Chapters 26-27

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Chapters 26-27: Summary and Analysis

Here's a summary and an analysis of Chapters 26-27:

Plot summary

The group divide into pairs: Jonathan and Arthur travel by boat; Seward and Quincey Morris on horseback; and Van Helsing and Mina by train as they all converge on Castle Dracula and the Count, who is being transported home by a group of loyal gypsies.
Van Helsing disposes of the three female-vampires and Dracula is defeated although Quincey Morris dies in the process.

Drawing a conclusion

With this Chapter, Stoker begins to bring his narrative to a relatively rapid conclusion.
The ending Chapters are intricately constructed: the final few pages consist of diary and journal entries from all three “teams” that overlap in date, reinforcing the unity of all six characters in their quest to destroy Dracula.

Importance of experience

Experience, it seems, is vital in the victory over Dracula.
The heroes are in his homeland yet both Van Helsing and Jonathan have some idea of what to expect - “the extreme east” no longer possesses the same aura of mystery it once did, reflected in the similarities in the descriptive details of the surroundings used by Van Helsing in Chapter 27 to those used by Jonathan in Chapter 1.

Van Helsing's protection

Van Helsing’s experience also protects him from the seductive allure of the female-vampires.
Whilst younger men may succumb to their beauty, Van Helsing is able to resist, learning from his momentary lapse with the first “fair” vampire and “dared not pause to look on” the second, “dark one”.

Difficulty - third vampire

In a religious parallel to the three temptations of Jesus in the desert, the third vampire is the most challenging - illustrated by the repetition of the degree adverb or intensifier “so” in “She was so fair to look on, so radiantly beautiful, so exquisitely voluptuous”.
Van Helsing draws his strength and courage from his “dear Madam Mina” and is able to complete his “butcher work”, finding solace in the knowledge he has restored the women to their state of ‘true’ death.

Chapters 26-27: Analysis (Cont.)

Here's an analysis of Chapters 26-27:

Climax - holding up gypsies

The climax of the novel is narrated by Mina as she witnesses both Seward and Arthur and Jonathan and Quincy hold up the gypsies.
The tension is palpable as the sun descends, leaving the heroes with only minutes to dispose of Dracula before his powers are unleashed.

Jonathan avenging Mina

Fittingly, it is Jonathan who avenges Mina, slashing his nemesis’ throat while Quincey simultaneously stakes his heart.
Again, the language is overtly religious (“It was like a miracle”) and even the Count finds a release from his un-dead curse as Mina detects “in the face a look of peace, such as I never could have imagined might have rested there.”

Quincey's peaceful death

Relived in the success of their quest, Quincey can die in peace, knowing that Mina has been restored - “The snow is not more stainless than her forehead” - and he has fulfilled his chivalrous duty.

Novel's ending

The novel end with a note from Jonathan, written seven years later, which suggests the true Christian path to immortality is through the act of procreation, in contrast to the parasitic and purgatorial existence of the vampire.
Quincey Morris may be gone but his spirit lives on in his namesake, Jonathan and Mina’s son, whose “bundle of names links all our little band of men together”.

1Context - Gothic Literature

1.1Origins & Conventions of Gothic Literature

1.1.1Origins of Gothic Literature

1.1.2Key Ideas in Gothic Literature

1.1.3Gothic Genre Conventions in Dracula

1.2Vampires in Gothic Literature

1.2.1Vampires

1.3'Terror' & 'Horror'

1.3.1Ann Radcliffe & Lewis' The Monk

1.3.2'Terror' & 'Horror' in Dracula

1.4Narrative Features

1.4.1First-Person Narration & Epistolary Format

2Context - The Victorian Era

2.1The Victorian Era

2.1.1Fin de Siecle

2.1.2The 'New Woman'

2.1.3The Contagious Diseases Act

3Chapter Summaries & Analyses

3.1Chapter Summaries & Analyses

3.1.1Chapters 1-2

3.1.2Chapters 3-4

3.1.3Chapters 5-7

3.1.4Chapters 8-10

3.1.5Chapters 11-12

3.1.6Chapters 13-14

3.1.7Chapters 15-16

3.1.8Chapters 17-18

3.1.9Chapters 19-20

3.1.10Chapters 21-23

3.1.11Chapters 24-25

3.1.12Chapters 26-27

4Character Profiles

4.1Archetypal Gothic Characters

4.1.1Stock & Proppian Gothic Characters

4.2Count Dracula

4.2.1Count Dracula: Character Profile

4.2.2Count Dracula: Different Literary Perspectives

4.3Other Main Characters

4.3.1Jonathan Harker

4.3.2Dr Abraham Van Helsing

4.3.3Dr Jack Seward

4.3.4Mina Harker

4.3.5Lucy Westenra

4.4Minor Characters

4.4.1Arthur Holmwood & Quincey Morris

4.4.2Renfield

5Key Ideas

5.1Key Ideas

5.1.1Transgression of Boundaries

5.1.2The Supernatural & Un-dead

5.1.3Masculinity & Femininity

5.1.4Science, Modernity & Superstition

5.1.5Madness, Illness & Confinement

6Writing Techniques

6.1Writing Techniques

6.1.1Epistolary Form & Narrative Voice

6.1.2Intertextuality & Cultural References

6.1.3Structure

7Critical Debates & Interpretations

7.1Initial Reception of Dracula

7.1.1Initial Reception of Dracula

7.2Modern Reception of Dracula

7.2.1Modern Reception of Dracula

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