5.1.2
Themes
Incompatibility of the Lovers
Incompatibility of the Lovers
The poem Neutral Tones is about the end of a relationship. Here are some techniques that Hardy uses to show the distance between and incompatibility of the lovers:
Juxtaposition
Juxtaposition
- The narrator uses juxtaposition (putting things close together for effect) in phrases like 'alive enough to have strength to die' to create a sense of the incompatibility of the lovers.
- The sun is 'white', implying it is cold.
- His lover’s smile is a dead 'thing' and an 'ominous' sign.
- This shows the disintegration of the relationship.
Pronouns
Pronouns
- The collective pronoun 'we' is only used in the beginning of the poem to show how the lovers have come apart.
- 'Us' and 'our' are also used but only to refer their love fading away even more.
Lifelessness of Relationship
Lifelessness of Relationship
Neutral Tones is about the end of a relationship. Hardy uses a variety of methods to show the lack of vitality (life) in the relationship.
Pathetic fallacy
Pathetic fallacy
- The poem uses pathetic fallacy to reflect the bleak lifelessness of the relationship.
- In particular, setting the poem in winter reflects the freezing of the former lovers' feelings and allows Hardy to use a dull colour scheme.
Repetition
Repetition
- Hardy repeats the colour ‘gray’ throughout, to emphasise the lack of vitality in the landscape and their relationship.
Bitterness of the Narrator
Bitterness of the Narrator
Hardy's narrator is reflecting on the end of a relationship. Hardy creates a bitter sneering tone to show his dislike of his former lover.
Alliteration
Alliteration
- Alliteration in ‘wrings with wrong’ helps to create a bitter, sneering tone and reflects the narrator's anger and frustration.
Assonance
Assonance
- Assonance (repetition of similar sounds) in the line ‘keen lessons that love deceives’ adds to the bitter tone of the narrator.
1When We Two Parted - Lord Byron (1788-1824)
2Love’s Philosophy - Percy Bysshe Shelley
3Porphyria’s Lover - Robert Browning (1812-1889)
4Sonnet 29 - Elizabeth Barrett Browning (1806-1861)
4.1Sonnet 29 – ‘I think of thee!’ Analysis
5Neutral Tones - Thomas Hardy (1840-1928)
6Letters from Yorkshire - Maura Dooley (Born 1957)
6.1Letters from Yorkshire Analysis
7The Farmer’s Bride - Charlotte Mew (1869-1928)
8Walking Away - Cecil Day Lewis (1904-1972)
8.1Walking Away Analysis
9Eden Rock - Charles Causley (1917-2003)
10Follower - Seamus Heaney (1939-2013)
10.1Follower Analysis
11‘Mother, Any Distance’ - Simon Armitage (Born1963
11.1'Mother, Any Distance' Analysis
12Before You Were Mine - Carol Ann Duffy (Born 1955)
12.1Before You Were Mine Analysis
13Winter Swans - Owen Sheers (Born 1974)
14Singh Song! - Daljit Nagra (Born 1966)
14.1Singh Song! Analysis
15Climbing My Grandfather - Andrew Waterhouse
15.1Climbing My Grandfather Analysis
16Grade 9 - Comparisons
16.1Grade 9 - Comparisons
Jump to other topics
1When We Two Parted - Lord Byron (1788-1824)
2Love’s Philosophy - Percy Bysshe Shelley
3Porphyria’s Lover - Robert Browning (1812-1889)
4Sonnet 29 - Elizabeth Barrett Browning (1806-1861)
4.1Sonnet 29 – ‘I think of thee!’ Analysis
5Neutral Tones - Thomas Hardy (1840-1928)
6Letters from Yorkshire - Maura Dooley (Born 1957)
6.1Letters from Yorkshire Analysis
7The Farmer’s Bride - Charlotte Mew (1869-1928)
8Walking Away - Cecil Day Lewis (1904-1972)
8.1Walking Away Analysis
9Eden Rock - Charles Causley (1917-2003)
10Follower - Seamus Heaney (1939-2013)
10.1Follower Analysis
11‘Mother, Any Distance’ - Simon Armitage (Born1963
11.1'Mother, Any Distance' Analysis
12Before You Were Mine - Carol Ann Duffy (Born 1955)
12.1Before You Were Mine Analysis
13Winter Swans - Owen Sheers (Born 1974)
14Singh Song! - Daljit Nagra (Born 1966)
14.1Singh Song! Analysis
15Climbing My Grandfather - Andrew Waterhouse
15.1Climbing My Grandfather Analysis
16Grade 9 - Comparisons
16.1Grade 9 - Comparisons
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