 234-246: To the Bridge over the Canal
3.6Pages 246-254: Arrival at Dunkirk
3.7Pages 254-265: To the Cellar
4Chapter Summaries & Analysis: Part Three
4.1Pages 269-277: London, 1940
4.2Pages 277-286: Briony as Writer
4.3Pages 287-315: Victims of War
4.4Pages 315-327: Lola & Paul Marshall’s Wedding
4.5Pages 328-349: The Visit
5Chapter Summaries & Analysis: Part Four
5.1Epilogue: London, 1999 - Pages 353-371
6Key Character Profiles
6.1Briony Tallis
6.2Robbie Turner
6.3Cecilia Tallis
6.5Paul Marshall
6.6Emily Tallis
7Key Themes
7.1Introduction to Crime Texts
7.2Crimes in Atonement
7.3Criminals in Atonement
7.4Victims in Atonement
7.5Detection in Atonement
7.6Settings in Atonement
7.7Guilt & Punishment in Atonement
8Writing Techniques
9Context
9.1Historical Context
9.2Social Context
9.3Literary Context
10Critical Debates
10.1Marxist Literary Criticism
Jump to other topics
1Introduction to Atonement
1.1Introduction & Background to Atonement
1.2Focus of Your Exam: Crime Texts
2Chapter Summaries & Analysis: Part One
2.6Chapter 6
2.10Chapter 10
2.11Chapter 11
2.12Chapter 12
2.13Chapter 13
2.14Chapter 14
3Chapter Summaries & Analysis: Part Two
3.1Pages 191-201: To the Farmhouse
3.2Pages 202-213: The Night in the Barn
3.3Pages 214-226: The Attack
3.4Pages 226-234: Robbie's Reflections
3.5Pages 234-246: To the Bridge over the Canal
3.6Pages 246-254: Arrival at Dunkirk
3.7Pages 254-265: To the Cellar
4Chapter Summaries & Analysis: Part Three
4.1Pages 269-277: London, 1940
4.2Pages 277-286: Briony as Writer
4.3Pages 287-315: Victims of War
4.4Pages 315-327: Lola & Paul Marshall’s Wedding
4.5Pages 328-349: The Visit
5Chapter Summaries & Analysis: Part Four
5.1Epilogue: London, 1999 - Pages 353-371
6Key Character Profiles
6.1Briony Tallis
6.2Robbie Turner
6.3Cecilia Tallis
6.5Paul Marshall
6.6Emily Tallis
7Key Themes
7.1Introduction to Crime Texts
7.2Crimes in Atonement
7.3Criminals in Atonement
7.4Victims in Atonement
7.5Detection in Atonement
7.6Settings in Atonement
7.7Guilt & Punishment in Atonement
8Writing Techniques
9Context
9.1Historical Context
9.2Social Context
9.3Literary Context
10Critical Debates
10.1Marxist Literary Criticism
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