2.1.3

Instrumentation & Texture

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Instrumentation

The instruments are split into the concertino and the ripieno.

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2 groups

  • The instruments are split into 2 groups:
    • The concertino (soloists).
      • This includes the violin, flute and the harpsichord.
    • The ripieno.
      • This includes the larger string orchestra and the harpsichord.
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The harpsichord

  • The harpsichord had a dual role as a solo instrument and as the accompaniment.
  • The harpsichordist uses a figured bass to work out which chords should be used.

Texture

The piece starts with a monophonic passage and then becomes contrapuntal and fugal.

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Monophonic

  • The piece starts with a monophonic (one sound) passage.
  • This is played by the violin.
  • The texture then becomes polyphonic (overlapping melodies) and fugal (the Baroque style of composition ‘fugue’) with instruments overlapping.
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Homophonic

  • The B Section starts with a homophonic (melody and accompaniment) texture where the flute is playing the melody line.
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Texture and dynamics

  • In the Baroque period the texture was closely linked to dynamics.
    • Where passages needed to be quieter composers would write for fewer instruments.
    • Where passages needed to be louder they would include more instruments.
  • This is called terraced dynamics.

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