7.2.2
Other Characters
Bianca
Bianca
Bianca is Cassio’s mistress but it is implied by Iago and Roderigo that she is a prostitute, who courts Cassio for money.
Bianca
Bianca
- Bianca denies the accusation of being a prostitute and says, ‘I am no strumpet’.
- There is nothing special about her, aside from her beauty and throughout, she remains besotted with Cassio.
Emotions
Emotions
- We do see her experiencing jealousy however, when it becomes clear that the handkerchief he had given her to unpick actually belongs to another woman.
- She sobs when she finds Cassio injured and here she is quickly led off the stage.
Love
Love
- Bianca feels much love for Cassio, but she also notes how jealousy can feel as well (paralleling the main plot of the play).
Tragedy
Tragedy
- Bianca has a plot function within the narrative arc of the dramatic tragedy.
The Duke of Venice and Montano
The Duke of Venice and Montano
The Duke of Venice is a dignified Head of State. Montano is Othello’s predecessor as governor of Cyprus.
The Duke of Venice
The Duke of Venice
- Shakespeare presents the Duke of Venice as presiding over Brabantio’s case against Othello, and chairs the Council of War after news arrives in Venice of the Turks attacking Cyprus.
- His language is always very formal and controlled.
Love and tragedy
Love and tragedy
- By permitting Othello’s marriage to Desdemona, he effectively stamps the seal of approval of genuine love between them, but perhaps also further ignites Iago’s quest for revenge, helping to seal the fate of the tragedy.
Montano
Montano
- Montano is Othello’s predecessor as governor of Cyprus.
- His core role in the plot of the play is to be treacherously persuaded by Iago that Cassio is a drunkard.
- He also prevents Roderigo and Cassio from duelling, becoming seriously injured himself.
- At the end of the play he is full of anger when he discovers how he and others have been tricked by Iago.
Love and tragedy
Love and tragedy
- Love causes the duel between Roderigo and Cassio, and it impacts on Montano.
- He feels the anger of the tragedy that has happened at the end of the play for he realises himself that he has been duped.
Lodovico, Gratiano and Clown
Lodovico, Gratiano and Clown
Lodovico is sent to Cyprus to try to recall Othello. Gratiano is Desdemona’s uncle and one of the party from Venice sent to Cyprus to recall Othello.
Lodovico
Lodovico
- Lodovico is sent to Cyprus to try to recall Othello.
- He cannot understand why Othello humiliates Desdemona and is incredulous at the murders which have taken place.
- At the end of the play he assumes control and in his final speech, looks to the New World and hope that it will be better.
Love and tragedy
Love and tragedy
- Lodovico finds it hard to understand Othello’s behaviour since if Othello truly loves Desdemona then he would behave differently towards her.
- Lodovico is left to ‘clean up the mess’ after the tragedy has occurred.
Gratiano
Gratiano
- Gratiano is Desdemona’s uncle and one of the party from Venice sent to Cyprus to recall Othello.
- His chief function is at the end: to inform the characters of Brabantio’s death, to express familial misery over Desdemona’s death and to rage angrily against Iago.
Clown
Clown
- This is a part that is often cut from performances of the play but it is an important pause in the drama of the tragedy.
- His purpose is to mock the musicians who try to cheer up Cassio.
- He also functions as a ‘go-between’ between Cassio and Desdemona.
Love and tragedy
Love and tragedy
- The Clown tries to make jokes on stage but the other characters are too distracted to enjoy his humour.
- Love is often an important source of humour in plays and in tragedy, a comic interlude helps to relieve the tension and slow down the growing climax.
1Context
1.1Introduction
1.3Othello
2Act One: Summaries & Themes
2.1Act and Scene Summaries
2.2Scene One
2.3Scene Two
3Act Two: Summaries & Themes
3.1Scene One & Two
3.2Scene Three
4Act Three: Summaries & Themes
5Act Four
5.1Scene One
5.2Scene Two
5.3Scene Three
6Act Five
6.1Scene One
6.2Scene Two
7Character Profiles
7.1Major Characters
7.2Minor Characters
8Key Themes
8.1Love & Tragedy
8.2Other Key Themes
9Writing Techniques
9.1Writing Techniques
10Critical Debates
10.1Criticism & Performance
11Approaching AQA English Literature
11.1Specification A
11.2Specification B
12Issues of Assessment
12.1The Exams
Jump to other topics
1Context
1.1Introduction
1.3Othello
2Act One: Summaries & Themes
2.1Act and Scene Summaries
2.2Scene One
2.3Scene Two
3Act Two: Summaries & Themes
3.1Scene One & Two
3.2Scene Three
4Act Three: Summaries & Themes
5Act Four
5.1Scene One
5.2Scene Two
5.3Scene Three
6Act Five
6.1Scene One
6.2Scene Two
7Character Profiles
7.1Major Characters
7.2Minor Characters
8Key Themes
8.1Love & Tragedy
8.2Other Key Themes
9Writing Techniques
9.1Writing Techniques
10Critical Debates
10.1Criticism & Performance
11Approaching AQA English Literature
11.1Specification A
11.2Specification B
12Issues of Assessment
12.1The Exams
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