2.1.3
Instrumentation & Texture
Instrumentation
Instrumentation
The instruments are split into the concertino and the ripieno.
![Illustrative background for 2 groups](https://image-v2.cdn.app.senecalearning.com/2019-05/e728cc5a-a20e-4d1f-880f-8e074f4b4fc9/classical-music-orchestra-cello-strings-instrument-violin-,h_400,q_80,w_640.jpg)
![Illustrative background for 2 groups ?? "content](https://image-v2.cdn.app.senecalearning.com/2019-05/e728cc5a-a20e-4d1f-880f-8e074f4b4fc9/classical-music-orchestra-cello-strings-instrument-violin-,h_400,q_80,w_640.jpg)
2 groups
2 groups
- The instruments are split into 2 groups:
- The concertino (soloists).
- This includes the violin, flute and the harpsichord.
- The ripieno.
- This includes the larger string orchestra and the harpsichord.
- The concertino (soloists).
![Illustrative background for The harpsichord](https://image-v2.cdn.app.senecalearning.com/2019-05/5063497b-112e-4076-93cf-15314bf15e4b/sheet-music-score-,h_400,q_80,w_640.jpg)
![Illustrative background for The harpsichord ?? "content](https://image-v2.cdn.app.senecalearning.com/2019-05/5063497b-112e-4076-93cf-15314bf15e4b/sheet-music-score-,h_400,q_80,w_640.jpg)
The harpsichord
The harpsichord
- The harpsichord had a dual role as a solo instrument and as the accompaniment.
- The harpsichordist uses a figured bass to work out which chords should be used.
Texture
Texture
The piece starts with a monophonic passage and then becomes contrapuntal and fugal.
![Illustrative background for Monophonic](https://image-v2.cdn.app.senecalearning.com/2019-05/3a390914-9b41-42c3-ab2e-792b9158ac1f/violin-music-instrument-,h_400,q_80,w_640.jpg)
![Illustrative background for Monophonic ?? "content](https://image-v2.cdn.app.senecalearning.com/2019-05/3a390914-9b41-42c3-ab2e-792b9158ac1f/violin-music-instrument-,h_400,q_80,w_640.jpg)
Monophonic
Monophonic
- The piece starts with a monophonic (one sound) passage.
- This is played by the violin.
- The texture then becomes polyphonic (overlapping melodies) and fugal (the Baroque style of composition ‘fugue’) with instruments overlapping.
![Illustrative background for Homophonic](https://image-v2.cdn.app.senecalearning.com/2018-11/22d7dc35-f763-4035-8aa7-93c3290b455d/music-flute-instrument-,h_400,q_80,w_640.jpg)
![Illustrative background for Homophonic ?? "content](https://image-v2.cdn.app.senecalearning.com/2018-11/22d7dc35-f763-4035-8aa7-93c3290b455d/music-flute-instrument-,h_400,q_80,w_640.jpg)
Homophonic
Homophonic
- The B Section starts with a homophonic (melody and accompaniment) texture where the flute is playing the melody line.
![Illustrative background for Texture and dynamics](https://image-v2.cdn.app.senecalearning.com/2018-09/1b8ba991-4cf4-4345-97c2-aa53fc2c840a/secret-shh,h_400,q_80,w_640.jpg)
![Illustrative background for Texture and dynamics ?? "content](https://image-v2.cdn.app.senecalearning.com/2018-09/1b8ba991-4cf4-4345-97c2-aa53fc2c840a/secret-shh,h_400,q_80,w_640.jpg)
Texture and dynamics
Texture and dynamics
- In the Baroque period the texture was closely linked to dynamics.
- Where passages needed to be quieter composers would write for fewer instruments.
- Where passages needed to be louder they would include more instruments.
- This is called terraced dynamics.
1Musical Elements
2Instrumental Music 1700–1820
2.1Bach: Brandenburg Concerto No. 5 in D Major
3Vocal Music
3.1Purcell: Music for a While
4Music for Stage & Screen
4.1Schwartz: Defying Gravity
4.2Williams: Star Wars Episode IV
5Fusions
5.1Afro Celt Sound System: Release
5.2Spalding: Samba Em Preludio
Jump to other topics
1Musical Elements
2Instrumental Music 1700–1820
2.1Bach: Brandenburg Concerto No. 5 in D Major
3Vocal Music
3.1Purcell: Music for a While
4Music for Stage & Screen
4.1Schwartz: Defying Gravity
4.2Williams: Star Wars Episode IV
5Fusions
5.1Afro Celt Sound System: Release
5.2Spalding: Samba Em Preludio
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