3.3.1

Proletkult, Avant-Garde & Socialist Realism

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Proletkult and Avant-garde

Art changed significantly from 1917 to 1953. The period began with an attempt to create truly proletarian art in a more radical avant-garde style.

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Proletkult

  • Communists wanted to use the revolution as a way to create proletarian art.
  • Anatoly Lunacharsky was the People's Commissar of Enlightenment.
    • He created the Proletkult.
    • Proletkult was a proletarian cultural movement.
  • Despite the Civil War across the country, the Proletkult had managed to establish 300 artistic studios across the country.
    • A monthly magazine called Gorn (Furnace) published the works of proletarian artists.
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Lenin and the Proletkult

  • Lenin disagreed with Lunacharsky's approach.
  • He wanted a more universal culture - not one tied to the proletariat or the bourgeoisie.
  • Lenin also believed that the work of the Proletkult was too avant-garde.
    • Proletkult also fell outside of the party governance system and Lenin was concerned about this.
    • October 1920: Lenin placed Proletkult under the control of the Commissariat for Education.
  • Funding was cut.
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The avant-garde

  • Revolution inspired a movement among filmmakers, painters and other artists.
    • Their styles were experimental as they aimed to create a new revolutionary art form.
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Collaboration with government

  • Avant-garde artists worked with the Communist government.
  • In doing so, they produced propaganda.
    • Vladimir Mayakovsky created Civil War propaganda posters.
    • Alexander Rodchenko was a photographer, known for using photomontage to create posters.

Socialist Realism

Stalin's rule is most closely associated with the style of art known as Socialist Realism.

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Reaction to the avant-garde

  • Stalin hated the experimentation of avant-garde art.
  • He wanted art to be traditional and to serve the government's agenda.
  • The new form of art came to be known as 'Socialist Realism'.
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Realistic and socialist

  • This new art was 'realistic' - at least, it looked like photographs.
  • It was also 'socialist' - it depicted workers and industry.
  • Literature also adopted a socialist style.
    • Books had straight-forward plots which ordinary people could understand.
    • The subject-matter related to the creation of a socialist society.
    • Fyodor Gladkov's 1924 novel Cement is a good example. It follows workers who built a cement factory.
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Lenin and Stalin

  • Art was also used to foster the cults of Lenin and Stalin.
  • Depictions of the two leaders were always favourable.
    • Fedor Shurpin's Morning of Our Motherland, from 1949, showed Stalin in front of a newly industrialised landscape.
  • Art was heavily controlled and censored by the state.
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Interpretations

  • E. Mawdsley in 'The Stalin Years. The Soviet Union 1929-53':
    • 'In terms of Russian cultural history, the 1920s have been more attractive to western intellectuals than the 1930s and 1940s. A cultural avant-garde flourished in the NEP decade, and innovative work in cinema, art, literature, and music have fascinated even those critical of other aspects of Communism. [...] The avant-garde was replaced in the 1930s, in a cultural 'retreat', by something much more conservative. The new culture would be ridiculed in the west.'
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Historical assessment

  • Sheila Fitzpatrick (1999): argues that socialist realism part of the soviet mentality. It was a way to try and get people to reconcile the difference between poor living standards they were experiencing and the socialist vision they were promised.
    • 'People could see things as they were becoming rather than what they were at the moment.'

Jump to other topics

1Communist Government in the USSR, 1917-85

2Industrial & Agricultural Changes

3Control of the People, 1917-85

4Social Developments, 1917-35

5Historical Interpretations

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