2.2.3
Other Features
Texture and Instrumentation
Texture and Instrumentation
A key feature of the Romantic period was compositions for solo piano.
![Illustrative background for The piano](https://image-v2.cdn.app.senecalearning.com/2019-05/70bfcdee-ad73-4c92-b6b5-dce02afeb564/piano-instrument-music-,h_400,q_80,w_640.jpg)
![Illustrative background for The piano ?? "content](https://image-v2.cdn.app.senecalearning.com/2019-05/70bfcdee-ad73-4c92-b6b5-dce02afeb564/piano-instrument-music-,h_400,q_80,w_640.jpg)
The piano
The piano
- A key feature of the Romantic period was compositions for solo piano.
- The piano had started to develop in range and composers felt it was able to express powerful emotions.
![Illustrative background for The Romantic style](https://image-v2.cdn.app.senecalearning.com/2019-05/16222fef-8325-4869-b62a-14d935158146/beethoven-composer-music-classical-portrait-,h_400,q_80,w_640.jpg)
![Illustrative background for The Romantic style ?? "content](https://image-v2.cdn.app.senecalearning.com/2019-05/16222fef-8325-4869-b62a-14d935158146/beethoven-composer-music-classical-portrait-,h_400,q_80,w_640.jpg)
The Romantic style
The Romantic style
- Through virtuosic playing, adventurous harmony, dramatic chords and use of accented notes this piece shows how Beethoven led the way for the Romantic style.
![Illustrative background for Homophonic](https://image-v2.cdn.app.senecalearning.com/2019-05/3a390914-9b41-42c3-ab2e-792b9158ac1f/violin-music-instrument-,h_400,q_80,w_640.jpg)
![Illustrative background for Homophonic ?? "content](https://image-v2.cdn.app.senecalearning.com/2019-05/3a390914-9b41-42c3-ab2e-792b9158ac1f/violin-music-instrument-,h_400,q_80,w_640.jpg)
Homophonic
Homophonic
- The texture of the piece is homophonic (melody and accompaniment) with flowing melodies and dramatic chords.
![Illustrative background for Alberti bass](https://image-v2.cdn.app.senecalearning.com/2019-05/bf955f39-b147-4ceb-9873-2d3a2a9267a7/piano-keys-hand-instrument-music-,h_400,q_80,w_640.jpg)
![Illustrative background for Alberti bass ?? "content](https://image-v2.cdn.app.senecalearning.com/2019-05/bf955f39-b147-4ceb-9873-2d3a2a9267a7/piano-keys-hand-instrument-music-,h_400,q_80,w_640.jpg)
Alberti bass
Alberti bass
- There is use of Alberti bass which is a feature used heavily in the Classical period.
- This is a type of broken chordal accompaniment played by the left hand.
Harmony
Harmony
The first subject and second subject, as heard in the exposition, are in C minor and Eb minor respectively.
![Illustrative background for Descending chromatic](https://upload.wikimedia.org/wikipedia/commons/e/e8/Chromatic_scale_descending_on_C.png)
![Illustrative background for Descending chromatic ?? "content](https://upload.wikimedia.org/wikipedia/commons/e/e8/Chromatic_scale_descending_on_C.png)
Descending chromatic
Descending chromatic
- There is a descending chromatic (moving in semitones) line in bar 10.
- The first subject and second subject, as heard in the exposition, are in C minor and Eb minor respectively.
![Illustrative background for Diminished 7th chords](https://image-v2.cdn.app.senecalearning.com/2018-11/adf4d8fe-823f-4a8b-be22-6856a0213f2f/sad-crying-depressed-,h_400,q_80,w_640.jpg)
![Illustrative background for Diminished 7th chords ?? "content](https://image-v2.cdn.app.senecalearning.com/2018-11/adf4d8fe-823f-4a8b-be22-6856a0213f2f/sad-crying-depressed-,h_400,q_80,w_640.jpg)
Diminished 7th chords
Diminished 7th chords
- Beethoven uses diminished 7th chords which are chords made up of minor third intervals.
- This links with the idea of suffering within the Sonata.
![Illustrative background for Dominant preparation](https://image-v2.cdn.app.senecalearning.com/2019-05/70bfcdee-ad73-4c92-b6b5-dce02afeb564/piano-instrument-music-,h_400,q_80,w_640.jpg)
![Illustrative background for Dominant preparation ?? "content](https://image-v2.cdn.app.senecalearning.com/2019-05/70bfcdee-ad73-4c92-b6b5-dce02afeb564/piano-instrument-music-,h_400,q_80,w_640.jpg)
Dominant preparation
Dominant preparation
- Dominant preparation occurs within the development section where the piece travels through many keys and finishes with 30 bars of G quavers that prepare the return to C minor in the recapitulation section.
![Illustrative background for The recapitulation](https://image-v2.cdn.app.senecalearning.com/2019-05/706c491e-26fc-4078-85fe-823a6e2de381/music-notes-score-sheet-,h_400,q_80,w_640.jpg)
![Illustrative background for The recapitulation ?? "content](https://image-v2.cdn.app.senecalearning.com/2019-05/706c491e-26fc-4078-85fe-823a6e2de381/music-notes-score-sheet-,h_400,q_80,w_640.jpg)
The recapitulation
The recapitulation
- Within the recapitulation section the first subject returns in C Minor and the second subject is repeated in F Minor.
1Musical Elements
2Instrumental Music 1700–1820
2.1Bach: Brandenburg Concerto No. 5 in D Major
3Vocal Music
3.1Purcell: Music for a While
4Music for Stage & Screen
4.1Schwartz: Defying Gravity
4.2Williams: Star Wars Episode IV
5Fusions
5.1Afro Celt Sound System: Release
5.2Spalding: Samba Em Preludio
Jump to other topics
1Musical Elements
2Instrumental Music 1700–1820
2.1Bach: Brandenburg Concerto No. 5 in D Major
3Vocal Music
3.1Purcell: Music for a While
4Music for Stage & Screen
4.1Schwartz: Defying Gravity
4.2Williams: Star Wars Episode IV
5Fusions
5.1Afro Celt Sound System: Release
5.2Spalding: Samba Em Preludio
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