Source: https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/2-2-3-other-features

[Revision notes](https://senecalearning.com/en-gb/revision-notes.md) › [GCSE](https://senecalearning.com/en-gb/revision-notes/gcse.md) › [Music](https://senecalearning.com/en-gb/revision-notes/gcse/music.md) › [Edexcel](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel.md) › Other Features

# Other Features

Music: Edexcel GCSE, topic 2.2.3

## Texture and Instrumentation

A key feature of the Romantic period was compositions for solo piano.

### The piano

![The piano](https://image-v2.cdn.app.senecalearning.com/2019-05/70bfcdee-ad73-4c92-b6b5-dce02afeb564/piano-instrument-music-.jpg)

- A key feature of the Romantic period was compositions for solo piano. 
- The piano had started to develop in range and composers felt it was able to express powerful emotions.

### The Romantic style

![The Romantic style](https://image-v2.cdn.app.senecalearning.com/2019-05/16222fef-8325-4869-b62a-14d935158146/beethoven-composer-music-classical-portrait-.jpg)

- Through virtuosic playing, adventurous harmony, dramatic chords and use of accented notes this piece shows how Beethoven led the way for the Romantic style.

### Homophonic

![Homophonic](https://image-v2.cdn.app.senecalearning.com/2019-05/3a390914-9b41-42c3-ab2e-792b9158ac1f/violin-music-instrument-.jpg)

- The texture of the piece is homophonic (melody and accompaniment) with flowing melodies and dramatic chords.

### Alberti bass

![Alberti bass](https://image-v2.cdn.app.senecalearning.com/2019-05/bf955f39-b147-4ceb-9873-2d3a2a9267a7/piano-keys-hand-instrument-music-.jpg)

- There is use of Alberti bass which is a feature used heavily in the Classical period.
- This is a type of broken chordal accompaniment played by the left hand.

## Harmony

The first subject and second subject, as heard in the exposition, are in C minor and Eb minor respectively.

### Descending chromatic

![Descending chromatic](https://upload.wikimedia.org/wikipedia/commons/e/e8/Chromatic_scale_descending_on_C.png)

- There is a descending chromatic (moving in semitones) line in bar 10.
- The first subject and second subject, as heard in the exposition, are in C minor and Eb minor respectively.

### Diminished 7th chords

![Diminished 7th chords](https://image-v2.cdn.app.senecalearning.com/2018-11/adf4d8fe-823f-4a8b-be22-6856a0213f2f/sad-crying-depressed-.jpg)

- Beethoven uses diminished 7th chords which are chords made up of minor third intervals. 
- This links with the idea of suffering within the Sonata.

### Dominant preparation

![Dominant preparation](https://image-v2.cdn.app.senecalearning.com/2019-05/70bfcdee-ad73-4c92-b6b5-dce02afeb564/piano-instrument-music-.jpg)

- Dominant preparation occurs within the development section where the piece travels through many keys and finishes with 30 bars of G quavers that prepare the return to C minor in the recapitulation section.

### The recapitulation

![The recapitulation](https://image-v2.cdn.app.senecalearning.com/2019-05/706c491e-26fc-4078-85fe-823a6e2de381/music-notes-score-sheet-.jpg)

- Within the recapitulation section the first subject returns in C Minor and the second subject is repeated in F Minor.

## Test yourself on Other Features

- What was a key feature of the Romantic period?
- What is the name for a type of broken chordal accompaniment played by the left hand?
- What type of line is heard in bar 10?

[Practise this topic for free](https://app.senecalearning.com/classroom/course/8a9f121c-bdb0-42db-bbd6-a88f8f723518/section/f0875982-4dfe-406f-8e25-a04ae06bea85/session)

- Previous topic: [2.2.2 Structure & Melody](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/2-2-2-structure-and-melody.md)
- Next topic: [2.2.4 Wider Listening](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/2-2-4-wider-listening.md)

## Music: Edexcel GCSE contents

### 1 Musical Elements
- 1.1 Organisation of Pitch
  - [1.1.1 Melodic Pitch](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/1-1-1-melodic-pitch.md)
  - [1.1.2 Melodic Devices](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/1-1-2-melodic-devices.md)
  - [1.1.3 Harmonic Pitch](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/1-1-3-harmonic-pitch.md)
  - [1.1.4 Harmonic Devices](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/1-1-4-harmonic-devices.md)
  - [1.1.5 Harmonic Progressions](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/1-1-5-harmonic-progressions.md)
- 1.2 Tonality
  - [1.2.1 Major & Minor Tonality](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/1-2-1-major-and-minor-tonality.md)
  - [1.2.2 End of Topic Test - Musical Elements](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/1-2-2-end-of-topic-test-musical-elements.md)

### 2 Instrumental Music 1700–1820
- 2.1 Bach: Brandenburg Concerto No. 5 in D Major
  - [2.1.1 Concerto No. 5 in D Major](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/2-1-1-concerto-no-5-in-d-major.md)
  - [2.1.2 Structure & Melody](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/2-1-2-structure-and-melody.md)
  - [2.1.3 Instrumentation & Texture](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/2-1-3-instrumentation-and-texture.md)
  - [2.1.4 Harmony](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/2-1-4-harmony.md)
  - [2.1.5 Wider Listening](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/2-1-5-wider-listening.md)
- 2.2 Beethoven: Sonata ‘Pathétique’
  - [2.2.1 Piano Sonata No. 8](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/2-2-1-piano-sonata-no-8.md)
  - [2.2.2 Structure & Melody](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/2-2-2-structure-and-melody.md)
  - [2.2.3 Other Features](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/2-2-3-other-features.md)
  - [2.2.4 Wider Listening](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/2-2-4-wider-listening.md)
  - [2.2.5 End of Topic Test - Instrumental Music 1700–1820](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/2-2-5-end-of-topic-test-instrumental-music-1700-1820.md)

### 3 Vocal Music
- 3.1 Purcell: Music for a While
  - [3.1.1 Music for a While](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/3-1-1-music-for-a-while.md)
  - [3.1.2 Other Features](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/3-1-2-other-features.md)
  - [3.1.3 Wider Listening](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/3-1-3-wider-listening.md)
- 3.2 Queen: Killer Queen
  - [3.2.1 Killer Queen](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/3-2-1-killer-queen.md)
  - [3.2.2 Other Features](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/3-2-2-other-features.md)
  - [3.2.3 Wider Listening](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/3-2-3-wider-listening.md)
  - [3.2.4 End of Topic Test - Vocal Music](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/3-2-4-end-of-topic-test-vocal-music.md)

### 4 Music for Stage & Screen
- 4.1 Schwartz: Defying Gravity
  - [4.1.1 Defying Gravity](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/4-1-1-defying-gravity.md)
  - [4.1.2 Other Features](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/4-1-2-other-features.md)
  - [4.1.3 Wider Listening](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/4-1-3-wider-listening.md)
  - [4.1.4 End of Topic Test - Defying Gravity](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/4-1-4-end-of-topic-test-defying-gravity.md)
- 4.2 Williams: Star Wars Episode IV
  - [4.2.1 A New Hope](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/4-2-1-a-new-hope.md)
  - [4.2.2 Structure & Melody](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/4-2-2-structure-and-melody.md)
  - [4.2.3 Other Features](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/4-2-3-other-features.md)
  - [4.2.4 Wider Listening](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/4-2-4-wider-listening.md)
  - [4.2.5 End of Topic Test - Star Wars Episode IV](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/4-2-5-end-of-topic-test-star-wars-episode-iv.md)

### 5 Fusions
- 5.1 Afro Celt Sound System: Release
  - [5.1.1 Release](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/5-1-1-release.md)
  - [5.1.2 Other Features](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/5-1-2-other-features.md)
  - [5.1.3 Wider Listening](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/5-1-3-wider-listening.md)
- 5.2 Spalding: Samba Em Preludio
  - [5.2.1 Samba Em Preludio](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/5-2-1-samba-em-preludio.md)
  - [5.2.2 Structure & Melody](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/5-2-2-structure-and-melody.md)
  - [5.2.3 Other Features](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/5-2-3-other-features.md)
  - [5.2.4 Wider Listening](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/5-2-4-wider-listening.md)
  - [5.2.5 End of Topic Test - Fusions](https://senecalearning.com/en-gb/revision-notes/gcse/music/edexcel/5-2-5-end-of-topic-test-fusions.md)