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Structure & Melody

The overall structure is an extended verse/chorus form.

Structure

Structure

  • The overall structure is an extended verse/chorus form which includes two dialogue sections between the Witches, linking passages between the sections, 2 bridges, 4 choruses and a coda!
  • The repeat of the introduction section is used to show how Elphaba and Glinda have resolved their differences.
Melody

Melody

  • Throughout the entire musical there are a number of leitmotifs used.
  • Leitmotifs are musical phrases that represent a thing, character, place or emotion.
  • In Defying Gravity these are typically based around 5 pitches with the most common notes being D and A.
Melody cont.

Melody cont.

  • Bar 71-79 is hexatonic which means that it only uses 6 notes of the scale.
  • The marking in the score given to the orchestra is 'colla voce' which means 'with the voice' and is a direction to the musicians to follow the singers as they move from spoken to sung parts of the piece.
Recitative

Recitative

  • The spoken parts are the recitative section which helps to move the story forward.
  • (Recitative is where the singer speak/sings the story to the audience).

Instrumentation, Texture & Harmony

Schwartz uses a typical classical orchestra with the addition of popular music instruments such as the electric guitar, drum kit, and synthesiser.

Instrumentation

Instrumentation

  • Schwartz uses a typical classical orchestra with the addition of popular music instruments such as the electric guitar, drum kit, and synthesiser.
  • There are also unusual additions to the percussion section which include chimes, finger cymbals, crotales (a tuned percussion instrument which looks like a rack of small cymbals) and a nut rattle.
Texture

Texture

  • The piece starts with chords played by the orchestra, which follow the vocal lines from Glinda and Elphaba.
  • This is a melody driven homophonic texture (melody and accompaniment) that gradually builds throughout the song to a polyphonic texture (many different sounds overlapping each other.)
  • Schwartz uses different textures throughout the piece to convey the different feeling and emotions within the text.
Harmony

Harmony

  • Major and minor keys are used throughout the piece.
  • The first 6 bars are tonally ambiguous as the harmony keeps moving around.
Key

Key

  • Each Witch has an initial key:
    • For Glinda it’s the key of D major.
    • For Elphaba it is Db major.
Marcato

Marcato

  • The chords at the start of the song are played marcato and are strongly accented.
    • Marcato means to be played louder, more forcefully and marked.
Chords

Chords

  • Schwartz uses:
    • Augmented chords in bar 7 (where the 5th degree is raised).
    • Diminished chords in bar 19 (where the 5th degree is flattened).
  • In bar 69 you can hear a chord progression based around the circle of fifths where the chords that follow either fall in 5ths or rise in 4ths.
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