Source: https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/4-1-2-intertextuality [Revision notes](https://senecalearning.com/en-gb/revision-notes.md) › [GCSE](https://senecalearning.com/en-gb/revision-notes/gcse.md) › [English Lit](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature.md) › [AQA](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa.md) › [English Lit: AQA GCSE Frankenstein](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein.md) › Intertextuality # Intertextuality English Lit: AQA GCSE Frankenstein, topic 4.1.2 ## Intertextuality: _Prometheus_ Intertextuality is a technique in which writers use references or hints to other texts in order to add deeper meaning to their own writing. ### Shelley's use of intertextuality ![Shelley's use of intertextuality](https://image-v2.cdn.app.senecalearning.com/2018-08/51c5b1fc-bbc1-434c-9960-f2af24695315/books-poems.jpg) - Shelley uses the technique of intertextuality in order to draw parallels between her characters. - She also draws parallels with characters from other texts. - Sometimes she uses explicit quotations from other texts, whilst at other times the allusions are more subtle. ### Shelley and Prometheus ![Shelley and Prometheus](https://image-v2.cdn.app.senecalearning.com/2018-10/62f31093-6b96-445a-b262-a4139808d346/once-upon-a-time-story-writing-.jpg) - Shelley gave her novel an alternative title of _‘The Modern Prometheus’_, and so clearly wanted the reader to consider the parallels between her story and that of the Prometheus myth. ### Two versions ![Two versions](https://image-v2.cdn.app.senecalearning.com/courseImages/chemistry/7.1.1%20Crude%20oil/fire-2777580_640-min.jpg) - There are two versions of the Prometheus story and it is possible to make connections with both. - In the Greek version of the myth, Prometheus wants to help humanity and so steals fire from the gods, for which they punish him eternally. - In the Roman version of the myth, Prometheus creates man himself, from clay. ### Paralells ![Paralells](https://image-v2.cdn.app.senecalearning.com/2018-10/1f9d66ef-dbe9-430e-b186-712aa8dcf1e3/religion-faith-clouds-hand-pray-give-.jpg) - Victor can be read as a _‘Modern Prometheus’_ for two reasons: - He goes against the workings of nature (and the gods) by creating his own creation which he believes will benefit mankind. - He receives ongoing punishment, just as Prometheus did in the Roman myth. ## Intertextuality: _The Rime of the Ancient Mariner_ Intertextuality is a technique in which writers use references or hints to other texts in order to add deeper meaning to their own writing. ### Parallels ![Parallels](https://image-v2.cdn.app.senecalearning.com/2018-09/9594ee90-0096-4751-9029-d2c38652b6ec/owl-mouse-predator-prey-chase-animals.jpg) - When recounting his actions immediately following his desertion of the Monster, Victor uses a quotation from Coleridge's long poem _'The Rime of the Ancient Mariner'_: - __"he knows a frightful fiend / Doth close behind him tread."__ ### Importance ![Importance](https://image-v2.cdn.app.senecalearning.com/2018-09/4a9eadeb-ff02-48b0-8ea3-21fca3b36388/lined-paper-note-book-.jpg) - Shelley uses a footnote to reference this quotation. - This implies she wants the reader to recognise the similarities between Victor and the protagonist of Coleridge's poem. ### The story ![The story](https://image-v2.cdn.app.senecalearning.com/2018-08/0aff9e53-e7d3-47b6-942d-944418eebff9/sinking-ship-boat-.jpg) - In _'The Rime of the Ancient Mariner'_, Coleridge tells the story of a sailor kills an albatross (a seabird considered to be symbol of good luck). - He is then held responsible for the misfortunes of his crew, and is eventually stalked by personifications of Death. ### Hidden hints ![Hidden hints](https://image-v2.cdn.app.senecalearning.com/2018-05/002e641e-8343-4445-a3da-295e3c810b29/shutterstock_756909826.jpg) - In creating this link between the two characters, Shelley could be seen to be foreshadowing Victor's eventual fate, in his mutual and never-ceasing pursuit of the creature. ## Intertextuality: _Paradise Lost_ The links to this poem are hugely important, particularly for the Monster, who identifies with both Adam and Satan, seeing Victor as his 'God' figure. ### Importance ![Importance](https://image-v2.cdn.app.senecalearning.com/courseImages/chemistry/10.3.1%20Using%20materials/claypots-1323747_640-min.jpg) - John Milton’s epic poem _‘Paradise Lost’_ tells the story of the Fall of Man. - Shelley uses a quotation from the poem as the epigraph to her novel: - __"Did I request thee, Maker, from my clay. To mould me Man? Did I solicit thee From darkness to promote me?"__ - The Monster sees Victor as his 'God' figure and so strongly identifies with both Adam and Satan. ### The Creators and their creations ![The Creators and their creations](https://image-v2.cdn.app.senecalearning.com/2018-10/f84e1288-bf31-454e-9de0-d339e0a14606/garden-of-eden-eve-.jpg) - Upon reading the poem, the Monster is immediately able to identify the parallels between his own position and that of God's first creation, Adam. - However, the fact that Adam is adored by God makes the Monster feel more upset about his own position, as his creator, who should have treated him in a similar way, instead abandoned him. ### The Monster's interpreatation ![The Monster's interpreatation](https://image-v2.cdn.app.senecalearning.com/2018-09/85f68898-7ebf-42ee-9ce0-d5821f3eaf0c/creation-adam-god-flesh-bible-christianity-.jpg) - __"Like Adam, I was apparently united by no link to any other being in existence; but...[he] had come forth from the hands of God a perfect creature, happy and prosperous, guarded by the especial care of his Creator...but I was wretched, helpless, and alone."__ (Volume Two: Chapter 7) ### Complexity ![Complexity](https://image-v2.cdn.app.senecalearning.com/2018-07/4a489c77-4b41-4bb5-be57-ab8b03d96068/devil-hell.jpg) - The Monster himself suggests a link between the way he feels and the feelings that Satan had upon being cast out of heaven. - This demonstrates self-awareness of the part of the Monster, and also allows Shelley to create a more complex character. ### Relating to Satan ![Relating to Satan](https://image-v2.cdn.app.senecalearning.com/2018-10/4e2d8006-0db8-4d48-9e85-ca31a6daf776/devil-satan-hell-.jpg) - __"Many times I considered Satan as the fitter emblem of my condition; for often, like him, when I viewed the bliss of my protectors, the bitter gall of envy rose within me."__ (Volume Two: Chapter 7) ## Test yourself on Intertextuality - What was the alternative title Shelley gave _Frankenstein_? - When does Victor use a quotation from Coleridge's long poem _'The Rime of the Ancient Mariner'_? - What implies that Shelley wants the reader to recognise the similarities between Victor and the protagonist of Coleridge's poem? - Who wrote _'The Rime of the Ancient Mariner'_? - Who wrote the epic poem _‘Paradise Lost’_? [Practise this topic for free](https://app.senecalearning.com/classroom/course/8cdf14b1-4ce2-4099-98dc-f9c7835917f9/section/b9d0b7c2-bc5f-4c40-9154-f2d0bbc13d99/session) - Previous topic: [4.1.1 Genre](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/4-1-1-genre.md) - Next topic: [4.1.3 End of Topic Test - Genre & Intertextuality](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/4-1-3-end-of-topic-test-genre-and-intertextuality.md) ## English Lit: AQA GCSE Frankenstein contents ### 1 Plot Summaries - 1.1 Volume I - [1.1.1 Letters I-IV](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/1-1-1-letters-i-iv.md) - [1.1.2 Chapters 1-3](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/1-1-2-chapters-1-3.md) - [1.1.3 Chapters 4-6](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/1-1-3-chapters-4-6.md) - [1.1.4 Chapters 7-8](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/1-1-4-chapters-7-8.md) - [1.1.5 End of Topic Test - Volume I](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/1-1-5-end-of-topic-test-volume-i.md) - 1.2 Volume II - [1.2.1 Chapters 1-3](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/1-2-1-chapters-1-3.md) - [1.2.2 Chapters 4-6](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/1-2-2-chapters-4-6.md) - [1.2.3 Chapters 7-9](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/1-2-3-chapters-7-9.md) - [1.2.4 End of Topic Test - Volume II](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/1-2-4-end-of-topic-test-volume-ii.md) - 1.3 Volume III - [1.3.1 Chapters 1-3](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/1-3-1-chapters-1-3.md) - [1.3.2 Chapters 4-6](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/1-3-2-chapters-4-6.md) - [1.3.3 Chapter 7 & Walton in Continuation](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/1-3-3-chapter-7-and-walton-in-continuation.md) - [1.3.4 End of Topic Test - Volume III](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/1-3-4-end-of-topic-test-volume-iii.md) ### 2 Characters - 2.1 Victor Frankenstein - [2.1.1 Role](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/2-1-1-role.md) - [2.1.2 Quotations](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/2-1-2-quotations.md) - [2.1.3 End of Topic Test - Victor Frankenstein](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/2-1-3-end-of-topic-test-victor-frankenstein.md) - 2.2 The Monster - [2.2.1 Role](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/2-2-1-role.md) - [2.2.2 Quotations](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/2-2-2-quotations.md) - [2.2.3 End of Topic Test - The Monster](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/2-2-3-end-of-topic-test-the-monster.md) - [2.2.4 Grade 9 - The Monster Question & Extract](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/2-2-4-grade-9-the-monster-question-and-extract.md) - 2.3 Other Characters - [2.3.1 Robert Walton](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/2-3-1-robert-walton.md) - [2.3.2 Elizabeth Lavenza](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/2-3-2-elizabeth-lavenza.md) - [2.3.3 Alphonse Frankenstein](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/2-3-3-alphonse-frankenstein.md) - [2.3.4 Henry Clerval](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/2-3-4-henry-clerval.md) - [2.3.5 Justine Moritz](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/2-3-5-justine-moritz.md) - [2.3.6 The De Laceys](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/2-3-6-the-de-laceys.md) - [2.3.7 End of Topic Test - Walton, Elizabeth & Alphonse](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/2-3-7-end-of-topic-test-walton-elizabeth-and-alphonse.md) - [2.3.8 End of Topic Test - Henry, Justine & the De Laceys](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/2-3-8-end-of-topic-test-henry-justine-and-the-de-laceys.md) ### 3 Key Themes - 3.1 Ambition & Pursuit of Knowledge - [3.1.1 Presentation](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/3-1-1-presentation.md) - [3.1.2 Key Quotations](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/3-1-2-key-quotations.md) - 3.2 Prejudice - [3.2.1 Presentation & Key Quotations](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/3-2-1-presentation-and-key-quotations.md) - 3.3 Justice - [3.3.1 Presentation & Key Quotations](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/3-3-1-presentation-and-key-quotations.md) - [3.3.2 End of Topic Test - Ambition, Prejudice & Justice](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/3-3-2-end-of-topic-test-ambition-prejudice-and-justice.md) - 3.4 Companionship & Family - [3.4.1 Presentation & Key Quotations](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/3-4-1-presentation-and-key-quotations.md) - 3.5 Revenge - [3.5.1 Presentation & Key Quotations](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/3-5-1-presentation-and-key-quotations.md) - 3.6 Monstrosity - [3.6.1 Presentation](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/3-6-1-presentation.md) - [3.6.2 Key Quotations](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/3-6-2-key-quotations.md) - 3.7 Gender - [3.7.1 Presentation](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/3-7-1-presentation.md) - [3.7.2 Key Quotations](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/3-7-2-key-quotations.md) - [3.7.3 Key Themes - Companionship, Revenge & More](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/3-7-3-key-themes-companionship-revenge-and-more.md) ### 4 Authorial Method - 4.1 Genre & Intertextuality - [4.1.1 Genre](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/4-1-1-genre.md) - [4.1.2 Intertextuality](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/4-1-2-intertextuality.md) - [4.1.3 End of Topic Test - Genre & Intertextuality](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/4-1-3-end-of-topic-test-genre-and-intertextuality.md) - 4.2 Form & Structure - [4.2.1 Form](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/4-2-1-form.md) - [4.2.2 Structure](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/4-2-2-structure.md) - 4.3 Settings & Symbolism - [4.3.1 Settings](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/4-3-1-settings.md) - [4.3.2 Symbolism](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/4-3-2-symbolism.md) - 4.4 Imagery & Doubling - [4.4.1 Imagery](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/4-4-1-imagery.md) - [4.4.2 Doubling](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/4-4-2-doubling.md) - [4.4.3 End of Topic Test - Structure, Settings & More](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/4-4-3-end-of-topic-test-structure-settings-and-more.md) ### 5 Context - 5.1 Context - [5.1.1 Mary Shelley](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/5-1-1-mary-shelley.md) - [5.1.2 Time of Writing](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/5-1-2-time-of-writing.md) - [5.1.3 End of Topic Test - Context](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/5-1-3-end-of-topic-test-context.md) ### 6 Recap: Main Quotes - 6.1 Characters Quotes - [6.1.1 Victor Frankenstein](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/6-1-1-victor-frankenstein.md) - [6.1.2 Quotations](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/6-1-2-quotations.md) - [6.1.3 Robert Walton](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/6-1-3-robert-walton.md) - [6.1.4 Elizabeth Lavenza](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/6-1-4-elizabeth-lavenza.md) - [6.1.5 Alphonse Frankenstein](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/6-1-5-alphonse-frankenstein.md) - [6.1.6 Henry Clerval](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/6-1-6-henry-clerval.md) - [6.1.7 Justine Moritz](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/6-1-7-justine-moritz.md) - [6.1.8 The De Laceys](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/6-1-8-the-de-laceys.md) - 6.2 Text Structure - Quotes - [6.2.1 Ambition & Pursuit of Knowledge](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/6-2-1-ambition-and-pursuit-of-knowledge.md) - [6.2.2 Prejudice](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/6-2-2-prejudice.md) - [6.2.3 Justice](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/6-2-3-justice.md) - [6.2.4 Companionship & Family](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/6-2-4-companionship-and-family.md) - [6.2.5 Revenge](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/6-2-5-revenge.md) - [6.2.6 Monstrosity](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/6-2-6-monstrosity.md) - [6.2.7 Gender](https://senecalearning.com/en-gb/revision-notes/gcse/english-literature/aqa/frankenstein/6-2-7-gender.md)