Source: https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/10-3-2-the-feminist-reading

[Revision notes](https://senecalearning.com/en-gb/revision-notes.md) › [A Level](https://senecalearning.com/en-gb/revision-notes/a-level.md) › [English Lit](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature.md) › [AQA](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa.md) › [English Lit: AQA A Level Death of a Salesman](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman.md) › The Feminist Reading

# The Feminist Reading

English Lit: AQA A Level Death of a Salesman, topic 10.3.2

## The Male Relationships

_Death of a Salesman_ is set in a male-dominated world and the primary focus of the play is the relationship between father and son.

### Male conflict

![Male conflict](https://image-v2.cdn.app.senecalearning.com/2018-09/f7988027-f437-492d-a4c5-df5b1b078cdb/arm-wrestling-fight-win-aggressive-.jpg)

- _Death of a Salesman_ is set in a male-dominated world: the central conflict in the play is between father and son, while other male rivalries (between Willy and Charley, Happy and his work colleagues) provide further tension.

### Masculine stereotypes

![Masculine stereotypes](https://image-v2.cdn.app.senecalearning.com/2018-09/fa2cb850-fde7-4a78-a313-1d87d5c7bded/deer-antlers-clash-fight-.jpg)

- The masculine stereotypes acted out by the characters in the play can ultimately be seen as being destructive. 
- A competitive edge lies just under the surface of every male relationship in the play, exemplified by Ben’s assault on Biff with the accompanying lesson, __“Never fight fair with a stranger, boy.”__

### Ben

![Ben](https://image-v2.cdn.app.senecalearning.com/2018-09/6e218da4-90cc-42f6-9488-d1e17ab99936/children-fight-river-.jpg)

- Ben’s success is held up as a golden example by Willy but both of his sons are eventually damaged by the need to get one over the next man.

### Biff and Happy

![Biff and Happy](https://image-v2.cdn.app.senecalearning.com/2018-07/8c369561-23fa-4aa1-9438-ded9e7323e4c/prison-bars.jpg)

- Biff’s petty thefts eventually lead to prison while Happy is presented as being compelled to embark on a series of sexual conquests with the partners of his colleagues, particularly his superiors, in order to give himself a short-lived feeling of achievement or self-worth.

### True feelings

![True feelings](https://image-v2.cdn.app.senecalearning.com/2018-04/e462bc22-995a-4246-8d4d-98a4973d8ed0/shutterstock_747399802.jpg)

- But underneath the outward shows of bravado, the male characters in the play confess, in private moments, to feelings of insecurity and inadequacy. 
- In such moments, Biff sees himself as __“like a boy”__, unable to make a lasting impression on the adult world, while Willy admits to feeling __“kind of temporary”__ about himself, unable to live up to his idealised images of his father and brother.

## Female Stereotypes

The female characters in the play also play stereotypical gender roles.

### Stereotypes

![Stereotypes](https://image-v2.cdn.app.senecalearning.com/2018-11/1f3235d3-b4f6-4fd5-bbb8-7d57918c343f/stockings-legs-tights-.jpg)

- The Woman is an obvious example of the dangerous seductress who leads Willy astray while Linda is the dedicated home-maker. 
- Indeed, Miller’s play has often been criticised for relying on such stereotypes in its representations of women.

### Maternal roles

![Maternal roles](https://image-v2.cdn.app.senecalearning.com/2018-11/fd0a42f8-c694-4b8b-a98a-4fb0aec42d70/curtain-woman-room-.jpg)

- The women in the play are there to provide support and reassurance to the men, playing an almost maternal role as nurse or nurturer.

### Examples

![Examples](https://image-v2.cdn.app.senecalearning.com/courseImages/chemistry/9.1.3%20Common%20atmospheric%20pollutants%20and%20their%20sources/knowledge-1052010_640-min.jpg)

- From the beginning of the play we see Linda willing to make excuses for Willy (__“Maybe it’s your glasses”__) in order to spare his feelings and protect his ego.
- The Woman uses baby-talk to help soothe Willy (__“Why so sad? You are the saddest, self-centredest soul I ever did see-saw.”__)
- It should be noted how much the male characters in the play depend on such comforts.

### Reliance

![Reliance](https://image-v2.cdn.app.senecalearning.com/2018-11/18b9f777-48b2-42d8-93db-8bb56750a8dc/support-handwriting-text-hand-.jpg)

- Willy tells Linda that she is his __“foundation and support”__, the imagery connoting Linda’s hidden strength in keeping the Loman household standing.

### Linda

![Linda](https://image-v2.cdn.app.senecalearning.com/2018-11/cf62c0f7-4204-46c0-a640-65b61e651ffa/rubber-tube-black-.jpg)

- But many commentators still see her as too passive a character, always deferring to Willy’s feelings. 
- For example, Linda prefers to make a daily routine of taking away the rubber pipe Willy has hidden behind the gas heater rather than confronting her husband and forcing him to air his suicidal thoughts out in the open.

## Male Exploitation of Women

Women are continually exploited by Loman men in the play.

### Womanising

![Womanising](https://image-v2.cdn.app.senecalearning.com/2018-09/ecb126b8-0793-487f-8687-cb2c7d340634/sad.jpg)

- Women are used by the men in the play. 
- Perhaps the most obvious example is Happy’s compulsive womanising. 
- Unable to win the approval of his parents, and frustrated by his lack of advancement at work, Happy treats women like pawns in a game, using his sexual conquests as a means of getting one over his rivals and providing him with some (temporary) self-esteem.

### Linda

![Linda](https://image-v2.cdn.app.senecalearning.com/courseImages/physics/1.4.2%20Equilibrium/door-handle.jpg)

- Biff, for whom the memory of Willy’s affair with The Woman in Boston is clearly still raw, tells Linda that __“Willy always wiped the floor with you. Never had an ounce of respect for you.”__

### Language

![Language](https://image-v2.cdn.app.senecalearning.com/2018-04/5d8d61f8-88aa-4e1c-9d52-c1ae6cb41f26/shutterstock_91479953.jpg)

- This male exploitation of women is at times reflected in the language used by the male characters in the play. 
- Happy, especially, dehumanises or objectifies women, reminiscing to Biff that __“Boy, there was a pig!”__ when discussing his __“first time”__. 
- Later, while waiting in the restaurant in Act Two, Happy tells the waiter, __“Strudel’s comin’”__, reducing Miss Forsythe to a consumable sweet.

### Wordplay

![Wordplay](https://image-v2.cdn.app.senecalearning.com/2018-03/cca02263-9d1c-4f6f-a0e7-bfc686a33ce5/shutterstock_288115538.jpg)

- The flirtatious wordplay between Happy and Miss Forsythe then contains some barely hidden innuendo with Happy asking her, __“You don’t happen to sell, do you?”__, a less than subtle suggestion that she may be a call-girl. 
- Again, the implication is the same: that women are a commodity that can be bought and consumed by men.

## Test yourself on The Feminist Reading

- What is the central conflict in _Death of a Salesman_?
- Who sees Ben's success as a golden example?
- Which of these are true of Linda and Willy's relationship?
- Which male character is a compulsive womaniser in _Death of a Salesman_?
- Which characters tells Linda: __“Willy always wiped the floor with you. Never had an ounce of respect for you”__?

[Practise this topic for free](https://app.senecalearning.com/classroom/course/0ea58589-a992-4e79-bf61-475395194436/section/8c209bed-7fc3-42f8-8ad4-924d684dcfa0/session)

- Previous topic: [10.3.1 Feminist Analysis](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/10-3-1-feminist-analysis.md)
- Next topic: [10.4.1 Eco-Critical Analysis](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/10-4-1-eco-critical-analysis.md)

## English Lit: AQA A Level Death of a Salesman contents

### 1 Introduction
- 1.1 Introductions
  - [1.1.1 Author](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/1-1-1-author.md)
  - [1.1.2 Historical Context](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/1-1-2-historical-context.md)
  - [1.1.3 Setting](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/1-1-3-setting.md)
  - [1.1.4 Social Issues](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/1-1-4-social-issues.md)

### 2 Act One
- 2.1 Key Events
  - [2.1.1 Staging](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/2-1-1-staging.md)
  - [2.1.2 Key Events 1&2](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/2-1-2-key-events-1and2.md)
  - [2.1.3 Key Events 3&4](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/2-1-3-key-events-3and4.md)
  - [2.1.4 Key Events 5&6](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/2-1-4-key-events-5and6.md)
  - [2.1.5 Key Events 7&8](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/2-1-5-key-events-7and8.md)
  - [2.1.6 Key Events 9&10](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/2-1-6-key-events-9and10.md)
  - [2.1.7 Key Events 11&12](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/2-1-7-key-events-11and12.md)
- 2.2 Key Themes & Literary Techniques
  - [2.2.1 Foreshadowing, Flashbacks, Settings](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/2-2-1-foreshadowing-flashbacks-settings.md)
  - [2.2.2 Family, Reality, Fantasy](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/2-2-2-family-reality-fantasy.md)

### 3 Act Two
- 3.1 Key Events
  - [3.1.1 Key Events 1&2](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/3-1-1-key-events-1and2.md)
  - [3.1.2 Key Events 3&4](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/3-1-2-key-events-3and4.md)
  - [3.1.3 Key Events 5&6](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/3-1-3-key-events-5and6.md)
  - [3.1.4 Key Events 7&8](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/3-1-4-key-events-7and8.md)
  - [3.1.5 Key Events 9&10](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/3-1-5-key-events-9and10.md)
- 3.2 Key Themes & Links
  - [3.2.1 Pride](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/3-2-1-pride.md)
  - [3.2.2 Metaphor](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/3-2-2-metaphor.md)
  - [3.2.3 Self-Realisation](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/3-2-3-self-realisation.md)

### 4 Extended Passage Analysis
- 4.1 Act One
  - [4.1.1 Staging](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/4-1-1-staging.md)
  - [4.1.2 The Woman](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/4-1-2-the-woman.md)
- 4.2 Act Two
  - [4.2.1 In Howard’s Office](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/4-2-1-in-howards-office.md)
  - [4.2.2 The Final Confrontation](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/4-2-2-the-final-confrontation.md)
  - [4.2.3 The Requiem](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/4-2-3-the-requiem.md)

### 5 Character Profiles
- 5.1 Willy & Linda Loman
  - [5.1.1 Willy Loman](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/5-1-1-willy-loman.md)
  - [5.1.2 Linda Loman](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/5-1-2-linda-loman.md)
- 5.2 Biff & Happy Loman
  - [5.2.1 Biff Loman](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/5-2-1-biff-loman.md)
  - [5.2.2 Biff's Relationship with Willy](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/5-2-2-biffs-relationship-with-willy.md)
  - [5.2.3 Happy Loman](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/5-2-3-happy-loman.md)
- 5.3 Other Characters
  - [5.3.1 Uncle Ben](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/5-3-1-uncle-ben.md)
  - [5.3.2 Charley](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/5-3-2-charley.md)
  - [5.3.3 Bernard](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/5-3-3-bernard.md)

### 6 Key Themes
- 6.1 Concepts
  - [6.1.1 The American Dream](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/6-1-1-the-american-dream.md)
  - [6.1.2 Fathers & Sons](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/6-1-2-fathers-and-sons.md)
  - [6.1.3 Nature & the City](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/6-1-3-nature-and-the-city.md)
  - [6.1.4 Success](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/6-1-4-success.md)
  - [6.1.5 Men & Women](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/6-1-5-men-and-women.md)

### 7 Writing Techniques
- 7.1 Structure
  - [7.1.1 Act One](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/7-1-1-act-one.md)
  - [7.1.2 Act Two](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/7-1-2-act-two.md)
- 7.2 Realism
  - [7.2.1 Introduction](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/7-2-1-introduction.md)
  - [7.2.2 Staging](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/7-2-2-staging.md)
  - [7.2.3 Language](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/7-2-3-language.md)
- 7.3 Expressionism
  - [7.3.1 Introduction](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/7-3-1-introduction.md)
  - [7.3.2 Staging](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/7-3-2-staging.md)
  - [7.3.3 Music](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/7-3-3-music.md)
- 7.4 Symbolism
  - [7.4.1 The Garden / Seeds](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/7-4-1-the-garden-seeds.md)
  - [7.4.2 Diamonds](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/7-4-2-diamonds.md)
  - [7.4.3 Alaska & Africa](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/7-4-3-alaska-and-africa.md)
- 7.5 Motifs
  - [7.5.1 Introduction](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/7-5-1-introduction.md)
  - [7.5.2 Cars](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/7-5-2-cars.md)
  - [7.5.3 Silk Stockings](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/7-5-3-silk-stockings.md)
  - [7.5.4 Money](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/7-5-4-money.md)
  - [7.5.5 Mythological Figures](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/7-5-5-mythological-figures.md)

### 8 Historical Context
- 8.1 Historical Context
  - [8.1.1 Miller’s Family & The Great Depression](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/8-1-1-millers-family-and-the-great-depression.md)
  - [8.1.2 America’s Recovery](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/8-1-2-americas-recovery.md)

### 9 Literary Context
- 9.1 Tragedy
  - [9.1.1 Introduction](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/9-1-1-introduction.md)
- 9.2 Applying Tragic Concepts
  - [9.2.1 The Tragic Hero](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/9-2-1-the-tragic-hero.md)
  - [9.2.2 The Tragic Flaw](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/9-2-2-the-tragic-flaw.md)
  - [9.2.3 Recognition](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/9-2-3-recognition.md)
  - [9.2.4 Emotional Release](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/9-2-4-emotional-release.md)
  - [9.2.5 Chaos & Disorder](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/9-2-5-chaos-and-disorder.md)
  - [9.2.6 Revenge](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/9-2-6-revenge.md)
  - [9.2.7 Inevitability](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/9-2-7-inevitability.md)

### 10 Critical Debates
- 10.1 Introduction
  - [10.1.1 Introduction](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/10-1-1-introduction.md)
- 10.2 The Marxist Reading
  - [10.2.1 Marxist Analysis](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/10-2-1-marxist-analysis.md)
  - [10.2.2 The Marxist Reading](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/10-2-2-the-marxist-reading.md)
- 10.3 The Feminist Reading
  - [10.3.1 Feminist Analysis](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/10-3-1-feminist-analysis.md)
  - [10.3.2 The Feminist Reading](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/10-3-2-the-feminist-reading.md)
- 10.4 The Eco-Critical Reading
  - [10.4.1 Eco-Critical Analysis](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/10-4-1-eco-critical-analysis.md)
  - [10.4.2 The Eco-Critical Reading](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/10-4-2-the-eco-critical-reading.md)
  - [10.4.3 Post-pastoral](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/10-4-3-post-pastoral.md)
- 10.5 Other Debates
  - [10.5.1 The Play as Tragedy](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/10-5-1-the-play-as-tragedy.md)
  - [10.5.2 The Critics](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/10-5-2-the-critics.md)

### 11 Recap: Main Quotes
- 11.1 Characters Quotes
  - [11.1.1 Willy Loman](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/11-1-1-willy-loman.md)
  - [11.1.2 Linda Loman](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/11-1-2-linda-loman.md)
  - [11.1.3 Biff Loman](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/11-1-3-biff-loman.md)
  - [11.1.4 Happy Loman](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/11-1-4-happy-loman.md)
  - [11.1.5 Uncle Ben](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/11-1-5-uncle-ben.md)
  - [11.1.6 Charley](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/11-1-6-charley.md)
  - [11.1.7 Bernard](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/11-1-7-bernard.md)
- 11.2 Quotes by Act
  - [11.2.1 Act One: Key Events 1-3 Quotes](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/11-2-1-act-one-key-events-1-3-quotes.md)
  - [11.2.2 Act One: Key Events 4-6 Quotes](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/11-2-2-act-one-key-events-4-6-quotes.md)
  - [11.2.3 Act One: Key Events 7-9 Quotes](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/11-2-3-act-one-key-events-7-9-quotes.md)
  - [11.2.4 Act One: Key Events 10-12 Quotes](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/11-2-4-act-one-key-events-10-12-quotes.md)
  - [11.2.5 Act One: Stage Direction Quotes](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/11-2-5-act-one-stage-direction-quotes.md)
  - [11.2.6 Act One: The Woman Quotes](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/11-2-6-act-one-the-woman-quotes.md)
  - [11.2.7 Act Two: Key Events 1-2 Quotes](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/11-2-7-act-two-key-events-1-2-quotes.md)
  - [11.2.8 Act Two: Key Events 3-4 Quotes](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/11-2-8-act-two-key-events-3-4-quotes.md)
  - [11.2.9 Act Two: Key Events 5-6 Quotes](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/11-2-9-act-two-key-events-5-6-quotes.md)
  - [11.2.10 Act Two: Key Events 7-8 Quotes](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/11-2-10-act-two-key-events-7-8-quotes.md)
  - [11.2.11 Act Two: Key Events 9-10 Quotes](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/11-2-11-act-two-key-events-9-10-quotes.md)
  - [11.2.12 Act Two: Howard's Office Quotes](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/11-2-12-act-two-howards-office-quotes.md)
  - [11.2.13 Act Two: The Requiem Quotes](https://senecalearning.com/en-gb/revision-notes/a-level/english-literature/aqa/death-of-a-salesman/11-2-13-act-two-the-requiem-quotes.md)