9.1.2
Magic
White Magic
White Magic
Prospero's magic is presented as good and productive, unlike the black magic of Sycorax.
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Prospero's good magic
Prospero's good magic
- Prospero is the hero. So the audience needs to like him. Shakespeare emphasises that Prospero uses white magic only, not black.
- King James I hated magic - so Sycorax’s magic is presented as evil: 'for mischiefs manifold, and sorceries terrible.'
- Prospero is different to the 'damned' and 'foul witch Sycorax'.
- Prospero only uses white magic to bring about justice. Once this has been achieved, he gives it up.
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Heroic Prospero
Heroic Prospero
- Prospero is presented as heroic for ridding the island of 'her most unmitigable rage.'
- In Act 5, Scene 1, Prospero renounces (formally abandons) his magical powers because he has regained his power in Milan. He no longer needs these supernatural powers.
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Punishments for using magic
Punishments for using magic
- Prospero states he will 'bury' and 'drown' the three items that symbolise his powers: his 'magic garment'; his 'book'; and his 'staff'.
- The verbs 'bury' and 'drown' are reminiscent of (recall) the punishments for practicing witchcraft after King James I became King of England (1590).
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Prospero and Sycorax - similarities
Prospero and Sycorax - similarities
- Shakespeare presents Prospero as a God-like figure instead of like the devil (like Sycorax).
- But Miranda’s fears of the effects her father’s 'art' might have on those on the ship (Act 1, Scene 2) suggests some similarity between the protagonist and the evil Sycorax.
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Irony
Irony
- It is important here to remember that we only hear about Sycorax through Prospero's words.
- You could argue that this is ironic because Prospero uses his words in 'rage' (e.g the storm in Act 1, Scene 1 and the harpy in Act 3, Scene 3).
Control of Magic
Control of Magic
Prospero seems totally in control of his magic, including when he decides to stop using it.
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Magic for political power
Magic for political power
- You could argue that Prospero is controlled and driven by his desire for political power. Magic does not control him.
- But countering this, the way he summons and commands Ariel shows that he is full control of magic powers.
- He is also able to give it up without much hesitation in Act 5, Scene 1. This shows that it was a temporary way to get political power back: 'But this rough magic / I here abjure.'
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Magic causing Prospero's downfall
Magic causing Prospero's downfall
- Prospero's need for knowledge of magic led to the loss of his Dukedom and kingdom.
- The illegal and unholy nature of Prospero's magic led to his banishment. Based on this, you could argue that this was a punishment from God. So the only way for him to return is to truly give up his powers.
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Magic connected to isolation
Magic connected to isolation
- The Tempest is set entirely on an unnamed island in the middle of the sea. The island is isolated from civilised society.
- Magic thrives within this kind of isolated community. It is not until Prospero reaches it that his powers fully developed.
- Sycorax was banished to the island for her involvement with magic and magical spirits, such as Ariel.
1Key Words
2Context & Overview
2.1Context & Overview
3Act 1
3.1Act 1 Analysis
4Act 2
4.1Act 2 Analysis
5Act 3
5.1Act 3 Analysis
6Act 4
6.1Act 4 Analysis
7Act 5
7.1Act 5 Analysis
8Key Characters
8.1Major Characters
8.2Minor Characters
9Themes
10Authorial Method
10.1Authorial Method
Jump to other topics
1Key Words
2Context & Overview
2.1Context & Overview
3Act 1
3.1Act 1 Analysis
4Act 2
4.1Act 2 Analysis
5Act 3
5.1Act 3 Analysis
6Act 4
6.1Act 4 Analysis
7Act 5
7.1Act 5 Analysis
8Key Characters
8.1Major Characters
8.2Minor Characters
9Themes
10Authorial Method
10.1Authorial Method
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