Source: https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-3-3-chapter-three-love-and-historical-context [Revision notes](https://senecalearning.com/en-gb/revision-notes.md) › [A Level](https://senecalearning.com/en-gb/revision-notes/a-level.md) › [English Lit](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature.md) › [AQA](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa.md) › [English Lit: AQA A Level The Great Gatsby - Specification A](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a.md) › Chapter Three: Love & Historical Context # Chapter Three: Love & Historical Context English Lit: AQA A Level The Great Gatsby - Specification A, topic 3.3.3 ## Chapter Three - Love, Historical Context and Historicism For specification A, you are specifically interested in the implication of texts in history and how the ideology of love is presented in this text. Here are some ideas relevant to that reading: ### Contrast: guests and servants ![Contrast: guests and servants](https://image-v2.cdn.app.senecalearning.com/2018-07/eaccca77-b3ee-4a9d-8123-07c3b8bd8495/Servant-Serving-Waitor-Butler.jpg) - There is an explicit contrast between the moneyed individuals who attend Gatsby’s parties and those servants who clean up afterward and keep the mansion running. - This is very much symbolic of the social division in the United States of America at this time. ### Gatsby's parties ![Gatsby's parties](https://image-v2.cdn.app.senecalearning.com/2018-11/65e1154a-93cf-4d98-a049-9935614435c3/gatsby-couple-.jpg) - Gatsby’s parties are symbolic of how ‘new money’ showed off in 1920s’ America. They also demonstrate a world of freer love. ### English culture ![English culture](https://image-v2.cdn.app.senecalearning.com/2018-08/21b598bc-c67a-4f84-b45f-2bd437f4a6a3/english-town-quaint.jpg) - Although the Americans themselves have ‘new money’, it seems they bow down to the culture of Englishness in this world in that it represents sophistication and class. - At the same time, the English seem to be taking advantage of the admiring Americans, for their own benefit. At this point in history, England was still held up as a symbol of class and wealth, and was thus to be imitated. ### Age of salesmen ![Age of salesmen](https://image-v2.cdn.app.senecalearning.com/2018-04/dac7c67a-7743-4c6e-a893-24ecebbd347e/shutterstock_381129667.jpg) - This was the great Age of salesmen operating in a new materialist-based culture. However, this connects with the idea of love also being able to be bought. ### Superficiality ![Superficiality](https://image-v2.cdn.app.senecalearning.com/2018-03/55f411fd-1ee4-4ca0-86c5-1d13a261e2b9/shutterstock_1009461196.jpg) - Parties in this Age were filled with hangers on, people there through chance and association, rather than by connection or true love. Love can appear to be only surface level. ## Chapter Three - Love, Historical Context and Historicism For specification A, you are specifically interested in the implication of texts in history and how the ideology of love is presented in this text. Here are some ideas relevant to that reading: ### Social wheel of Gatsby's life ![Social wheel of Gatsby's life](https://image-v2.cdn.app.senecalearning.com/2018-09/94dce3fa-fd49-461f-9451-2af29753c121/question-2736480_1920.jpg) - The swirling social wheel of Gatsby’s life emphasises his mysterious status. In some senses, he revels in this mystery and gossip. ### Gatsby's party ![Gatsby's party](https://image-v2.cdn.app.senecalearning.com/2018-09/0c21261a-2a5a-4460-b848-127a8738eb25/cliffe-castle-wealth-.jpg) - The party is typical of the era. It has elements of pretend wealth and pretentiousness. ### Significance of Owl Eyes ![Significance of Owl Eyes](https://image-v2.cdn.app.senecalearning.com/2018-04/a459fe04-76be-4ac8-83d3-ebd1cc612366/shutterstock_135114548.jpg) - In this chapter, Owl Eyes is highlighting the superficial nature of the __‘roaring twenties’__. - To him, the whole house is like a theatre set: although the books are real, nobody reads them and they are really just for show: appearances are everything among the ‘new money’ class of the 1920s. - Books carry status and learning despite the fact that they are not read. Gatsby could be accused of trying to buy love. ### Reminder: post-war era ![Reminder: post-war era](https://image-v2.cdn.app.senecalearning.com/2018-08/cd94e261-83cd-4a8e-b6f6-36f6614b0cc0/world-war-one-soldiers-injured.jpg) - The fact that Nick and Gatsby both appear to have fought during World War One emphasises that they are living in a post-war era. ### Masks and Owl Eyes' car crash ![Masks and Owl Eyes' car crash](https://image-v2.cdn.app.senecalearning.com/2018-07/d599e28d-9fdd-44c2-92a2-0b1e2cf75648/Tradgedy-Comedy-Drama-Masks-Funny-Crying.jpg) - Gatsby’s charming and endearing smile and manner is like a mask, just in the same way that the supposed __‘fun’__ of the __‘roaring twenties’__ is really just hiding the hollow reality. - The reality is embodied by Owl Eyes’ car crash, and in Nick’s eyes, the __‘loose morality’__ of the Age. It seems it may well be difficult to find true love in such an era. ## Test yourself on Chapter Three: Love & Historical Context - What is there an explicit contrast between at Gatsby's parties? - Which of these are true of Gatsby's parties? - Which word best describes the culture of the time _The Great Gatsby_ was written? - Which characters realise they fought in World War One together? - Which word would you NOT associate with Gatsby's parties? [Practise this topic for free](https://app.senecalearning.com/classroom/course/374d9d81-edad-4590-9774-fca24dd46e2f/section/ff6868c3-2211-4dc5-9e78-fe6fed5af327/session) - Previous topic: [3.3.2 Analysis of Chapter Three](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-3-2-analysis-of-chapter-three.md) - Next topic: [3.3.4 End of Topic Test - Chapter Three](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-3-4-end-of-topic-test-chapter-three.md) ## English Lit: AQA A Level The Great Gatsby - Specification A contents ### 1 Specification Overview - 1.1 Specification Overview - [1.1.1 Specification A](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/1-1-1-specification-a.md) ### 2 Context - 2.1 Context - [2.1.1 F. Scott Fitzgerald](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/2-1-1-f-scott-fitzgerald.md) - [2.1.2 1920s America](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/2-1-2-1920s-america.md) - [2.1.3 Tragedy](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/2-1-3-tragedy.md) - 2.2 Criticism & Approaches - [2.2.1 Early & Modern Criticism](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/2-2-1-early-and-modern-criticism.md) - [2.2.2 Psychoanalytic Approach](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/2-2-2-psychoanalytic-approach.md) - [2.2.3 End of Topic Test - Context](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/2-2-3-end-of-topic-test-context.md) ### 3 Plot Summary - 3.1 Chapter One - [3.1.1 Chapter One](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-1-1-chapter-one.md) - [3.1.2 Analysis of Chapter One](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-1-2-analysis-of-chapter-one.md) - [3.1.3 Chapter One: Love & Historical Context](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-1-3-chapter-one-love-and-historical-context.md) - [3.1.4 End of Topic Test - Chapter One](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-1-4-end-of-topic-test-chapter-one.md) - 3.2 Chapter Two - [3.2.1 Chapter Two](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-2-1-chapter-two.md) - [3.2.2 Chapter Two: Love & Historical Context](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-2-2-chapter-two-love-and-historical-context.md) - [3.2.3 End of Topic Test - Chapter Two](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-2-3-end-of-topic-test-chapter-two.md) - 3.3 Chapter Three - [3.3.1 Chapter Three](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-3-1-chapter-three.md) - [3.3.2 Analysis of Chapter Three](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-3-2-analysis-of-chapter-three.md) - [3.3.3 Chapter Three: Love & Historical Context](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-3-3-chapter-three-love-and-historical-context.md) - [3.3.4 End of Topic Test - Chapter Three](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-3-4-end-of-topic-test-chapter-three.md) - 3.4 Chapter Four - [3.4.1 Chapter Four](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-4-1-chapter-four.md) - [3.4.2 Chapter Four: Love & Historical Context](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-4-2-chapter-four-love-and-historical-context.md) - [3.4.3 End of Topic Test - Chapter Four](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-4-3-end-of-topic-test-chapter-four.md) - 3.5 Chapter Five - [3.5.1 Chapter Five](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-5-1-chapter-five.md) - [3.5.2 Chapter Five: Love & Historical Context](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-5-2-chapter-five-love-and-historical-context.md) - 3.6 Chapter Six - [3.6.1 Chapter Six](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-6-1-chapter-six.md) - [3.6.2 Chapter Six: Love & Historical Context](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-6-2-chapter-six-love-and-historical-context.md) - [3.6.3 End of Topic Test - Chapters Five & Six](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-6-3-end-of-topic-test-chapters-five-and-six.md) - 3.7 Chapter Seven - [3.7.1 Chapter Seven](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-7-1-chapter-seven.md) - [3.7.2 Analysis of Chapter Seven](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-7-2-analysis-of-chapter-seven.md) - [3.7.3 Chapter Seven: Love & Historical Context](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-7-3-chapter-seven-love-and-historical-context.md) - [3.7.4 End of Topic Test - Chapter Seven](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-7-4-end-of-topic-test-chapter-seven.md) - 3.8 Chapter Eight - [3.8.1 Chapter Eight](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-8-1-chapter-eight.md) - [3.8.2 Chapter Eight: Love & Historical Context](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-8-2-chapter-eight-love-and-historical-context.md) - 3.9 Chapter Nine - [3.9.1 Chapter Nine](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-9-1-chapter-nine.md) - [3.9.2 Chapter Nine: Love & Historical Context](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-9-2-chapter-nine-love-and-historical-context.md) - [3.9.3 End of Topic Test - Chapters Eight & Nine](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-9-3-end-of-topic-test-chapters-eight-and-nine.md) ### 4 Character Profiles - 4.1 Nick Carraway - [4.1.1 Nick Carraway](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/4-1-1-nick-carraway.md) - [4.1.2 Nick Carraway 2](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/4-1-2-nick-carraway-2.md) - [4.1.3 End of Topic Test - Nick](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/4-1-3-end-of-topic-test-nick.md) - 4.2 Jay Gatsby - [4.2.1 Jay Gatsby](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/4-2-1-jay-gatsby.md) - [4.2.2 Jay Gatsby 2](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/4-2-2-jay-gatsby-2.md) - [4.2.3 End of Topic Test - Gatsby](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/4-2-3-end-of-topic-test-gatsby.md) - 4.3 Daisy Buchanan - [4.3.1 Daisy Buchanan](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/4-3-1-daisy-buchanan.md) - [4.3.2 Daisy Buchanan 2](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/4-3-2-daisy-buchanan-2.md) - 4.4 Tom Buchanan - [4.4.1 Tom Buchanan](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/4-4-1-tom-buchanan.md) - [4.4.2 Tom Buchanan 2](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/4-4-2-tom-buchanan-2.md) - [4.4.3 End of Topic Test - Daisy & Tom](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/4-4-3-end-of-topic-test-daisy-and-tom.md) - 4.5 Minor Characters - [4.5.1 Minor Characters](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/4-5-1-minor-characters.md) - [4.5.2 End of Topic Test - Minor Characters](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/4-5-2-end-of-topic-test-minor-characters.md) ### 5 Key Ideas - 5.1 Key Ideas - [5.1.1 Love](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/5-1-1-love.md) - [5.1.2 Class](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/5-1-2-class.md) - [5.1.3 Idealism](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/5-1-3-idealism.md) - [5.1.4 Patriarchy & Presentation of Women](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/5-1-4-patriarchy-and-presentation-of-women.md) - [5.1.5 End of Topic Test - Key Ideas](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/5-1-5-end-of-topic-test-key-ideas.md) ### 6 Writing Techniques - 6.1 Structure, Genre & Narrative Voice - [6.1.1 Structure & Narrative Voice](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/6-1-1-structure-and-narrative-voice.md) - [6.1.2 Genre](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/6-1-2-genre.md) - 6.2 Form & Language - [6.2.1 Form & Language](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/6-2-1-form-and-language.md) - [6.2.2 Symbolism](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/6-2-2-symbolism.md) - [6.2.3 End of Topic Test - Writing Techniques](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/6-2-3-end-of-topic-test-writing-techniques.md) ### 7 Love Through the Ages - Thematic Analysis - 7.1 Love Through the Ages - [7.1.1 The Examination](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/7-1-1-the-examination.md) - [7.1.2 Love Through the Ages Reading](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/7-1-2-love-through-the-ages-reading.md)