9.1.2
Magic
White Magic
White Magic
Prospero's magic is presented as good and productive, unlike the black magic of Sycorax.
Prospero's good magic
Prospero's good magic
- Prospero is the hero. So the audience needs to like him. Shakespeare emphasises that Prospero uses white magic only, not black.
- King James I hated magic - so Sycorax’s magic is presented as evil: 'for mischiefs manifold, and sorceries terrible.'
- Prospero is different to the 'damned' and 'foul witch Sycorax'.
- Prospero only uses white magic to bring about justice. Once this has been achieved, he gives it up.
Heroic Prospero
Heroic Prospero
- Prospero is presented as heroic for ridding the island of 'her most unmitigable rage.'
- In Act 5, Scene 1, Prospero renounces (formally abandons) his magical powers because he has regained his power in Milan. He no longer needs these supernatural powers.
Punishments for using magic
Punishments for using magic
- Prospero states he will 'bury' and 'drown' the three items that symbolise his powers: his 'magic garment'; his 'book'; and his 'staff'.
- The verbs 'bury' and 'drown' are reminiscent of (recall) the punishments for practicing witchcraft after King James I became King of England (1590).
Prospero and Sycorax - similarities
Prospero and Sycorax - similarities
- Shakespeare presents Prospero as a God-like figure instead of like the devil (like Sycorax).
- But Miranda’s fears of the effects her father’s 'art' might have on those on the ship (Act 1, Scene 2) suggests some similarity between the protagonist and the evil Sycorax.
Irony
Irony
- It is important here to remember that we only hear about Sycorax through Prospero's words.
- You could argue that this is ironic because Prospero uses his words in 'rage' (e.g the storm in Act 1, Scene 1 and the harpy in Act 3, Scene 3).
Control of Magic
Control of Magic
Prospero seems totally in control of his magic, including when he decides to stop using it.
Magic for political power
Magic for political power
- You could argue that Prospero is controlled and driven by his desire for political power. Magic does not control him.
- But countering this, the way he summons and commands Ariel shows that he is full control of magic powers.
- He is also able to give it up without much hesitation in Act 5, Scene 1. This shows that it was a temporary way to get political power back: 'But this rough magic / I here abjure.'
Magic causing Prospero's downfall
Magic causing Prospero's downfall
- Prospero's need for knowledge of magic led to the loss of his Dukedom and kingdom.
- The illegal and unholy nature of Prospero's magic led to his banishment. Based on this, you could argue that this was a punishment from God. So the only way for him to return is to truly give up his powers.
Magic connected to isolation
Magic connected to isolation
- The Tempest is set entirely on an unnamed island in the middle of the sea. The island is isolated from civilised society.
- Magic thrives within this kind of isolated community. It is not until Prospero reaches it that his powers fully developed.
- Sycorax was banished to the island for her involvement with magic and magical spirits, such as Ariel.
1Key Words
2Context & Overview
2.1Context & Overview
3Act 1
3.1Act 1 Analysis
4Act 2
4.1Act 2 Analysis
5Act 3
5.1Act 3 Analysis
6Act 4
6.1Act 4 Analysis
7Act 5
7.1Act 5 Analysis
8Key Characters
8.1Major Characters
8.2Minor Characters
9Themes
10Authorial Method
10.1Authorial Method
Jump to other topics
1Key Words
2Context & Overview
2.1Context & Overview
3Act 1
3.1Act 1 Analysis
4Act 2
4.1Act 2 Analysis
5Act 3
5.1Act 3 Analysis
6Act 4
6.1Act 4 Analysis
7Act 5
7.1Act 5 Analysis
8Key Characters
8.1Major Characters
8.2Minor Characters
9Themes
10Authorial Method
10.1Authorial Method
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