Source: https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/11-1-2-love-through-the-ages [Revision notes](https://senecalearning.com/en-gb/revision-notes.md) › [A Level](https://senecalearning.com/en-gb/revision-notes/a-level.md) › [English Lit](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature.md) › [AQA](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa.md) › [English Lit: AQA A Level Othello](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello.md) › Love Through the Ages # Love Through the Ages English Lit: AQA A Level Othello, topic 11.1.2 ## Love Through the Ages The aim of this topic area is to encourage students to explore aspects of a central literary theme as seen over time, using unseen material and set texts. ### Love through the Ages ![Love through the Ages](https://image-v2.cdn.app.senecalearning.com/2018-03/55f411fd-1ee4-4ca0-86c5-1d13a261e2b9/shutterstock_1009461196.jpg) - Students should be prepared for Love through the Ages by reading widely in the topic area, reading texts from a range of authors and times. - The range of texts (of which _Othello_ is one) allows students to study representations of love by a variety of authors across time. ### The exam ![The exam](https://image-v2.cdn.app.senecalearning.com/2018-09/4a9eadeb-ff02-48b0-8ea3-21fca3b36388/lined-paper-note-book-.jpg) - Within the examination, students study three texts: - One poem. - One prose text, of which one must be written pre-1900. - One Shakespeare play (_Othello_). - You will also respond to two unseen poems in the exam. ### Aspects of love to explore ![Aspects of love to explore](https://image-v2.cdn.app.senecalearning.com/2018-09/3835dcbe-f440-4d87-affc-e26d6550f521/love-couple-kiss-.jpg) - Although not an exhaustive list of Aspects of Love through the Ages, areas that can usefully be explored include: ### Romantic love of many kinds ![Romantic love of many kinds](https://image-v2.cdn.app.senecalearning.com/2018-08/40e38fba-4e6f-44bf-9d9f-585023e5c2cb/couple-love-heart.jpg) - Romantic love of many kinds: - Othello and Desdemona. - Iago and Emilia (but failed and damaged). - Cassio and Bianca. ### Love and sex ![Love and sex](https://image-v2.cdn.app.senecalearning.com/2018-12/84f58ce9-f653-4c2a-a625-e5c5ff446198/couple-kiss-statue-love-.jpg) - Love and sex: - Othello and Desdemona. - Iago and Emilia—and her dissatisfaction. - Cassio and Bianca—the notion of paying for sex/love. - Love and Sex in the context of the 1600s in general and the historical period and place the play is set. - Desdemona’s interest in sex. ### Love and loss ![Love and loss](https://image-v2.cdn.app.senecalearning.com/2018-09/cf0e50f0-a9cb-4c53-89b8-0158c34e8879/death-coffin-funeral-.jpg) - Love and loss: - Othello’s suspicion and jealousy, feeling like he has lost Desdemona to Cassio. - Emilia realising that she has lost Iago. - Othello killing Desdemona. - Desdemona (alive enough) to realise Othello’s death. - The failure of Cassio and Bianca’s relationship. - Cassio’s injury and Bianca’s reaction. ## Love Through the Ages 2 Although not an exhaustive list of Aspects of Love through the Ages, areas that can usefully be explored include: ### Social conventions and taboos ![Social conventions and taboos](https://image-v2.cdn.app.senecalearning.com/2018-07/9dc7ddf8-f5c9-46e9-ac5c-a0afe1a6f0a6/Magic-Magician-Alchamist.jpg) - Social conventions and taboos: - The love affair between a white woman and a black man. - Marrying without the permission of one’s father (Brabantio). - The age gap between Othello and Desdemona. - The notion of witchcraft. ### History and time ![History and time](https://image-v2.cdn.app.senecalearning.com/2018-08/24113e5c-ace1-4e49-a776-ea09d223ddbc/wedding-vows.jpg) - Love through the ages according to history and time: - Conventions during the Renaissance. - The ability of those at the top of society to do what they want. - The challenge of the ‘new man’ in the form of Iago. - The way that relationships are conducted between men and women. - The legitimacy of courtiers / prostitution. - The conventions of marriage. ### Individual lives ![Individual lives](https://image-v2.cdn.app.senecalearning.com/courseImages/biology/4.1.1%20Photosynthesis/money.jpg) - Individual lives (young love, maturing love): - Othello and Desdemona when younger, but also their maturity at the end of the play - reverting perhaps to childishness once more. - The impact of thinking one is being deceived. - The fear that one partner thinks the other partner believes they are having an affair. - Love and sex, paid for by money. - The loveless marriage of Emilia and Iago. - The manipulation of others by an individual. ### Jealousy and guilt ![Jealousy and guilt](https://image-v2.cdn.app.senecalearning.com/2019-01/0800f9b9-3746-4849-8e88-f47b6efdcaf9/jealous-husband-.jpg) - Jealousy and guilt: - Othello’s misplaced jealousy of Cassio. - Iago’s jealousy of Othello (he believes Othello once slept with Emilia). - Iago’s jealousy of Cassio. - Brabantio’s guilt about his daughter. - Desdemona’s own guilt over going against her father. - Othello’s guilt over killing Desdemona. - Emilia’s guilt at not telling the truth soon enough. ## Love Through the Ages 3 Although not an exhaustive list of Aspects of Love through the Ages, areas that can usefully be explored include: ### Truth and deception ![Truth and deception](https://image-v2.cdn.app.senecalearning.com/2018-08/e2b03fe8-fb55-44de-897e-a0326b09fb64/truth-sign-.jpg) - Truth and deception: - Iago’s deception of Othello. - Iago’s deception of Emilia. - Othello’s realisation of truth about Desdemona. - The symbol of the handkerchief. ### Proximity and distance ![Proximity and distance](https://image-v2.cdn.app.senecalearning.com/2018-09/c5004bfa-e394-4519-aaca-9410912a9d1c/paths-crossing-junction-distance-.jpg) - Proximity and distance: - Desdemona and Othello’s initially close marriage and eventual distance. - Iago’s enforced distance from Emilia. - Bianca’s distance from Cassio. - The distance from Cyprus (away) to Venice (home). ### Marriage ![Marriage](https://image-v2.cdn.app.senecalearning.com/2018-04/0fede71e-88bc-415d-926d-389a1427d2bf/shutterstock_784717624.jpg) - Marriage: - Desdemona and Othello’s marriage and how it declines into chaos. - Iago and Emilia’s failed marriage. - Cassio and Roderigo’s incapacity to marry. ### Approval and disapproval ![Approval and disapproval](https://image-v2.cdn.app.senecalearning.com/2018-08/83f61af0-24e5-4ca0-9d4c-35ab6d27653f/thuumbs-up-down-.jpg) - Approval and disapproval: - Social approval of Othello and Desdemona’s marriage by the Senators. - Brabantio’s disapproval of Othello. - Iago’s disapproval of Othello and Desdemona’s relationship. - Iago’s anger over Emilia’s past relationship with Othello. - The general disapproval of mixed race love and marriage in the society at the time. ## Test yourself on Love Through the Ages - How many unseen poems will you have to respond to in the exam? - What features of _Othello_ relate to the idea of love and loss? - How does Shakespeare explore the theme of jealousy and guilt in _Othello_? - What ideas could you draw on when discussing the theme of love through history and time in _Othello_? - How does Shakespeare explore the theme of approval and deception in _Othello_? [Practise this topic for free](https://app.senecalearning.com/classroom/course/eaa5fbae-2db3-4bc1-9205-b0228468355d/section/875b5aff-61cc-43d7-8821-f64ef6293390/session) - Previous topic: [11.1.1 Specification A](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/11-1-1-specification-a.md) - Next topic: [11.2.1 Specification B](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/11-2-1-specification-b.md) ## English Lit: AQA A Level Othello contents ### 1 Context - 1.1 Introduction - [1.1.1 Specifications](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/1-1-1-specifications.md) - 1.2 Background - [1.2.1 Shakespeare](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/1-2-1-shakespeare.md) - [1.2.2 Love](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/1-2-2-love.md) - [1.2.3 Tragedy](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/1-2-3-tragedy.md) - [1.2.4 Historical Context](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/1-2-4-historical-context.md) - 1.3 Othello - [1.3.1 Setting](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/1-3-1-setting.md) - [1.3.2 Social Issues](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/1-3-2-social-issues.md) ### 2 Act One: Summaries & Themes - 2.1 Act and Scene Summaries - [2.1.1 Structure](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/2-1-1-structure.md) - [2.1.2 The Exam](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/2-1-2-the-exam.md) - 2.2 Scene One - [2.2.1 Key Events](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/2-2-1-key-events.md) - [2.2.2 Key Themes](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/2-2-2-key-themes.md) - [2.2.3 Key Ideas](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/2-2-3-key-ideas.md) - 2.3 Scene Two - [2.3.1 Key Events](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/2-3-1-key-events.md) - [2.3.2 Key Themes](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/2-3-2-key-themes.md) - [2.3.3 Key Ideas](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/2-3-3-key-ideas.md) - 2.4 Scene Three - [2.4.1 Key Events](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/2-4-1-key-events.md) - [2.4.2 Key Events 2](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/2-4-2-key-events-2.md) - [2.4.3 Key Themes](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/2-4-3-key-themes.md) - [2.4.4 Key Ideas](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/2-4-4-key-ideas.md) ### 3 Act Two: Summaries & Themes - 3.1 Scene One & Two - [3.1.1 Scene One: Events](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/3-1-1-scene-one-events.md) - [3.1.2 Key Events 2](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/3-1-2-key-events-2.md) - [3.1.3 Key Ideas: Love & Tragedy](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/3-1-3-key-ideas-love-and-tragedy.md) - [3.1.4 Scene Two: Events](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/3-1-4-scene-two-events.md) - 3.2 Scene Three - [3.2.1 Key Events](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/3-2-1-key-events.md) - [3.2.2 Key Ideas](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/3-2-2-key-ideas.md) ### 4 Act Three: Summaries & Themes - 4.1 Key Events - [4.1.1 Scene One & Two](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/4-1-1-scene-one-and-two.md) - [4.1.2 Scene Three](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/4-1-2-scene-three.md) - [4.1.3 Scene Three: Key Ideas](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/4-1-3-scene-three-key-ideas.md) - [4.1.4 Scene Four](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/4-1-4-scene-four.md) ### 5 Act Four - 5.1 Scene One - [5.1.1 Key Events](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/5-1-1-key-events.md) - [5.1.2 Key Ideas](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/5-1-2-key-ideas.md) - 5.2 Scene Two - [5.2.1 Key Events](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/5-2-1-key-events.md) - [5.2.2 Key Ideas](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/5-2-2-key-ideas.md) - 5.3 Scene Three - [5.3.1 Key Events](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/5-3-1-key-events.md) - [5.3.2 Key Ideas](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/5-3-2-key-ideas.md) ### 6 Act Five - 6.1 Scene One - [6.1.1 Key Events](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/6-1-1-key-events.md) - [6.1.2 Key Ideas](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/6-1-2-key-ideas.md) - 6.2 Scene Two - [6.2.1 Key Events](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/6-2-1-key-events.md) - [6.2.2 Key Ideas](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/6-2-2-key-ideas.md) ### 7 Character Profiles - 7.1 Major Characters - [7.1.1 Othello](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/7-1-1-othello.md) - [7.1.2 Iago](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/7-1-2-iago.md) - [7.1.3 Desdemona](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/7-1-3-desdemona.md) - [7.1.4 Emilia](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/7-1-4-emilia.md) - [7.1.5 Cassio](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/7-1-5-cassio.md) - 7.2 Minor Characters - [7.2.1 Roderigo & Brabantio](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/7-2-1-roderigo-and-brabantio.md) - [7.2.2 Other Characters](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/7-2-2-other-characters.md) ### 8 Key Themes - 8.1 Love & Tragedy - [8.1.1 Love](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/8-1-1-love.md) - [8.1.2 Love 2](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/8-1-2-love-2.md) - [8.1.3 Tragedy](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/8-1-3-tragedy.md) - [8.1.4 Tragedy 2](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/8-1-4-tragedy-2.md) - 8.2 Other Key Themes - [8.2.1 Public versus Private](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/8-2-1-public-versus-private.md) - [8.2.2 Appearance & Reality](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/8-2-2-appearance-and-reality.md) ### 9 Writing Techniques - 9.1 Writing Techniques - [9.1.1 Structure](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/9-1-1-structure.md) - [9.1.2 Genre](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/9-1-2-genre.md) - [9.1.3 Form & Language](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/9-1-3-form-and-language.md) - [9.1.4 Language & Imagery](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/9-1-4-language-and-imagery.md) ### 10 Critical Debates - 10.1 Criticism & Performance - [10.1.1 Shakespeare's Legacy](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/10-1-1-shakespeares-legacy.md) - [10.1.2 Traditional](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/10-1-2-traditional.md) - [10.1.3 Modern & Contemporary](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/10-1-3-modern-and-contemporary.md) - 10.2 Approaches - [10.2.1 Feminist Approach](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/10-2-1-feminist-approach.md) - [10.2.2 Psychoanalytic Approach](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/10-2-2-psychoanalytic-approach.md) - [10.2.3 Marxist Approach](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/10-2-3-marxist-approach.md) ### 11 Approaching AQA English Literature - 11.1 Specification A - [11.1.1 Specification A](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/11-1-1-specification-a.md) - [11.1.2 Love Through the Ages](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/11-1-2-love-through-the-ages.md) - 11.2 Specification B - [11.2.1 Specification B](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/11-2-1-specification-b.md) - [11.2.2 Aspects of Tragedy](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/11-2-2-aspects-of-tragedy.md) ### 12 Issues of Assessment - 12.1 The Exams - [12.1.1 AOs](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/12-1-1-aos.md) - [12.1.2 Mark Scheme](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/othello/12-1-2-mark-scheme.md)