Leonato & Messanger

Act 1, Scene 1: Key Lines

As is typical of a Shakespearean comedy, a period of peace and harmony is established early in the play. However the conventions of comedy dictate that this harmony will soon be disrupted.

Key lines

LEONATO: How many gentlemen have you lost in this action?
MESSENGER: But few of any sort and none of name

Typical peace

Much Ado About Nothing is set against the backdrop of a recently resolved conflict between Don Pedro and his illegitimate brother, Don John the bastard.
The Messenger’s response to Leonato’s question establishes the fact that the fighting is over, establishing a period of peace and harmony, typical of the opening of a Shakespearean comedy.

Conventions of comedy

Nevertheless, the conventions of comedy dictate that this harmony will soon be disrupted; whilst he appears to be reconciled to his brother in Act 1, Scene 1, Don John will soon reveal his villainous intentions in Act 1, Scene 3.
An audience may question just how long this fragile peace between the warring brothers will last.

Significance of status

Leonato’s use of the noun “gentleman” also illustrates the important role of men within the play.
This is developed further with the Messenger’s response.
“None of name” implies that no-one important has died in the conflict, although a “few” soldiers have.
Thus, Shakespeare subtly reveals the significance of status and reputation at the very start of the play.

Misogyny

Structurally and thematically, the significance of status is an idea that is ever-present throughout the play and partly accounts for the misogynistic treatment of Hero by Claudio, Don Pedro and Leonato at her wedding to Claudio.

1Key Terminology

1.1Key Terminology

1.1.1Key Terminology

1.1.2End of Topic Test - Key Terminology

2Structure & Form

2.1Structure

2.1.1Structure

2.1.2Acts 1 - 3

2.1.3Acts 4 - 5

2.2Form

2.2.1Tragicomedy

2.2.2End of Topic Test - Structure & Form

3Act 1: Plot Summary

3.1Act 1, Scene 1

3.1.1Summary

3.1.2Key Lines

3.1.3Key Lines 2

3.1.4End of Topic Test - Act 1, Scene 1

3.2Act 1, Scene 2

3.2.1Summary

3.2.2Key Lines

3.3Act 1, Scene 3

3.3.1Summary

3.3.2Key Lines

3.3.3End of Topic Test - Act 1, Scenes 2-3

4Act 2: Plot Summary

4.1Act 2, Scene 1

4.1.1Summary

4.1.2Key Lines

4.1.3Key Lines 2

4.1.4Key Lines 3

4.1.5End of Topic Test - Act 2, Scene 1

4.2Act 2, Scene 2

4.2.1Summary

4.3Act 2, Scene 3

4.3.1Summary

4.3.2Key Lines

4.3.3Key Lines 2

4.3.4End of Topic Test - Act 2, Scenes 2-3

5Act 3: Plot Summary

5.1Act 3, Scene 1

5.1.1Summary

5.1.2Key Lines

5.2Act 3, Scene 2

5.2.1Summary

5.2.2Key Lines

5.3Act 3, Scene 3

5.3.1Summary

5.4Act 3, Scene 4

5.4.1Summary

5.5Act 3, Scene 5

5.5.1Summary

5.5.2End of Topic Test - Act 3

6Act 4: Plot Summary

6.1Act 4, Scene 1 (Part 1)

6.1.1Summary

6.1.2Key Lines

6.1.3Key Lines 2

6.2Act 4, Scene 1 (Part 2)

6.2.1Summary

6.2.2Key Lines

6.2.3Key Lines 2

6.3Act 4, Scene 2

6.3.1Summary

6.3.2End of Topic Test - Act 4

7Act 5: Plot Summary

7.1Act 5, Scene 1

7.1.1Summary

7.2Act 5, Scene 2

7.2.1Summary

7.2.2Key Lines

7.3Act 5, Scene 3

7.3.1Summary

7.4Act 5, Scene 4

7.4.1Summary

7.4.2End of Topic Test - Act 5

8Key Themes

8.1Key Themes

8.1.1Love & Marriage

8.1.2Deception, Appearances & Noting

8.1.3Gender

8.1.4Reputation

8.1.5End of Topic Test - Key Themes

9Recap: Main Quotes

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