Source: https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/3-1-5-chapters-11-12 [Revision notes](https://senecalearning.com/en-gb/revision-notes.md) › [A Level](https://senecalearning.com/en-gb/revision-notes/a-level.md) › [English Lit](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature.md) › [OCR](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr.md) › [English Lit: OCR A Level Dracula](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula.md) › Chapters 11-12 # Chapters 11-12 English Lit: OCR A Level Dracula, topic 3.1.5 ## Chapters 11-12: Summary and Analysis Here's a summary and an analysis of Chapters 11-12: ### Plot summary ![Plot summary](https://image-v2.cdn.app.senecalearning.com/2018-09/0cbaf7a2-c88c-4ac2-a1bf-5c8670e63c2f/wolf-howl-moon-animal-.jpg) - Back in London, Lucy’s mother inadvertently interferes with Van Helsing’s attempt to protect Lucy from Dracula. - Dracula releases a wolf from the zoo which results in the death of Lucy's mother. - After her mother's death, Lucy succumbs to her illness and dies. ### Garlic-remedy ![Garlic-remedy](https://image-v2.cdn.app.senecalearning.com/2018-10/b300b5e4-b830-484a-8bbc-d42640cd4636/garlic-.jpg) - Van Helsing’s garlic-remedy is rooted in superstition - affirming Seward’s cataphoric reference to him having __“an absolutely open mind"__ in the previous Chapter. ### Irony - Lucy's mother's claim ![Irony - Lucy's mother's claim](https://image-v2.cdn.app.senecalearning.com/2018-09/1c800b25-fd3a-4267-86d2-13e4ca394c3b/window-similar-.jpg) - There is an element of dark-comedy (frequently utilised in Gothic literature) in Lucy’s mother taking credit for Lucy’s improved condition as she innocently explains how she has removed __“those horrible, strong-smelling flowers”__ and opened __“the window to let in a little fresh air.”__ - However, the gravity of the situation soon becomes apparent as Van Helsing raises his __“hands over his head in a sort of mute despair, and then beat his palms together in a helpless way.”__ ### Narrative jump ![Narrative jump](https://image-v2.cdn.app.senecalearning.com/2018-11/4eeb4516-fdd3-456f-871a-5e630031d4a3/newspaper-newspapers-paper-.jpg) - To further accentuate the tension, Stoker presents the next sequence of events in a non-linear structure. - The narrative jumps to the next day with an interview from The Pall Mall Gazette. The reader recognises the same description of the Count as told by the zookeeper - although, as of yet does not understand the significance of ‘Old Bersicker’ returning covered in fragments of glass. ## Chapters 11-12: Analysis (Cont.) Here's an analysis of Chapters 11-12: ### The Memorandum ![The Memorandum](https://image-v2.cdn.app.senecalearning.com/2018-09/0cbaf7a2-c88c-4ac2-a1bf-5c8670e63c2f/wolf-howl-moon-animal-.jpg) - The Memorandum left by Lucy evokes a real sense of Gothic terror. - Lucy’s mother is terrified at the sight of the wolf, so much so that it brings on a heart attack. - Both Lucy and her mother are presented as typical passive victims. ### Dracula's malevolent character ![Dracula's malevolent character](https://image-v2.cdn.app.senecalearning.com/2018-09/fe959465-cb4d-4c69-9ade-2eb785e41b08/drugs-pills-.jpg) - Dracula’s malevolent, calculating character is demonstrated through his drugging of the Westenra servants. - With Lucy’s observing how the __“air seems full of specks, floating and circling in the draught from the window”__ readers recall Jonathan’s earlier experience with the three female-vampires (perhaps also foreshadowing Lucy’s transformation) and fear the worst. ### Blood in Lucy's veins ![Blood in Lucy's veins](https://image-v2.cdn.app.senecalearning.com/courseImages/physics/5.2.2%20Characteristics%20of%20the%203%20kinds%20of%20emission/blood-1813410_640.jpg) - As the blood transfusions fail to save Lucy, there is a certain irony in Arthur stating how he feels married to his fiance as she has his blood in her veins; in this way, Lucy - who earlier expressed her playful annoyance at not being able to marry as many men as she likes - has also received donated blood from Seward, Quincey Morris and Van Helsing. ### Lucy's promiscuity ![Lucy's promiscuity](https://image-v2.cdn.app.senecalearning.com/2018-08/c56311f4-2a5d-4c02-bcc4-fb637a203cf4/red-lips.jpg) - Stoker presents the vampiric curse as Lucy’s (possibly) latent promiscuity is released with her imploring Arthur to kiss her, only for Van Helsing stopping him - paralleling the Count’s actions with the female-vampires __“hurling”__ Arthur across the room to safety. ### Lucy's death ![Lucy's death](https://image-v2.cdn.app.senecalearning.com/2018-08/d913c87f-4a43-43c5-a770-d0b384519610/grave-674443_1920.jpg) - With Lucy’s death, the other men are relieved that the ordeal is finally over and believe that their love is now at peace. - Only Van Helsing (and likely the reader) know otherwise, as shown by his ominous final words: __“It is only the beginning”__. ## Test yourself on Chapters 11-12 - Who is interviewed in the Pall Mall Gazette article in Chapter 11? - What does Lucy's mother die of? - What are Van Helsing's ominous words following Lucy's death? [Practise this topic for free](https://app.senecalearning.com/classroom/course/508a7828-52ed-48a3-9259-00e65066f4c7/section/4352f61f-7b2c-4cf0-b070-750f1e378c8c/session) - Previous topic: [3.1.4 Chapters 8-10](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/3-1-4-chapters-8-10.md) - Next topic: [3.1.6 Chapters 13-14](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/3-1-6-chapters-13-14.md) ## English Lit: OCR A Level Dracula contents ### 1 Context - Gothic Literature - 1.1 Origins & Conventions of Gothic Literature - [1.1.1 Origins of Gothic Literature](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/1-1-1-origins-of-gothic-literature.md) - [1.1.2 Key Ideas in Gothic Literature](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/1-1-2-key-ideas-in-gothic-literature.md) - [1.1.3 Gothic Genre Conventions in Dracula](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/1-1-3-gothic-genre-conventions-in-dracula.md) - 1.2 Vampires in Gothic Literature - [1.2.1 Vampires](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/1-2-1-vampires.md) - 1.3 'Terror' & 'Horror' - [1.3.1 Ann Radcliffe & Lewis' The Monk](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/1-3-1-ann-radcliffe-and-lewis-the-monk.md) - [1.3.2 'Terror' & 'Horror' in Dracula](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/1-3-2-terror-and-horror-in-dracula.md) - 1.4 Narrative Features - [1.4.1 First-Person Narration & Epistolary Format](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/1-4-1-first-person-narration-and-epistolary-format.md) ### 2 Context - The Victorian Era - 2.1 The Victorian Era - [2.1.1 Fin de Siecle](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/2-1-1-fin-de-siecle.md) - [2.1.2 The 'New Woman'](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/2-1-2-the-new-woman.md) - [2.1.3 The Contagious Diseases Act](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/2-1-3-the-contagious-diseases-act.md) ### 3 Chapter Summaries & Analyses - 3.1 Chapter Summaries & Analyses - [3.1.1 Chapters 1-2](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/3-1-1-chapters-1-2.md) - [3.1.2 Chapters 3-4](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/3-1-2-chapters-3-4.md) - [3.1.3 Chapters 5-7](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/3-1-3-chapters-5-7.md) - [3.1.4 Chapters 8-10](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/3-1-4-chapters-8-10.md) - [3.1.5 Chapters 11-12](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/3-1-5-chapters-11-12.md) - [3.1.6 Chapters 13-14](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/3-1-6-chapters-13-14.md) - [3.1.7 Chapters 15-16](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/3-1-7-chapters-15-16.md) - [3.1.8 Chapters 17-18](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/3-1-8-chapters-17-18.md) - [3.1.9 Chapters 19-20](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/3-1-9-chapters-19-20.md) - [3.1.10 Chapters 21-23](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/3-1-10-chapters-21-23.md) - [3.1.11 Chapters 24-25](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/3-1-11-chapters-24-25.md) - [3.1.12 Chapters 26-27](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/3-1-12-chapters-26-27.md) ### 4 Character Profiles - 4.1 Archetypal Gothic Characters - [4.1.1 Stock & Proppian Gothic Characters](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/4-1-1-stock-and-proppian-gothic-characters.md) - 4.2 Count Dracula - [4.2.1 Count Dracula: Character Profile](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/4-2-1-count-dracula-character-profile.md) - [4.2.2 Count Dracula: Different Literary Perspectives](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/4-2-2-count-dracula-different-literary-perspectives.md) - 4.3 Other Main Characters - [4.3.1 Jonathan Harker](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/4-3-1-jonathan-harker.md) - [4.3.2 Dr Abraham Van Helsing](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/4-3-2-dr-abraham-van-helsing.md) - [4.3.3 Dr Jack Seward](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/4-3-3-dr-jack-seward.md) - [4.3.4 Mina Harker](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/4-3-4-mina-harker.md) - [4.3.5 Lucy Westenra](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/4-3-5-lucy-westenra.md) - 4.4 Minor Characters - [4.4.1 Arthur Holmwood & Quincey Morris](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/4-4-1-arthur-holmwood-and-quincey-morris.md) - [4.4.2 Renfield](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/4-4-2-renfield.md) ### 5 Key Ideas - 5.1 Key Ideas - [5.1.1 Transgression of Boundaries](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/5-1-1-transgression-of-boundaries.md) - [5.1.2 The Supernatural & Un-dead](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/5-1-2-the-supernatural-and-un-dead.md) - [5.1.3 Masculinity & Femininity](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/5-1-3-masculinity-and-femininity.md) - [5.1.4 Science, Modernity & Superstition](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/5-1-4-science-modernity-and-superstition.md) - [5.1.5 Madness, Illness & Confinement](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/5-1-5-madness-illness-and-confinement.md) ### 6 Writing Techniques - 6.1 Writing Techniques - [6.1.1 Epistolary Form & Narrative Voice](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/6-1-1-epistolary-form-and-narrative-voice.md) - [6.1.2 Intertextuality & Cultural References](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/6-1-2-intertextuality-and-cultural-references.md) - [6.1.3 Structure](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/6-1-3-structure.md) ### 7 Critical Debates & Interpretations - 7.1 Initial Reception of Dracula - [7.1.1 Initial Reception of Dracula](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/7-1-1-initial-reception-of-dracula.md) - 7.2 Modern Reception of Dracula - [7.2.1 Modern Reception of Dracula](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/ocr/dracula/7-2-1-modern-reception-of-dracula.md)