Source: https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/5-1-2-key-lines

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# Key Lines

English Lit: AQA GCSE Much Ado About Nothing, topic 5.1.2

## Hero

In this scene a more confident side of Hero is revealed, as is the true depth of her affection for Claudio.

### Key line

![Key line](https://image-v2.cdn.app.senecalearning.com/2018-09/bad6c06e-a356-438a-8984-b2d6e2ad33d2/mic-speech-talk-.jpg)

- __HERO: Now, Ursula, when Beatrice doth come, as we do trace this alley up and down, our talk must only be of Benedick.__

### Confidence

![Confidence](https://image-v2.cdn.app.senecalearning.com/2018-07/75fc9cf5-babd-40cd-9f57-679595668caf/Power-Woman-Strength-Sun.jpg)

- Shakespeare provides the audience with a parallel between Hero and Beatrice in this scene through Hero’s confident tone.
- Her use of the imperative statement __“our talk must only be of Benedik”__ is assertive and the use of __“must”__ illustrates to the audience that Hero, too, can be strong and confident in the right company.

### Key line

![Key line](https://image-v2.cdn.app.senecalearning.com/2018-09/dd10d2f4-3394-4420-ae78-36495932bdfc/florence-italy-building-city-.jpg)

- __HERO: [Benedick] is the only man of Italy, always excepted my dear Claudio.__

### True feeling

![True feeling](https://image-v2.cdn.app.senecalearning.com/2018-07/c31e67d5-7837-432b-98a1-29d6cd7aa2a0/sorry-forgive-hug.jpg)

- This provides the audience with a rare insight into how Hero feels towards Claudio, in contrast to her silence from Act 2, Scene 1.
- Whilst it is sometimes problematic for a modern audience to accept that a woman so mistreated as Hero is by Claudio would be willing to forgive, small details such as this illustrate the love she has for him.

### __“Dear”__

![__“Dear”__](https://image-v2.cdn.app.senecalearning.com/2018-07/6f597dc6-5b66-4ae8-a5a5-7789be059a21/Man-Woman-Lover-.jpg)

- __“Dear”__ is an affectionate term and could be viewed as more complimentary than the way Claudio speaks of Hero, which often focuses on her physical appearance.

## Beatrice

Beatrice is quick to accept the ‘truth’ of Benedick's ‘love’ for her.

### Key line

![Key line](https://image-v2.cdn.app.senecalearning.com/2019-04/8036db0c-103e-4ad4-b2cd-80777b1027ef/wave-hand-goodbye-bye-hello-.png)

- __BEATRICE: Contempt, farewell! And maiden pride, adieu!__

### Length of scene

![Length of scene](https://image-v2.cdn.app.senecalearning.com/2018-09/368a76ad-99e2-41ef-be13-48b69e50fe7a/rush-hurry-deadline-time-clock-.jpg)

- Due to being a shorter scene than Act 2, Scene 3, Beatrice is arguably even quicker than Benedick to accept the ‘truth’ of his ‘love’ for her.

### Complexity

![Complexity](https://image-v2.cdn.app.senecalearning.com/2018-09/a55d7d79-949d-4ca2-8559-4286416ca449/connection-brain-neuron-link-think-.jpg)

- There is a double-complexity to this aspect of the trick as the audience know even more than Ursula and Hero and that, by this point, Benedick is indeed __“horribly”__ in love with Beatrice.

### Saving face

![Saving face](https://image-v2.cdn.app.senecalearning.com/2018-07/1855314d-16cc-4c0f-ab80-cd0f7102ac96/Love-Puzzle-Heart.jpg)

- Beatrice is presented as far less concerned with saving face than Benedick was. 
- She simply bids __“farewell”__ to her perceived spiteful character (__“contempt”__).

### Interpretations

![Interpretations](https://image-v2.cdn.app.senecalearning.com/2018-09/72036823-87bf-478b-b593-98d15a19bfc1/snake-sin-eden-.jpg)

- A modern feminist audience may struggle more to accept Beatrice’s dismissal of her pride.
- However, a Shakespearean audience may associate this abstract noun with the Seven Deadly Sins (Pride, Greed, Gluttony, Wrath, Envy, Sloth and Lust) and view Beatrice’s instant conversion favourably.

## Test yourself on Key Lines

[Practise this topic for free](https://app.senecalearning.com/classroom/course/be0e71b0-7b1f-4788-975c-75acc073d9ad/section/5b0f33cf-da7b-4116-b5c7-a72638c88191/session)

- Previous topic: [5.1.1 Summary](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/5-1-1-summary.md)
- Next topic: [5.2.1 Summary](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/5-2-1-summary.md)

## English Lit: AQA GCSE Much Ado About Nothing contents

### 1 Key Terminology
- 1.1 Key Terminology
  - [1.1.1 Key Terminology](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/1-1-1-key-terminology.md)
  - [1.1.2 End of Topic Test - Key Terminology](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/1-1-2-end-of-topic-test-key-terminology.md)

### 2 Structure & Form
- 2.1 Structure
  - [2.1.1 Structure](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/2-1-1-structure.md)
  - [2.1.2 Acts 1 - 3](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/2-1-2-acts-1-3.md)
  - [2.1.3 Acts 4 - 5](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/2-1-3-acts-4-5.md)
- 2.2 Form
  - [2.2.1 Tragicomedy](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/2-2-1-tragicomedy.md)
  - [2.2.2 End of Topic Test - Structure & Form](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/2-2-2-end-of-topic-test-structure-and-form.md)

### 3 Act 1: Plot Summary
- 3.1 Act 1, Scene 1
  - [3.1.1 Summary](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/3-1-1-summary.md)
  - [3.1.2 Key Lines](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/3-1-2-key-lines.md)
  - [3.1.3 Key Lines 2](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/3-1-3-key-lines-2.md)
  - [3.1.4 End of Topic Test - Act 1, Scene 1](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/3-1-4-end-of-topic-test-act-1-scene-1.md)
- 3.2 Act 1, Scene 2
  - [3.2.1 Summary](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/3-2-1-summary.md)
  - [3.2.2 Key Lines](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/3-2-2-key-lines.md)
- 3.3 Act 1, Scene 3
  - [3.3.1 Summary](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/3-3-1-summary.md)
  - [3.3.2 Key Lines](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/3-3-2-key-lines.md)
  - [3.3.3 End of Topic Test - Act 1, Scenes 2-3](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/3-3-3-end-of-topic-test-act-1-scenes-2-3.md)

### 4 Act 2: Plot Summary
- 4.1 Act 2, Scene 1
  - [4.1.1 Summary](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/4-1-1-summary.md)
  - [4.1.2 Key Lines](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/4-1-2-key-lines.md)
  - [4.1.3 Key Lines 2](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/4-1-3-key-lines-2.md)
  - [4.1.4 Key Lines 3](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/4-1-4-key-lines-3.md)
  - [4.1.5 End of Topic Test - Act 2, Scene 1](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/4-1-5-end-of-topic-test-act-2-scene-1.md)
- 4.2 Act 2, Scene 2
  - [4.2.1 Summary](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/4-2-1-summary.md)
- 4.3 Act 2, Scene 3
  - [4.3.1 Summary](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/4-3-1-summary.md)
  - [4.3.2 Key Lines](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/4-3-2-key-lines.md)
  - [4.3.3 Key Lines 2](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/4-3-3-key-lines-2.md)
  - [4.3.4 End of Topic Test - Act 2, Scenes 2-3](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/4-3-4-end-of-topic-test-act-2-scenes-2-3.md)

### 5 Act 3: Plot Summary
- 5.1 Act 3, Scene 1
  - [5.1.1 Summary](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/5-1-1-summary.md)
  - [5.1.2 Key Lines](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/5-1-2-key-lines.md)
- 5.2 Act 3, Scene 2
  - [5.2.1 Summary](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/5-2-1-summary.md)
  - [5.2.2 Key Lines](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/5-2-2-key-lines.md)
- 5.3 Act 3, Scene 3
  - [5.3.1 Summary](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/5-3-1-summary.md)
- 5.4 Act 3, Scene 4
  - [5.4.1 Summary](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/5-4-1-summary.md)
- 5.5 Act 3, Scene 5
  - [5.5.1 Summary](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/5-5-1-summary.md)
  - [5.5.2 End of Topic Test - Act 3](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/5-5-2-end-of-topic-test-act-3.md)

### 6 Act 4: Plot Summary
- 6.1 Act 4, Scene 1 (Part 1)
  - [6.1.1 Summary](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/6-1-1-summary.md)
  - [6.1.2 Key Lines](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/6-1-2-key-lines.md)
  - [6.1.3 Key Lines 2](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/6-1-3-key-lines-2.md)
- 6.2 Act 4, Scene 1 (Part 2)
  - [6.2.1 Summary](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/6-2-1-summary.md)
  - [6.2.2 Key Lines](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/6-2-2-key-lines.md)
  - [6.2.3 Key Lines 2](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/6-2-3-key-lines-2.md)
- 6.3 Act 4, Scene 2
  - [6.3.1 Summary](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/6-3-1-summary.md)
  - [6.3.2 End of Topic Test - Act 4](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/6-3-2-end-of-topic-test-act-4.md)

### 7 Act 5: Plot Summary
- 7.1 Act 5, Scene 1
  - [7.1.1 Summary](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/7-1-1-summary.md)
- 7.2 Act 5, Scene 2
  - [7.2.1 Summary](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/7-2-1-summary.md)
  - [7.2.2 Key Lines](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/7-2-2-key-lines.md)
- 7.3 Act 5, Scene 3
  - [7.3.1 Summary](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/7-3-1-summary.md)
- 7.4 Act 5, Scene 4
  - [7.4.1 Summary](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/7-4-1-summary.md)
  - [7.4.2 End of Topic Test - Act 5](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/7-4-2-end-of-topic-test-act-5.md)

### 8 Key Themes
- 8.1 Key Themes
  - [8.1.1 Love & Marriage](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/8-1-1-love-and-marriage.md)
  - [8.1.2 Deception, Appearances & Noting](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/8-1-2-deception-appearances-and-noting.md)
  - [8.1.3 Gender](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/8-1-3-gender.md)
  - [8.1.4 Reputation](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/8-1-4-reputation.md)
  - [8.1.5 End of Topic Test - Key Themes](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/8-1-5-end-of-topic-test-key-themes.md)

### 9 Recap: Main Quotes
- 9.1 Characters Quotes
  - [9.1.1 Beatrice](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/9-1-1-beatrice.md)
  - [9.1.2 Beatrice 2](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/9-1-2-beatrice-2.md)
  - [9.1.3 Benedick 1](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/9-1-3-benedick-1.md)
  - [9.1.4 Benedick 2](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/9-1-4-benedick-2.md)
  - [9.1.5 Benedick 3](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/9-1-5-benedick-3.md)
  - [9.1.6 Benedick 4](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/9-1-6-benedick-4.md)
  - [9.1.7 Benedick 5](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/9-1-7-benedick-5.md)
  - [9.1.8 Beatrice & Benedick](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/9-1-8-beatrice-and-benedick.md)
  - [9.1.9 Beatrice & Benedick 2](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/9-1-9-beatrice-and-benedick-2.md)
  - [9.1.10 Beatrice & Benedick 3](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/9-1-10-beatrice-and-benedick-3.md)
  - [9.1.11 Claudio](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/9-1-11-claudio.md)
  - [9.1.12 Claudio 2](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/9-1-12-claudio-2.md)
  - [9.1.13 Claudio & Benedick](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/9-1-13-claudio-and-benedick.md)
  - [9.1.14 Don John](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/9-1-14-don-john.md)
  - [9.1.15 Don John 2](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/9-1-15-don-john-2.md)
  - [9.1.16 Don Pedro](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/9-1-16-don-pedro.md)
  - [9.1.17 Hero](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/9-1-17-hero.md)
  - [9.1.18 Leonato](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/9-1-18-leonato.md)
  - [9.1.19 Leonato & Messanger](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/9-1-19-leonato-and-messanger.md)
- 9.2 Text Structure - Quotes
  - [9.2.1 Deception, Appearances & Noting](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/9-2-1-deception-appearances-and-noting.md)
  - [9.2.2 Gender](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/9-2-2-gender.md)
  - [9.2.3 Reputation](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/much-ado-about-nothing/9-2-3-reputation.md)
