6.1.1
Interpreting Blanche & Self-Pity
Self-Pity in A Streetcar Named Desire
Self-Pity in A Streetcar Named Desire
Bernard Deckle has said of Williams’ writing that "His plays deal consistently with a serious theme – self-pity, the persistence of memory that holds people in its grip and will not let them go with their lives".
Analysis of comment
Analysis of comment
- This seems an insightful comment because, in all of the characters in A Streetcar Named Desire, we see a point of stasis where characters cannot progress or move on. Memory and self-pity stop them from progressing.
Characters that don't progress
Characters that don't progress
- Neither Blanche nor Stanley can progress. Stanley is hung up on being a "Polack".
- Stella has a memory of Stanley being loving and kind.
- Mitch is held in the grip of his mother.
Interpreting Blanche
Interpreting Blanche
Some productions in the past have tried to steer the audience’s sympathy away from Blanche (who it is argued, does not deserve any sympathy) and direct it more towards Stanley.
Sympathy for Blanche
Sympathy for Blanche
- Most recent productions have redirected this back in the direction of Blanche.
Study in cruelty
Study in cruelty
- The play has also recently been read as a study in cruelty – explored through both Blanche and Stanley's behaviour.
Blanche - lack of balance
Blanche - lack of balance
- Another notion is that Blanche cannot find balance in her life.
- She seeks both the intellectual and the physical but cannot find the two together.
- She is not driven by a real interest in Stanley; only sexual desire.
- This conflict in her drives the tragedy forwards.
1Context & Overview
1.1The Author
1.2Social Context & Setting
2Scene Summaries
2.3Scene Three
2.5Scene Five
2.6Scene Six
2.7Scene Seven
2.9Scene Nine
2.10Scene Ten
3Character Profiles
3.1Blanche DuBois & Stanley Kowalski
3.2Stella Kowalski & Harold Mitchell (Mitch)
4Key Ideas
4.1Sex & Gender
4.2Appearances, Fantasy & Reality
5Writing Techniques
5.2Genre, Form & Language
6Critical Debates
6.1Early & Modern Reception
6.2Feminist, Psychoanalytic & Marxist Approach
7Ideas About Tragedy
7.1Ideas About Tragedy
Jump to other topics
1Context & Overview
1.1The Author
1.2Social Context & Setting
2Scene Summaries
2.3Scene Three
2.5Scene Five
2.6Scene Six
2.7Scene Seven
2.9Scene Nine
2.10Scene Ten
3Character Profiles
3.1Blanche DuBois & Stanley Kowalski
3.2Stella Kowalski & Harold Mitchell (Mitch)
4Key Ideas
4.1Sex & Gender
4.2Appearances, Fantasy & Reality
5Writing Techniques
5.2Genre, Form & Language
6Critical Debates
6.1Early & Modern Reception
6.2Feminist, Psychoanalytic & Marxist Approach
7Ideas About Tragedy
7.1Ideas About Tragedy
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