2.1.3
Instrumentation & Texture
Instrumentation
Instrumentation
The instruments are split into the concertino and the ripieno.
2 groups
2 groups
- The instruments are split into 2 groups:
- The concertino (soloists).
- This includes the violin, flute and the harpsichord.
- The ripieno.
- This includes the larger string orchestra and the harpsichord.
- The concertino (soloists).
The harpsichord
The harpsichord
- The harpsichord had a dual role as a solo instrument and as the accompaniment.
- The harpsichordist uses a figured bass to work out which chords should be used.
Texture
Texture
The piece starts with a monophonic passage and then becomes contrapuntal and fugal.
Monophonic
Monophonic
- The piece starts with a monophonic (one sound) passage.
- This is played by the violin.
- The texture then becomes polyphonic (overlapping melodies) and fugal (the Baroque style of composition ‘fugue’) with instruments overlapping.
Homophonic
Homophonic
- The B Section starts with a homophonic (melody and accompaniment) texture where the flute is playing the melody line.
Texture and dynamics
Texture and dynamics
- In the Baroque period the texture was closely linked to dynamics.
- Where passages needed to be quieter composers would write for fewer instruments.
- Where passages needed to be louder they would include more instruments.
- This is called terraced dynamics.
1Musical Elements
2Instrumental Music 1700–1820
2.1Bach: Brandenburg Concerto No. 5 in D Major
3Vocal Music
3.1Purcell: Music for a While
4Music for Stage & Screen
4.1Schwartz: Defying Gravity
4.2Williams: Star Wars Episode IV
5Fusions
5.1Afro Celt Sound System: Release
5.2Spalding: Samba Em Preludio
Jump to other topics
1Musical Elements
2Instrumental Music 1700–1820
2.1Bach: Brandenburg Concerto No. 5 in D Major
3Vocal Music
3.1Purcell: Music for a While
4Music for Stage & Screen
4.1Schwartz: Defying Gravity
4.2Williams: Star Wars Episode IV
5Fusions
5.1Afro Celt Sound System: Release
5.2Spalding: Samba Em Preludio
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