Source: https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/2-1-3-tragedy [Revision notes](https://senecalearning.com/en-gb/revision-notes.md) › [A Level](https://senecalearning.com/en-gb/revision-notes/a-level.md) › [English Lit](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature.md) › [AQA](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa.md) › [English Lit: AQA A Level The Great Gatsby - Specification A](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a.md) › Tragedy # Tragedy English Lit: AQA A Level The Great Gatsby - Specification A, topic 2.1.3 ## Tragedy In the past (particularly in the Greek and Roman Classical period, and in the Age of Shakespeare), tragedies often present the fall of high-status characters: for example, Kings, Emperors, Princes or Generals. ### Status ![Status](https://image-v2.cdn.app.senecalearning.com/2018-09/b06166d5-f3dd-485a-bc5f-b5154a069cc0/crown-.jpg) - The idea was that with a high-status character, they have so much further to fall than a lower status character. - In effect, they have more to lose, whether it is their reputation, a love, respect, command or power. ### Tragic flaw ![Tragic flaw](https://image-v2.cdn.app.senecalearning.com/2018-09/c7b2bb77-284b-4afa-a02f-0bb3dcc59397/schizophrenia-duality-good-bad-evil-.jpg) - The general idea is that one or more of the characters have a tragic flaw (something in their make up or character) that is problematical. - Usually, another character (often a tragic villain) tries to find weakness or the main character’s flaw, and aims to exploit that. ### Spiral of tragedy ![Spiral of tragedy](https://image-v2.cdn.app.senecalearning.com/2018-07/3a28fe91-7b61-4b9e-a6e9-07ac52527315/Good-Evil-Tattoo-Hand-Fingers.jpg) - Once that tragic flaw has been identified, then very often the main character steps into a spiral of tragedy which they find it difficult to escape from. - They tend to blame everyone else but themselves. ## Tragedy In most tragedies, chaos results because the main character makes a set of poor decisions. ### Chaos ![Chaos](https://image-v2.cdn.app.senecalearning.com/2018-09/017e0f16-4adf-4d76-87b7-81a02e443667/knife-crime-murder-.jpg) - These decisions not only impact upon them, but also wider society and other characters around them. - The chaos reaches its climax when something happens which is impossible to change. ### Remorse ![Remorse](https://image-v2.cdn.app.senecalearning.com/2018-11/f9859ac5-7f7a-4e5b-b5a9-b1206baba1a7/depression-depressed-worry-man-sad-.jpg) - Only then does the main character reflect on what they have done, and they gain insight into their experiences. - They are usually filled with remorse and either are killed by a heroic figure or kill themselves because they can no longer face what they have become. ### Modern tragedies ![Modern tragedies](https://image-v2.cdn.app.senecalearning.com/2018-09/dfe59e3d-8d51-4e07-80a0-9ac5ea75dcd0/joan-of-arc-.jpg) - In modern tragedies, the characters do not have to be as grand as a King or a Prince but they often still have a particular status in the society in which they operate. - They can still have a tragic flaw. It may also be the case that the wider society is tragic because the text is set in a particular era or time period. ### Tragic heroes and society ![Tragic heroes and society](https://image-v2.cdn.app.senecalearning.com/2018-11/583f920c-d2dd-4fd0-b219-43523e6dcac0/outsider-.jpg) - Very often, the tragic hero will find themselves at odds with the society around them, so that they do not quite fit. Sometimes a character tries to rise too quickly in a society and pays the price for their ambition. ## Test yourself on Tragedy - What are some examples of things high-status characters might lose in Tragedies? - The Unfolding of Chaos in Tragedies - What does the tragic hero often have to be in a modern tragedy? [Practise this topic for free](https://app.senecalearning.com/classroom/course/374d9d81-edad-4590-9774-fca24dd46e2f/section/25f2dfd6-8085-4cc9-992a-006c528de888/session) - Previous topic: [2.1.2 1920s America](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/2-1-2-1920s-america.md) - Next topic: [2.2.1 Early & Modern Criticism](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/2-2-1-early-and-modern-criticism.md) ## English Lit: AQA A Level The Great Gatsby - Specification A contents ### 1 Specification Overview - 1.1 Specification Overview - [1.1.1 Specification A](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/1-1-1-specification-a.md) ### 2 Context - 2.1 Context - [2.1.1 F. Scott Fitzgerald](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/2-1-1-f-scott-fitzgerald.md) - [2.1.2 1920s America](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/2-1-2-1920s-america.md) - [2.1.3 Tragedy](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/2-1-3-tragedy.md) - 2.2 Criticism & Approaches - [2.2.1 Early & Modern Criticism](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/2-2-1-early-and-modern-criticism.md) - [2.2.2 Psychoanalytic Approach](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/2-2-2-psychoanalytic-approach.md) - [2.2.3 End of Topic Test - Context](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/2-2-3-end-of-topic-test-context.md) ### 3 Plot Summary - 3.1 Chapter One - [3.1.1 Chapter One](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-1-1-chapter-one.md) - [3.1.2 Analysis of Chapter One](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-1-2-analysis-of-chapter-one.md) - [3.1.3 Chapter One: Love & Historical Context](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-1-3-chapter-one-love-and-historical-context.md) - [3.1.4 End of Topic Test - Chapter One](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-1-4-end-of-topic-test-chapter-one.md) - 3.2 Chapter Two - [3.2.1 Chapter Two](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-2-1-chapter-two.md) - [3.2.2 Chapter Two: Love & Historical Context](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-2-2-chapter-two-love-and-historical-context.md) - [3.2.3 End of Topic Test - Chapter Two](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-2-3-end-of-topic-test-chapter-two.md) - 3.3 Chapter Three - [3.3.1 Chapter Three](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-3-1-chapter-three.md) - [3.3.2 Analysis of Chapter Three](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-3-2-analysis-of-chapter-three.md) - [3.3.3 Chapter Three: Love & Historical Context](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-3-3-chapter-three-love-and-historical-context.md) - [3.3.4 End of Topic Test - Chapter Three](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-3-4-end-of-topic-test-chapter-three.md) - 3.4 Chapter Four - [3.4.1 Chapter Four](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-4-1-chapter-four.md) - [3.4.2 Chapter Four: Love & Historical Context](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-4-2-chapter-four-love-and-historical-context.md) - [3.4.3 End of Topic Test - Chapter Four](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-4-3-end-of-topic-test-chapter-four.md) - 3.5 Chapter Five - [3.5.1 Chapter Five](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-5-1-chapter-five.md) - [3.5.2 Chapter Five: Love & Historical Context](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-5-2-chapter-five-love-and-historical-context.md) - 3.6 Chapter Six - [3.6.1 Chapter Six](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-6-1-chapter-six.md) - [3.6.2 Chapter Six: Love & Historical Context](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-6-2-chapter-six-love-and-historical-context.md) - [3.6.3 End of Topic Test - Chapters Five & Six](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-6-3-end-of-topic-test-chapters-five-and-six.md) - 3.7 Chapter Seven - [3.7.1 Chapter Seven](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-7-1-chapter-seven.md) - [3.7.2 Analysis of Chapter Seven](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-7-2-analysis-of-chapter-seven.md) - [3.7.3 Chapter Seven: Love & Historical Context](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-7-3-chapter-seven-love-and-historical-context.md) - [3.7.4 End of Topic Test - Chapter Seven](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-7-4-end-of-topic-test-chapter-seven.md) - 3.8 Chapter Eight - [3.8.1 Chapter Eight](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-8-1-chapter-eight.md) - [3.8.2 Chapter Eight: Love & Historical Context](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-8-2-chapter-eight-love-and-historical-context.md) - 3.9 Chapter Nine - [3.9.1 Chapter Nine](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-9-1-chapter-nine.md) - [3.9.2 Chapter Nine: Love & Historical Context](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-9-2-chapter-nine-love-and-historical-context.md) - [3.9.3 End of Topic Test - Chapters Eight & Nine](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/3-9-3-end-of-topic-test-chapters-eight-and-nine.md) ### 4 Character Profiles - 4.1 Nick Carraway - [4.1.1 Nick Carraway](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/4-1-1-nick-carraway.md) - [4.1.2 Nick Carraway 2](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/4-1-2-nick-carraway-2.md) - [4.1.3 End of Topic Test - Nick](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/4-1-3-end-of-topic-test-nick.md) - 4.2 Jay Gatsby - [4.2.1 Jay Gatsby](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/4-2-1-jay-gatsby.md) - [4.2.2 Jay Gatsby 2](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/4-2-2-jay-gatsby-2.md) - [4.2.3 End of Topic Test - Gatsby](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/4-2-3-end-of-topic-test-gatsby.md) - 4.3 Daisy Buchanan - [4.3.1 Daisy Buchanan](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/4-3-1-daisy-buchanan.md) - [4.3.2 Daisy Buchanan 2](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/4-3-2-daisy-buchanan-2.md) - 4.4 Tom Buchanan - [4.4.1 Tom Buchanan](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/4-4-1-tom-buchanan.md) - [4.4.2 Tom Buchanan 2](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/4-4-2-tom-buchanan-2.md) - [4.4.3 End of Topic Test - Daisy & Tom](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/4-4-3-end-of-topic-test-daisy-and-tom.md) - 4.5 Minor Characters - [4.5.1 Minor Characters](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/4-5-1-minor-characters.md) - [4.5.2 End of Topic Test - Minor Characters](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/4-5-2-end-of-topic-test-minor-characters.md) ### 5 Key Ideas - 5.1 Key Ideas - [5.1.1 Love](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/5-1-1-love.md) - [5.1.2 Class](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/5-1-2-class.md) - [5.1.3 Idealism](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/5-1-3-idealism.md) - [5.1.4 Patriarchy & Presentation of Women](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/5-1-4-patriarchy-and-presentation-of-women.md) - [5.1.5 End of Topic Test - Key Ideas](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/5-1-5-end-of-topic-test-key-ideas.md) ### 6 Writing Techniques - 6.1 Structure, Genre & Narrative Voice - [6.1.1 Structure & Narrative Voice](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/6-1-1-structure-and-narrative-voice.md) - [6.1.2 Genre](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/6-1-2-genre.md) - 6.2 Form & Language - [6.2.1 Form & Language](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/6-2-1-form-and-language.md) - [6.2.2 Symbolism](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/6-2-2-symbolism.md) - [6.2.3 End of Topic Test - Writing Techniques](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/6-2-3-end-of-topic-test-writing-techniques.md) ### 7 Love Through the Ages - Thematic Analysis - 7.1 Love Through the Ages - [7.1.1 The Examination](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/7-1-1-the-examination.md) - [7.1.2 Love Through the Ages Reading](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/the-great-gatsby-specification-a/7-1-2-love-through-the-ages-reading.md)