4.1.4

Violence & Horror

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Hyde and Violence

Hyde gains pleasure from violence.

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Young girl

  • In Chapter 1, Enfield reports seeing Hyde trample on a young and innocent girl. Hyde “trampled calmly over the child’s body and left her screaming”.
  • The juxtaposition of "trampled calmly" indicates how Hyde feels no remorse for his crimes, and how the act of violence is a habitual event that he fulfils without much contemplation.
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Violence against the innocent

  • Hyde commits two crimes of violence against innocent and helpless citizens: first, a little girl, and second, an elderly man.
  • The violence in the novel centres on Mr Hyde, and raises the question of whether or not violence is an inherent part of man’s nature.
  • It is shocking how much pleasure Hyde gets from the murder of Carew - he feels “glee” and tasted "delight from every blow" as he attacked him.

Violence

Stevenson explores the relationships between science and violence, dual personality and violence, and Victorian fears and violence.

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Science and dual personality

  • The theme of violence ties into the theme of science and dual personality: Hyde is the only violent character, acting with “ape-like fury” and feeling “glee” at his brutality.
  • In Gothic novels like this one, the idea of ‘doubles’ or ‘two’ characters existing within one entity was common.
  • The authors let their character personify the unchecked and darker side of the human consciousness and allow them to commit violent and evil acts.
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Victorian fears

  • Acts of violence in the novella are against innocent people and provoke horror in the characters around them.
  • This would have linked to the context of Victorian crimes in London, and the fear that some invisible force was driving evil into its citizens.
  • Hyde is described as “Satan’s signature upon a face” - this shows how he is an embodiment of evil and how he epitomises everything that citizens feared at the time.

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