3.1.2

Themes: Porphyria & Violence

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Changing Descriptions of Porphyria

The way Porphyria is portrayed changes throughout the poem.

Beginning - control

Beginning - control

  • At the beginning, we get the sense that she is in control.
    • She is active as she 'glid[es]' in, starts the fire and 'put[s]' her lover's arm around her.
  • She is in complete control up until this point – our narrator has done and said very little.
  • She clearly was an active participant in the relationship.
End - dead

End - dead

  • But by the end of the poem, she is dead.
    • She is 'propped' up, and her supposed 'utmost will' and 'darling one wish' have been fulfilled.
  • Browning highlights Porphyria’s passive participation in the relationship to show the narrator’s flawed (imperfect or weak) understanding of Porphyria’s desires.

Images of Violence and Possession

The poet explores the ideas of violence and possession through these images.

'Burning kiss'

'Burning kiss'

  • This shows how the narrator's desire for Porphyria almost causes him physical pain. It also hints at the violent side of the relationship.
'Heart fit to break'

'Heart fit to break'

  • This quote shows the tortured nature of the narrator's love.
  • It is also ironic given that he has physically stopped Porphyria's heart.
'For ever'

'For ever'

  • The narrator desires for her to belong to him "for ever".
  • This indicates the extent of his obsession with her and is made more horrible by the fact that she is now dead.
Jump to other topics
1

When We Two Parted - Lord Byron (1788-1824)

1.1

When We Two Parted Analysis

1.1.1Summary & Structure1.1.2Themes: Death & Loss1.1.3Themes: Time & Anger1.1.4Key Quotes & Comparisons1.1.5End of Topic Test - When We Two Parted
2

Love’s Philosophy - Percy Bysshe Shelley

2.1

Love's Philosophy Analysis

2.1.1Summary & Structure2.1.2Themes2.1.3Key Quotes & Comparisons2.1.4End of Topic Test - Love's Philosophy2.1.5Exam-Style Questions - Love's Philosophy
3

Porphyria’s Lover - Robert Browning (1812-1889)

3.1

Porphyria’s Lover Analysis

3.1.1Summary & Structure3.1.2Themes: Porphyria & Violence3.1.3Themes: Sin & Pathetic Fallacy3.1.4Key Quotes & Comparisons3.1.5End of Topic Test - Porphyria's Lover
4

Sonnet 29 - Elizabeth Barrett Browning (1806-1861)

4.1

Sonnet 29 – ‘I think of thee!’ Analysis

4.1.1Summary & Structure4.1.2Themes4.1.3Key Quotes & Comparisons
5

Neutral Tones - Thomas Hardy (1840-1928)

5.1

Neutral Tones Analysis

5.1.1Summary & Structure5.1.2Themes5.1.3Key Quotes & Comparisons5.1.4End of Topic Test - Sonnet 29 & Neutral Tones
6

Letters from Yorkshire - Maura Dooley (Born 1957)

6.1

Letters from Yorkshire Analysis

6.1.1Summary & Structure6.1.2Themes6.1.3Key Quotes & Comparisons
7

The Farmer’s Bride - Charlotte Mew (1869-1928)

7.1

The Farmer's Bride Analaysis

7.1.1Summary, Structure & Form7.1.2Themes7.1.3Key Quotes & Comparisons7.1.4End of Topic Test - Dooley & Mew7.1.5Exam-Style Questions - The Farmer's Bride
8

Walking Away - Cecil Day Lewis (1904-1972)

8.1

Walking Away Analysis

8.1.1Summary, Structure & Form8.1.2Themes8.1.3Key Quotes & Comparisons
9

Eden Rock - Charles Causley (1917-2003)

9.1

Eden Rock Analysis

9.1.1Summary, Structure & Form9.1.2Themes9.1.3Key Quotes & Comparisons9.1.4End of Topic Test - Walking Away & Eden Rock
10

Follower - Seamus Heaney (1939-2013)

10.1

Follower Analysis

10.1.1Summary, Structure & Form10.1.2Themes10.1.3Quotes and Comparisons
11

‘Mother, Any Distance’ - Simon Armitage (Born 1963

11.1

'Mother, Any Distance' Analysis

11.1.1Summary, Structure & Form11.1.2Themes11.1.3Key Quotes & Comparisons11.1.4End of Topic Test - Follower& Mother, Any Distance
12

Before You Were Mine - Carol Ann Duffy (Born 1955)

12.1

Before You Were Mine Analysis

12.1.1Summary, Structure & Form12.1.2Themes12.1.3Key Quotes & Comparisons
13

Winter Swans - Owen Sheers (Born 1974)

13.1

Winter Swans Analysis

13.1.1Summary, Structure & Form13.1.2Themes13.1.3Key Quotes & Comparisons13.1.4End of Topic Test - Duffy & Sheers
14

Singh Song! - Daljit Nagra (Born 1966)

14.1

Singh Song! Analysis

14.1.1Summary, Structure & Form14.1.2Themes14.1.3Key Quotes & Comparisons
15

Climbing My Grandfather - Andrew Waterhouse

15.1

Climbing My Grandfather Analysis

15.1.1Summary, Structure & Form15.1.2Themes15.1.3Key Quotes & Comparisons15.1.4End of Topic Test - Nagra & Waterhouse
16

Grade 9 - Comparisons

16.1

Grade 9 - Comparisons

16.1.1Grade 9 - Comparisons
17

Recap: Main Quotes

17.1

Recap: Main Quotes

17.1.1When We Two Parted - Lord Byron (1788-1824)17.1.2Love’s Philosophy - Percy Bysshe Shelley17.1.3Porphyria’s Lover - Robert Browning (1812-1889)17.1.4Sonnet 29 - Elizabeth Barrett Browning (17.1.5Neutral Tones - Thomas Hardy (1840-1928)17.1.6Letters from Yorkshire - Maura Dooley (Born 1957)17.1.7The Farmer’s Bride - Charlotte Mew (1869-1928)17.1.8Walking Away - Cecil Day Lewis (1904-1972)17.1.9Eden Rock - Charles Causley (1917-2003)17.1.10Follower - Seamus Heaney (1939-2013)17.1.11‘Mother, Any Distance’ - Simon Armitage (Born1963)17.1.12Before You Were Mine - Carol Ann Duffy (Born 1955)17.1.13Winter Swans - Owen Sheers (Born 1974)17.1.14Singh Song! - Daljit Nagra (Born 1966)17.1.15Climbing My Grandfather - Andrew Waterhouse

Practice questions on Themes: Porphyria & Violence

Can you answer these? Test yourself with free interactive practice on Seneca — used by over 10 million students.

  1. 1
    Changes in PorphyriaPut in order
  2. 2
    How does the narrator describe Porphyria at the beginning and end of the poem?Fill in the list
  3. 3
    What quotation is used to describe Porphyria's movement at the beginning of the poem?Multiple choice
  4. 4
    Complete these quotes relating to violence and possession in _Porphyria's Lover_:Fill in the list
  5. 5
    Which of these quotes shows the narrator's desire to possess Porphyria for a very long time?Multiple choice
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Summary & Structure

Themes: Sin & Pathetic Fallacy