Welcome to Seneca Revision Notes

1.1.1Specifications

1.2.1Shakespeare

1.2.2Love

1.2.3Tragedy

1.2.4Historical Context

1.3.1Setting

1.3.2Social Issues

2.1.1Structure

2.1.2The Exam

2.2.1Key Events

2.2.2Key Themes

2.2.3Key Ideas

2.3.1Key Events

2.3.2Key Themes

2.3.3Key Ideas

2.4.1Key Events

2.4.2Key Events 2

2.4.3Key Themes

2.4.4Key Ideas

3.1.1Scene One: Events

3.1.2Key Events 2

3.1.3Key Ideas: Love & Tragedy

3.1.4Scene Two: Events

3.2.1Key Events

3.2.2Key Ideas

4.1.1Scene One & Two

4.1.2Scene Three

4.1.3Scene Three: Key Ideas

4.1.4Scene Four

5.1.1Key Events

5.1.2Key Ideas

5.2.1Key Events

5.2.2Key Ideas

5.3.1Key Events

5.3.2Key Ideas

6.1.1Key Events

6.1.2Key Ideas

6.2.1Key Events

6.2.2Key Ideas

7.1.1Othello

7.1.2Iago

7.1.3Desdemona

7.1.4Emilia

7.1.5Cassio

7.2.1Roderigo & Brabantio

7.2.2Other Characters

8.1.1Love

8.1.2Love 2

8.1.3Tragedy

8.1.4Tragedy 2

8.2.1Public versus Private

8.2.2Appearance & Reality

9.1.1Structure

9.1.2Genre

9.1.3Form & Language

9.1.4Language & Imagery

10.1.1Shakespeare's Legacy

10.1.2Traditional

10.1.3Modern & Contemporary

10.2.1Feminist Approach

10.2.2Psychoanalytic Approach

10.2.3Marxist Approach

11.1.1Specification A

11.1.2Love Through the Ages

11.2.1Specification B

11.2.2Aspects of Tragedy

12.1.1AOs

12.1.2Mark Scheme